Break the new girl.That should be easy, right?Trash like her doesn't belong at Burberry Prep.No, Marnye Reed is going down, and we plan to make a spectacle out of it.Let's see who can make her fall in love first.Bet's on. Any takers?***Take on the filthy rich boys.They're the idols of the school, veritable gods on earth.Old Money. New money. A rising star.These guys are nothing like the ones at my old school.I might come from nothing, but I'm determined to be someone, and I won't let them get in my way.They say they'll make my life a living hell; I think they mean to keep that promise.***FILTHY RICH BOYS is a 97,000 word reverse harem/mature high school bully romance novel. This is book one of four in the series. Contains foul language and sexual scenes; any sex featured is consensual.
Break the rich boys.It's tricky, but doable.Jerks like them don't deserve to rule Burberry Prep.No, Tristan, Zayd, and Creed are going to pay, and I plan to make an example of them.Then there's Zack, the varsity football d*ck. Oh, and did I mention a prince just transferred to the academy? Whatever will I do with those two?Revenge is wicked sweet; I can't wait for a taste.***Defend ourselves against the charity case.We're the Idols of the school, the kings of the campus.Marnye Elizabeth Reed.That girl is nothing like the ones we're used to. We just can't decide if we hate her ... or love her.She might come from nothing, but she sure is determined to stir up something at the academy.She says she'll meet our challenge dead-on; we'll make sure she regrets that.***BAD, BAD BLUEBLOODS is a 94,000 word reverse harem/dark high school bully romance novel. This is book two of four in the series. Contains foul language and sexual situations; any sex featured is consensual.
Twenty years after the release of Nirvana’s landmark album Nevermind comes Everybody Loves Our Town: An Oral History of Grunge, the definitive word on the grunge era, straight from the mouths of those at the center of it all. In 1986, fledgling Seattle label C/Z Records released Deep Six, a compilation featuring a half-dozen local bands: Soundgarden, Green River, Melvins, Malfunkshun, the U-Men and Skin Yard. Though it sold miserably, the record made music history by documenting a burgeoning regional sound, the raw fusion of heavy metal and punk rock that we now know as grunge. But it wasn’t until five years later, with the seemingly overnight success of Nirvana’s “Smells Like Teen Spirit,” that grunge became a household word and Seattle ground zero for the nineties alternative-rock explosion. Everybody Loves Our Town captures the grunge era in the words of the musicians, producers, managers, record executives, video directors, photographers, journalists, publicists, club owners, roadies, scenesters and hangers-on who lived through it. The book tells the whole story: from the founding of the Deep Six bands to the worldwide success of grunge’s big four (Nirvana, Pearl Jam, Soundgarden and Alice in Chains); from the rise of Seattle’s cash-poor, hype-rich indie label Sub Pop to the major-label feeding frenzy that overtook the Pacific Northwest; from the simple joys of making noise at basement parties and tiny rock clubs to the tragic, lonely deaths of superstars Kurt Cobain and Layne Staley. Drawn from more than 250 new interviews—with members of Nirvana, Pearl Jam, Soundgarden, Alice in Chains, Screaming Trees, Hole, Melvins, Mudhoney, Green River, Mother Love Bone, Temple of the Dog, Mad Season, L7, Babes in Toyland, 7 Year Bitch, TAD, the U-Men, Candlebox and many more—and featuring previously untold stories and never-before-published photographs, Everybody Loves Our Town is at once a moving, funny, lurid, and hugely insightful portrait of an extraordinary musical era.
A sex scandal, a pair of shootings, and internal racism complicate an obscure college football team's quest for an epic bowl game victory. Black alumnus/entrepreneur Arthur Allenby and white counselor Malcolm Wade, introduced in Phil Hutcheon's NOBODY ROOTS FOR GOLIATH, rejoin forces to help the CSU team to face these and other obstacles while struggling to salvage their own embattled romantic relationships. DESPERATION PASSES celebrates interracial friendships and emerging leadership opportunities for African Americans but ridicules the hypocrisy of university administrators who overpay opportunistic head coaches while ignoring the academic deficiencies of student-athletes. Readers of Nick Hornby and Tom Perrotta will revel in this allusive, racy romp, tinged with tragedy but loaded with laughs, not just for football fans, but for anyone who has butted heads with brain-dead bureaucrats or survived a heartbreak and carried a torch.
Whether they're self-taught bashers or technical wizards, drummers are the thrashing, crashing heart of our favorite punk bands. In Forbidden Beat, some of today's most respected writers and musicians explore the history of punk percussion with personal essays, interviews and lists featuring their favorite players and biggest influences. From 60s garage rock and proto-punk to 70s New York and London, 80s hardcore and D-beat to 90s pop punk and beyond, Forbidden Beat is an uptempo ode to six decades of punk rock drumming. Featuring Ira Elliot, Curt Weiss, John Robb, Hudley Flipside, Bon Von Wheelie, Joey Shithead, Matt Diehl, D.H. Peligro, Mike Watt, Lynn Perko-Truell, Pete Finestone, Laura Bethita Neptuna, Jan Radder, Jim Ruland, Eric Beetner, Jon Wurster, Lori Barbero, Joey Cape, Marko DeSantis, Mindy Abovitz, Steven McDonald, Kye Smith, Ian Winwood, Phanie Diaz, Benny Horowitz, Shari Page, Urian Hackney, and Rat Scabies.
A concise yet comprehensive account of the origins and evolution of rock music, emphasizing its interaction with social change and cultural trends. The narrative begins with ``the birth of the blues'' and proceeds to discuss the major (and mention the minor) performers and to identify the significant styles. These include Fifties rockabilly, folk/protest, the British Invasion, acid rock, punk/New Wave, and Eighties revivalism. Using a lively, anecdotal approach and pertinent quotes, the author examines the appropriate political, economic, technological, or psychological context of each topic, e.g., the relationship between Dylan's music and JFK's New Frontier. A primary focus throughout is on the contributions of blacks and the role of racism. Paul Feehan, Univ. of Miami Lib., Coral Gables, Fla. - Library Journal.
What happens when a baby is abandoned in the richest country in the world? Five college students are about to find out.With a theme from Dickens, a narrative technique from Faulkner, and a diverse cast of characters from the gritty, All-American city of Stockton, California, A Child Left Behind invites readers to consider the humanitarian crises right under our noses, even while CNN shows us those at our borders and around the world. Tackling a new topic with the same "inherently compelling...memorably irreverent" (Midwest Book Review) style of his previous novels, Phil Hutcheon has crafted another "hilariously inappropriate" (Kirkus Reviews) contemporary tale.
