Performing Marginality

Performing Marginality

Author: Joanne R. Gilbert

Publisher: Wayne State University Press

Published: 2004

Total Pages: 260

ISBN-13: 9780814328033

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An academic study of stand-up comedy performed by females. This will aid in the understanding of power structures in our society.


Body and Performance

Body and Performance

Author: Sandra Reeve

Publisher: Triarchy Press

Published: 2013-06-28

Total Pages: 181

ISBN-13: 1909470171

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The first volume in this series, Nine Ways of Seeing a Body, explored different conceptions of the body in recent Western history (body as object, body as subject, somatic body, etc.).This new collection highlights 12 contemporary approaches to the body (lenses) that are currently being used by performers or in the context of performance training. The lenses draw on somatic practices like the Feldenkrais Method, the Alexander Technique and Body-Mind Centering, and approaches like Object Relations, Corporeal Feminism and Embodied Cognition. Other chapters illuminate the role of the body in music and devised performance, in experimental opera and in classical Sanskrit theatre. Instead of trying to 'improve' or 'enhance' the performer's body or vocal output, all 12 lenses emphasise the interdependence of body andplace, society, culture and other bodies. They also share the idea of the body as flux rather than fixed identity. Each approach is interlaced with a case study showing how it can be applied in practice. Students, dancers, performers, singers, musicians, directors and choreographers can find their own preferred approach(es) to the body-in-performance amongst the lenses described here and can explore alternatives that might enrich their current vocabulary.


New York Women of Wit in the Twentieth Century

New York Women of Wit in the Twentieth Century

Author: Sabrina Fuchs Abrams

Publisher: Penn State Press

Published: 2023-12-05

Total Pages: 348

ISBN-13: 0271097027

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Seen as too smart, too sassy, too sexy, and too strident, female humorists have been resisted and overlooked. New York Women of Wit in the Twentieth Century corrects this tendency, focusing on the foremothers of women’s humor in modern America, who used satire, irony, and wit as indirect forms of social protest. This book focuses on the women who stood on the periphery of predominantly male New York intellectual circles in the twentieth century. Sabrina Fuchs Abrams argues that the advent of modernism, the women’s suffrage movement, the emergence of the New Woman and the New Negro Woman, and the growth of urban centers in the 1920s and ’30s gave rise to a new voice of women’s humor, one that was at once defiant and conflicted in defining female identity and the underlying assumptions about gender roles in American society. Her study gives special attention to the contributions of the satirists Edna St. Vincent Millay (pseudonym Nancy Boyd), Tess Slesinger, Dorothy Parker, Jessie Redmon Fauset, Dawn Powell, and Mary McCarthy. Grounded in theories of humor, feminist and critical race theory, and urban studies, this book will find an audience among scholars and students interested in women writers, feminist humor, modern American literature, and African American studies.


Research Methods in Performance Studies

Research Methods in Performance Studies

Author: Craig Gingrich-Philbrook

Publisher: Taylor & Francis

Published: 2023-05-05

Total Pages: 358

ISBN-13: 135104477X

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Research Methods in Performance Studies offers a unique approach for readers to engage with performance research and methods in practice. It examines ways of making performance, researching performance cultures, researching performers who themselves are engaged in research, and conducting research in the context of enduring and emergent themes of performance studies inquiry. This book features the work of eighteen scholar-artists currently working in performance studies who demonstrate—through applied projects—various methods for conducting performance research. The result is a wide array of novel scholarship including activist performance, slam poetry, video performance, stand-up comedy, adaptation for the Broadway stage, naturecultural performance, intersectional performance, performances of cultural and material preservation, and many others. Faculty, undergraduate and graduate students, and performance practitioners alike will benefit from the approaches to performance studies research methods articulated by the scholar-artists featured in this collection.


Understanding Disability Studies and Performance Studies

Understanding Disability Studies and Performance Studies

Author: Bruce Henderson

Publisher: Routledge

Published: 2013-09-13

Total Pages: 271

ISBN-13: 1317987489

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This collection brings together scholarship and creative writing that brings together two of the most innovative fields to emerge from critical and cultural studies in the past few decades: Disability studies and performance studies. It draws on writings about such media as live performance art, photography, silent film, dance, personal narrative and theatre, using such diverse perspectives and methods as queer theory, gender, feminist, and masculinity studies, dance studies, as well as providing first publication of creative writings by award-winning poets and playwrights. This book was based on a special issue of Text and Performance Quarterly.


