Four Years in British Columbia and Vancouver Island
Author: Richard Charles Mayne
Publisher:
Published: 1862
Total Pages: 564
ISBN-13:
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Author: Richard Charles Mayne
Publisher:
Published: 1862
Total Pages: 564
ISBN-13:
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Publisher: Penguin UK
Published: 2018-05-31
Total Pages: 317
ISBN-13: 014139594X
DOWNLOAD EBOOKA new edition of the most widely known and popular collection of Japanese poetry. The best-loved and most widely read of all Japanese poetry collections, the Ogura Hyakunin Isshu contains 100 short poems on nature, the seasons, travel, and, above all, love. Dating back to the seventh century, these elegant, precisely observed waka poems (the precursor of haiku) express deep emotion through visual images based on a penetrating observation of the natural world. Peter MacMillan's new translation of his prize-winning original conveys even more effectively the beauty and subtlety of this magical collection. Translated with an introduction and commentary by Peter MacMillan.
Author: Gilbert Malcolm Sproat
Publisher: London : Smith, Elder
Published: 1868
Total Pages: 366
ISBN-13:
DOWNLOAD EBOOKAuthor: Jidong Yang
Publisher: Association for Asian Studies
Published: 2020-12
Total Pages: 400
ISBN-13: 9780924304972
DOWNLOAD EBOOKBeyond the Book is the first book dedicated to studies of rare East Asian materials collected by individuals and institutions in North America. It sheds new light on the two centuries of cultural exchanges between East Asia and North America and provides fresh clues for East Asian studies scholars in their hunt for raw research materials.
Author: Jim Wong-Chu
Publisher: arsenal pulp press
Published: 2019-04-02
Total Pages: 174
ISBN-13: 1551527499
DOWNLOAD EBOOKJim Wong-Chu was the founder of the Asian Canadian Writers’ Workshop which spawned many literary stars, including Madeleine Thien, Denise Chong, and Wayson Choy. When he passed away in 2017, at the age of sixty-eight, he left not only a void in the Asian Canadian writing and publishing community but also a legacy of his own work that was never fully recognized. Jim’s poems speak eloquently to the Chinese experience in North America, both historical and present-day. This book includes Jim’s evocative Chinatown photographs, revealing the soul of a community threatened by gentrification and displacement. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A book with many images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.
Author: James G. Swan
Publisher:
Published: 1857
Total Pages: 448
ISBN-13:
DOWNLOAD EBOOK"The intention of this volume is to give a general and concise account of that portion of the Northwest Coast lying between the Straits of Fuca and the Columbia River."--P. [v].
Author: Emily Carr
Publisher: D & M Publishers
Published: 2009-12-01
Total Pages: 450
ISBN-13: 1926685962
DOWNLOAD EBOOKEmily Carr’s journals from 1927 to 1941 portray the happy, productive period when she was able to resume painting after dismal years of raising dogs and renting out rooms to pay the bills. These revealing entries convey her passionate connection with nature, her struggle to find her voice as a writer, and her vision and philosophy as a painter.
Author: Jim Cheng
Publisher: Columbia University Press
Published: 2016-04-19
Total Pages: 586
ISBN-13: 0231540337
DOWNLOAD EBOOKCompiled by two skilled librarians and a Taiwanese film and culture specialist, this volume is the first multilingual and most comprehensive bibliography of Taiwanese film scholarship, designed to satisfy the broad interests of the modern researcher. The second book in a remarkable three-volume research project, An Annotated Bibliography for Taiwan Film Studies catalogues the published and unpublished monographs, theses, manuscripts, and conference proceedings of Taiwanese film scholars from the 1950s to 2013. Paired with An Annotated Bibliography for Chinese Film Studies (2004), which accounts for texts dating back to the 1920s, this series brings together like no other reference the disparate voices of Chinese film scholarship, charting its unique intellectual arc. Organized intuitively, the volume begins with reference materials (bibliographies, cinematographies, directories, indexes, dictionaries, and handbooks) and then moves through film history (the colonial period, Taiwan dialect film, new Taiwan cinema, the 2/28 incident); film genres (animated, anticommunist, documentary, ethnographic, martial arts, teen); film reviews; film theory and technique; interdisciplinary studies (Taiwan and mainland China, Taiwan and Japan, film and aboriginal peoples, film and literature, film and nationality); biographical materials; film stories, screenplays, and scripts; film technology; and miscellaneous aspects of Taiwanese film scholarship (artifacts, acts of censorship, copyright law, distribution channels, film festivals, and industry practice). Works written in multiple languages include transliteration/romanized and original script entries, which follow universal AACR-2 and American cataloguing standards, and professional notations by the editors to aid in the use of sources.
Author: Bruce Rusk
Publisher: Columbia University Press
Published: 2021-05-11
Total Pages: 793
ISBN-13: 0231551371
DOWNLOAD EBOOK“Information” has become a core concept across the disciplines, yet it is still often seen as a unique feature of the Western world that became central only in the digital age. In this book, leading experts turn to China’s textual tradition to show the significance of information for reconceptualizing the work of literary history, from its beginnings to the present moment. Contributors trace the organization of literary information across China’s three millennia of history, examining the forms and practices of information management that have evolved alongside the increasing scale and complexity of textual production. They reimagine literary history as information processing, detailing the many kinds of storage, encoding, sorting, and transmission that constitute and feed back into China’s long and ever-growing cultural tradition. The volume features state-of-the-field essays on all major forms of literary information management, from graphs to internet literature, and from commentaries to literary museums and archives. By shifting focus from individual works and their authors to the informatic schemata of literature, it identifies three scales of information management—the word, the document, and the collection—and surveys the forms that operate at each level, such as the dictionary, the anthology, and the library. Literary Information in China is a groundbreaking work that provides a systematic and innovative reassessment of literary history with implications that extend beyond the particular Chinese context, revealing how informatic practices shape literary tradition.
Author: Gregory Betts
Publisher: University of Toronto Press
Published: 2021-07-30
Total Pages: 393
ISBN-13: 1487531982
DOWNLOAD EBOOKExperimental literature accelerated dramatically in Vancouver in the 1960s as the influence of New American poetics merged with the ideas of Marshall McLuhan. Vancouver poets and artists began thinking about their creative works with new clarity and set about testing and redefining the boundaries of literature. As new gardes in Vancouver explored the limits of text and language, some writers began incorporating collage and concrete poetics into their work while others delved deeper into unsettling, revolutionary, and Surrealist imagery. There was a presumption across the avant-garde communities that radical openness could provoke widespread socio-political change. In other words, the intermedia experimentation and the related destruction of the line between art and society pushed art to the frontlines of a broad socio-political battle of the collective imagination of Vancouver. Finding Nothing traces the rise of the radical avant-garde in Vancouver, from the initial salvos of the Tish group, through Blewointment’s spatial experiments, to radical Surrealisms and new feminisms. Incorporating images, original texts, and interviews, Gregory Betts shows how the VanGardes signalled a remarkable consciousness of the globalized forces at play in the city, impacting communities, orientations, races, and nations.