Perhaps Love is a compendium of romantic poems composed by the author over many decades, intimately reflective of a serene storgic dying entity of true self sacrificing love. It is written beautifully with a style so sublime, such that the interpretation is left open to the reader, depending on their individual context and frame of mind, which could range from lovers to best of friends. The style is rich and varies from sonnets to horatic and Pindaric odes dedicated to the lover and his beloved. Perhaps Love is an enjoyable read for anyone at any level. People with a passion for literary art can appreciate its full depth. The author is truly an enigmatic individual to many of us who intimately know him. He has a depth that is unfathomable to many and I consider myself truly privileged to know him as my father figure both personally and professionally.
A new normal has replaced the established order. Distant relationships, virtual work, blurred futures and measuring our way back to this reality occupy us every day. Negotiating these changes, Sanil Sachar's And . . . Perhaps Love will work as your companion. It is a silent observer for when you want to read it, and a patient listener when you wish to communicate with it. Capturing the ideas of love, darkness and the attempt to find balance in life, this is a book for now and forever.
Love is a little word with a universe of meanings and has engaged people’s interest throughout human history. The need to give and receive love lies deep within human nature. Philosophers, poets, theologians, sociologists, and scientists have all attempted to explain its exact origin, but is it an evolutionary adaptation, or a social construct? Walsh discusses that the nature of and need for love has biological origins. He draws upon Darwin’s sexual selection theory to define the perceptions of love by infants through the process of experience-dependent brain wiring. He observes that mother love makes a child capable of loving and that father love makes a child feel worthy of love. He appraises the origin and purpose of romantic love in his discussions on sexual reproduction by looking at chemical and neurological responses to love and the influence of love on one’s physical and mental health. With frequent quotes from literary masters like Shakespeare to orient one’s scientific and humanistic understanding of love, Walsh goes on to explore various styles of romantic love, including monogamy, promiscuity, bartering love, and betrayed love; the effects of a skewed sex ratio on dating and mating practices; and the age-old quest for a perfect society populated by perfect people obeying the biblical command to “love one another.”
This unique, timely book of original essays sets the stage for a new materialist feminist debate on the analysis, ethics and politics of love. The contributors raise questions about social power and domination, situating their research in a materialist feminist perspective that investigates love historically, in order to understand changing ideologies, representations and practices. The essays range from studies of particular representations and examples of love - feminist translation, mass media images and internet love blogs - to feminist theories of love and marriage, to ethical and political theories describing, critiquing or advocating the use of love in groups as a radical force. They break new ground in bringing together questions of gendered interests in love, temporal dimensions of loving practices and the politics of love in radical transformations of society.
Harlequin Presents brings you four full-length stories in one collection! Experience the glamorous lives of royals and billionaires, where passion knows no bounds. Be swept into a world of luxury, wealth and exotic locations. This box set includes: CROWNED FOR HIS CHRISTMAS BABY (A Pregnant Princesses novel) by NEW YORK TIMES bestselling author Maisey Yates After being swept up in Prince Vincenzo’s revenge plans, Eloise is carrying his surprise heir. And the man who vowed never to marry is claiming her – as his royal Christmas bride! A CONTRACT FOR HIS RUNAWAY BRIDE (A Scandalous Campbell Sisters novel) by USA TODAY bestselling author Melanie Milburne Elodie needs billion-dollar backing to make a success of her fashion brand. As if pitching to a billionaire wasn’t hard enough, Lincoln Lancaster is her ex-fiancé! He’ll help her, but his deal has one condition: she’ll finally meet him at the altar… RECLAIMED FOR HIS ROYAL BED by Maya Blake Having tracked Delphine down, King Lucca can finally lay his family’s scandalous past to rest…if she agrees to play the golden couple in public. And once again set alight by his touch, will Delphie reveal the explosive reason why she left…? THE BILLIONAIRE WITHOUT RULES (A Lost Sons of Argentina novel) by Lucy King Billionaire Max plays by his own rules but, there’s one person stood between him and the truth of his birth: tantalizingly tenacious private investigator Alex. Who’s demanding they do things her way! For more stories filled with passion and drama, look for Harlequin Presents December 2021 Box Set – 2 of 2
Depictions within a movie of either filmmaking or film watching are hardly novel, but the dramatic expansion of the reach of the metacinematic into contemporary Chinese cinemas is nothing short of remarkable. To G. Andrew Stuckey, the prevalence of metacinematic features forms the basis of a discourse on film arising from the films themselves. Such a discourse, in turn, outlines the boundaries of the possible for film in China as aesthetic or sociopolitical practice. Metacinema also draws our attention to the presence of the audience, people actively responding to a film. In elucidating the affective responses elicited by the metacinematic mode in the viewers, Stuckey argues that metacinema reflects ways of being in the world that audiences may take up for themselves. The films studied in this book are drawn across the full spectrum of Chinese films made in mainland China, Hong Kong, and Taiwan during the 1990s and 2000s, from award-winning conceptual art films to popular crowd pleasers, blockbusters to low-budget productions, and documentary-style social realist exposé projects to studio assembly-line investments. The recurrence of the metacinematic across this broad range of works is indicative of its relevance to Chinese films today, and the analysis of these diverse examples allows us to gauge the cultural, social, and aesthetic implications of Chinese cinemas as a whole. “Stuckey surveys a broad swath of contemporary Chinese cinema, from popular blockbusters to elite art films, around the theme of metacinema, yielding new insights into both previously neglected films and those already acknowledged as contemporary classics. The result is a fascinating dive into the growing and diversifying cinema culture of China today.” —Jason McGrath, University of Minnesota “Stuckey’s brilliant work, Metacinema in Contemporary Chinese Film, offers insightful close analyses of films by key directors from the PRC (Jiang Wen, Lou Ye, Jia Zhangke, and Li Yu), Hong Kong (Peter Chan), and Taiwan (Tsai Ming-liang). This clearly written book is essential reading for scholars and students of Chinese cinemas. Stuckey’s study of genre and metacinema makes it a must-read for anyone interested in cinema.” —Michelle Bloom, University of California, Riverside
In SARS Stories, Belinda Kong delves into the cultural archive of the 2003 SARS pandemic, examining Chinese-language creative works and social practices at the epicenters of the outbreak in China and Hong Kong. As the COVID-19 pandemic has highlighted issues of anti-Asian racism and sinophobia, Kong traces how Chinese people navigated the SARS pandemic and created meaning amid crisis through cultures of epidemic expression. From sentimental romances and Cantopop songs to raunchy sex comedies and crowdsourced ghost tales, unexpected and minor genres and creators of Chinese popular culture highlight the resilience and humanity of those living through the pandemic. Rather than narrating pandemic life in terms of crisis and catastrophe, Kong argues that these works highlight Chinese practices of community, care, and love amid disease. She also highlights the persistence of orientalism in anglophone accounts of SARS index patients and global reporting on COVID-era China. Kong shows how the Chinese experiences of living with SARS can reshape global feelings toward pandemic social life and foster greater fellowship in the face of pandemics.
Taking as its point of departure the three recurrent themes of nostalgia, memory and local histories, this book is an attempt to map out a new poetics - the 'post-nostalgic imagination' - in Hong Kong cinema in the first decade of Chinese rule.