Women in Performance

Women in Performance

Author: Sarah Gorman

Publisher: Routledge

Published: 2020-07-22

Total Pages: 299

ISBN-13: 1315404885

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Women in Performance: Repurposing Failure charts the renewed popularity of intersectional feminism, gender, race and identity politics in contemporary Western experimental theatre, comedy and performance through the featured artists’ ability to strategically repurpose failure. Failure has provided a popular frame through which to theorise recent avantgarde performance, even though the work rarely acknowledges stakes tend to be higher for women than men. This book analyses the imperative work of a number of female, non-binary and trans* practitioners who resist the postmodern doctrine of ‘post-identity’ and attempt to foster a sense of agency on stage. By using feminism as a critical lens, Gorman interrogates received ideas about performance failure and negotiates contradictions between contemporary white feminism, intersectional feminism, gender and sexuality. Women in Performance: Repurposing Failure reveals how performance has the power to both observe and reject contemporary feminist and postmodern theory, rendering this text an invaluable resource for theatre and performance studies students and those grappling with the disciplinary tensions between feminism, gender, queer and trans* studies.


The Humanities in a World Upside-Down

The Humanities in a World Upside-Down

Author: Ignacio López-Calvo

Publisher: Cambridge Scholars Publishing

Published: 2018-06-11

Total Pages: 196

ISBN-13: 1527512150

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Following the metaphor of “the world upside-down,” this essay collection highlights the importance of the humanities in addressing, along with the sciences, pressing challenges in today’s rapidly changing world. Crossing across a variety of disciplines, historical periods, and regions in the world, this volume represents a useful tool for humanities scholars and students exploring the key role of our disciplines in public debates about pressing issues, such as the refugee crisis, climate change denialism, environmental justice, racism, and the current worldwide crisis of democracy. It provides practical examples of how societies throughout the world have historically coped with unexpected and distressing changes in government, core values, axiomatic systems, assumptions, beliefs, ideology, or cultural constructions. The feeling of topsy-turvy consternation as a result of sudden, harrowing change, as is shown here, is not new; rather, it has simply evolved throughout time and space.


Women and Comedy

Women and Comedy

Author: Peter Dickinson

Publisher: Rowman & Littlefield

Published: 2014-03-27

Total Pages: 292

ISBN-13: 1611476445

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Women and Comedy: History, Theory, Practice presents the most current international scholarship on the complexity and subversive potential of women’s comedic speech, literature, and performance. Earlier comedy theorists such as Freud and Bergson did not envision women as either the agents or audiences of comedy, only as its targets. Only more recently have scholarly studies of comedy begun to recognize and historicize women’s contributions to—and political uses of—comedy. The essays collected here demonstrate the breadth of current scholarship on gender and comedy, spanning centuries of literature and a diversity of methodologies. Through a reconsideration of literary, theatrical, and mass media texts from the Classical period to the present, Women and Comedy: History, Theory, Practice responds to the historical marginalization and/or trivialization of both women and comedy. The essays collected in this volume assert the importance of recognizing the role of women and comedy in order to understand these texts, their historical contexts, and their possibilities and limits as models for social engagement. In the spirit of comedy itself, these analyses allow for opportunities to challenge and reevaluate the theoretical approaches themselves.


A Cultural History of Comedy in the Modern Age

A Cultural History of Comedy in the Modern Age

Author: Louise Peacock

Publisher: Bloomsbury Publishing

Published: 2021-12-30

Total Pages: 240

ISBN-13: 1350187836

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Drawing together contributions by scholars from a variety of fields, including theater, film and television, sociology, and visual culture, this volume explores the range and diversity of comedic performance and comic forms in the modern age. It covers a range of forms and examples from 1920 to the present day, including plays, film, television comedy, live comedy, and comedy on social media. It argues that the period covered was marked by an explosion of comic forms and a flowering of comic creativity across a range of media. From the communal watching of silent films at the start of the period, to the use of Twitter and other online platforms to share and comment on comedy, technology has brought about significant changes in its form, consumption, and social effects. As comic forms have shifted and developed, so too have attitudes to what comedy can and cannot do. This study considers its role in entertainment and in provoking consideration of a range of social and political topics. Each chapter takes a different theme as its focus: form, theory, praxis, identities, the body, politics and power, laughter, and ethics. These eight different approaches to comedy add up to an extensive, synoptic coverage of the subject.


Minority Discourses in Germany since 1990

Minority Discourses in Germany since 1990

Author: Ela Gezen

Publisher: Berghahn Books

Published: 2022-04-08

Total Pages: 294

ISBN-13: 180073428X

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While German unification promised a new historical beginning, it also stirred discussions about contemporary Germany’s Nazi past and ideas of citizenship and belonging in a changing Europe. Minority Discourses in Germany Since 1990 explores the intersections and divergences between Black German, Turkish German, and German Jewish experiences, with reflections on the evolving academic paradigms with which these are studied. Informed by comparative approaches, the volume investigates social and aesthetic interventions into contemporary German public and political discourse on memory, racism, citizenship, immigration, and history.