,,Phoebe and her Companion" is not a classic story, it is no stage play, no poem. The conversation is in the foreground, the actions appear to be incidental, the thoughts and talks carry on through the text. The conversations between Phoebe and her companion are based on Bible passages in which God is to be recognized in his emotionality. In the text, Phoebe hears God, whom she only knows as her companion, talking about his emotions from the first person perspective. Someone who is nearly consumed by his anger, who is low-spirited because of disappointment and sings while being in love.
One moment, one spot, one girl--they completely turned his world upside down. Jigoku Shi's life had always been rather eventful, especially as a Love-Demon fighting and killing to survive, with a goddess watching his every step. But it all got even more messed up when he met young Misaki Queen, a girl he was supposed to kill. For the first time, his heart seemed to overrule his head. And that is killing him, literally.
A heartfelt story about family, forgiveness, and starting over when the happy ending ends—and handling it all with a little bit of grace. Family is everything—Grace Adams McHale's mom must have said it to her a thousand times before she died. Before Grace's dad ran off with an aspiring actress half his age. Before only-child Grace found out she was unable to have children of her own. Before Brian—her childhood best friend, business partner, and finally her husband—dropped a "bombshell" on her in the form of her stunning new replacement. Which means Grace now has...nothing. Until she receives a letter from a woman claiming to be a relative Grace never knew she had, sending her on a journey from the childhood home she had to move back into, to a Florida island to meet a total stranger who embraces her as family. There, Grace starts to uncover answers about the eccentric woman her family never mentioned: a larger-than-life octogenarian who is the keeper of a secret held for more than fifty years, and the ultimate inspiration to always be true to yourself. As Grace gets to know this woman and picks up the pieces of her own shattered life, she is forced to question whether she can find forgiveness for the unforgivable.
*SOON TO BE A HULU ORIGINAL SERIES* *ONE of NPR’s and TIME’s BEST BOOKS of the YEAR * NAMED A MOST ANTICIPATED BOOK of the YEAR by WOMAN’S DAY, NEWSDAY, PUBLISHERS WEEKLY, BUSTLE, and BOOK RIOT!* “A book that sneaks up on you...I am hooked.” —Roxane Gay, New York Times bestselling author This acclaimed and “welcome debut from a seriously talented author” (New York Post) is a disarmingly honest, unapologetically black, and undeniably witty novel that will speak to those who have gone looking for love and found something very different in its place. Queenie Jenkins is a twenty-five-year-old Jamaican British woman living in London, straddling two cultures and slotting neatly into neither. She works at a national newspaper, where she’s constantly forced to compare herself to her white middle class peers. After a messy break up from her long-term white boyfriend, Queenie seeks comfort in all the wrong places…including several hazardous men who do a good job of occupying brain space and a bad job of affirming self-worth. As Queenie careens from one questionable decision to another, she finds herself wondering, “What are you doing? Why are you doing it? Who do you want to be?”—all of the questions today’s woman must face in a world trying to answer them for her. “A must-read novel about sex, selfhood, and the best friendships that get us through it all” (Candace Bushnell, New York Times bestselling author), Queenie is a remarkably relatable exploration of what it means to be a modern woman searching for meaning in today’s world.
The Catcher in the Rye," written by J.D. Salinger and published in 1951, is a classic American novel that explores the themes of adolescence, alienation, and identity through the eyes of its protagonist, Holden Caulfield. The novel is set in the 1950s and follows Holden, a 16-year-old who has just been expelled from his prep school, Pencey Prep. Disillusioned with the world around him, Holden decides to leave Pencey early and spend a few days alone in New York City before returning home. Over the course of these days, Holden interacts with various people, including old friends, a former teacher, and strangers, all the while grappling with his feelings of loneliness and dissatisfaction. Holden is deeply troubled by the "phoniness" of the adult world and is haunted by the death of his younger brother, Allie, which has left a lasting impact on him. He fantasizes about being "the catcher in the rye," a guardian who saves children from losing their innocence by catching them before they fall off a cliff into adulthooda. The novel ends with Holden in a mental institution, where he is being treated for a nervous breakdown. He expresses some hope for the future, indicating a possible path to recovery..
"Editing your own writing can feel like doing your own brain surgery.?"After you've completed your manuscript and you're standing at the foot of Revision Mountain, climbing to the summit can feel impossible. It's hard to look at your own writing with the objective eye needed to shape it into a tight, polished, publishable story-but just like writing, self-editing is a skill you can learn.Developmental editor Tiffany Yates Martin has spent her career in the publishing industry honing practical, actionable techniques to help authors evaluate how well their story is working, where it might not be, and how to fix it.With a clear, accessible, user-friendly approach, she leads writers through every step of deepening and elevating their own work, as well as how to approach the edit and develop their "editor brain," and how to solicit and process feedback. Intuitive Editing doesn't offer one-size-fits-all advice or rigid writing "rules"; instead it helps authors discover what works for their story and their style-to find the best version of their vision. Whether you're writing fiction, narrative nonfiction, or memoir; whether this your first story or your fiftieth, Intuitive Editing will give you the tools you need to edit and revise your own writing with inspiration, motivation, and confidence. Tiffany Yates Martin has spent nearly thirty years as an editor in the publishing industry, working with major publishers and bestselling authors as well as newer writers. She's led workshops and seminars for conferences and writers' groups across the country and is a frequent contributor to writers' sites and publications. Visit her at www.foxprinteditorial.com.
Stephenie Meyer meets John Green in this original supernatural romance! Love knows no boundaries . . . even death. Phoebe Kendall is just your typical goth girl with a crush. He's strong and silent . . . and dead. All over the country, a strange phenomenon is occurring. Some teenagers who die aren't staying dead. But when they come back to life, they are no longer the same. Feared and misunderstood, they are doing their best to blend into a society that doesn’t want them. The administration at Oakvale High attempts to be more welcoming of the 'differently biotic'. But the students don’t want to take classes or eat in the cafeteria next to someone who isn’t breathing. And there are no laws that exist to protect the 'living impaired' from the people who want them to disappear—for good. When Phoebe falls for Tommy Williams, the leader of the dead kids, no one can believe it; not her best friend, Margi, and especially not her neighbor, Adam, the star of the football team. Adam has feelings for Phoebe that run much deeper than just friendship; he would do anything for her. But what if protecting Tommy is the one thing that would make her happy? The first book in the bestselling Generation Dead series. Also by Daniel Waters: The Kiss of Life Passing Strange
For all of her 16 years, Terra has lived on a city within a spaceship that left Earth 500 years ago seeking refuge. But as they finally approach the chosen planet, she is drawn into a secret rebellion that could change the fate of her people.
If he had been with me everything would have been different... I wasn't with Finn on that August night. But I should've been. It was raining, of course. And he and Sylvie were arguing as he drove down the slick road. No one ever says what they were arguing about. Other people think it's not important. They do not know there is another story. The story that lurks between the facts. What they do not know—the cause of the argument—is crucial. So let me tell you...
