This volume illuminates both the interaction of these technologies and the role of materiality in research, design and practice, and provides an overview of representative design projects and relevant theories.
The Routledge Companion to Paradigms of Performativity in Design and Architecture focuses on a non-linear, multilateral, ethical way of design thinking, positioning the design process as a journey. It expands on the multiple facets and paradigms of performative design thinking as an emerging trend in design methodology. This edited collection explores the meaning of performativity by examining its relevance in conjunction with three fundamental principles: firmness, commodity and delight. The scope and broader meaning of performativity, performative architecture and performance-based building design are discussed in terms of how they influence today’s design thinking. With contributions from 44 expert practitioners, educators and researchers, this volume engages theory, history, technology and the human aspects of performative design thinking and its implications for the future of design.
Performative Materials in Architecture and Design addresses the convergence of several significant and fundamental advancements in the ways that materials and environments are designed, evaluated, and experienced within architecture and related disciplines. The emergence of experimental and ultra-performing materials, interactive processing systems, and digital design and fabrication techniques has established an interconnected network of technological inputs that has stimulated the development of materials, assemblies, and systems with performative properties. Providing an overview of representative design projects and relevant theories, this volume illuminates both the interaction of these technologies and the role of materiality in research, design, and practice.
This book describes a number of high-performance construction materials, including concrete, steel, fiber-reinforced cement, fiber-reinforced plastics, polymeric materials, geosynthetics, masonry materials and coatings. It discusses the scientific bases for the manufacture and use of these high-performance materials. Testing and application examples are also included, in particular the application of relatively new high-performance construction materials to design practice.Most books dealing with construction materials typically address traditional materials only rather than high-performance materials and, as a consequence, do not satisfy the increasing demands of today''s society. On the other hand, books dealing with materials science are not engineering-oriented, with limited coverage of the application to engineering practice. This book is thus unique in reflecting the great advances made on high-performance construction materials in recent years.This book is appropriate for use as a textbook for courses in engineering materials, structural materials and civil engineering materials at the senior undergraduate and graduate levels. It is also suitable for use by practice engineers, including construction, materials, mechanical and civil engineers.
Today, with the advent of digital media technologies and the ability to conceptualize, express and produce complex forms using digital means, the question of the status of the architectural form is once again under consideration. Indeed, the computer liberated architecture from the tyranny of the right angle and enabled the design and production of non-standard buildings, based on irregular geometry. Yet, the questions concerning the method of form expression in contemporary architecture, and its meaning, remain very much open. Performalism takes up this discussion, defines it and presents changes in form conception in architecture, followed by their repercussions. The book is supported by a wealth of case studies from some of the top firms across the globe and contributed to by some of the top names in this field. With a unique and insightful emphasis on professional practice this is essential reading for all architects, aspiring and practicing.
Design Transactions presents the outcome of new research to emerge from ‘Innochain’, a consortium of six leading European architectural and engineering-focused institutions and their industry partners. The book presents new advances in digital design tooling that challenge established building cultures and systems. It offers new sustainable and materially smart design solutions with a strong focus on changing the way the industry thinks, designs, and builds our physical environment. Divided into sections exploring communication, simulation and materialisation, Design Transactions explores digital and physical prototyping and testing that challenges the traditional linear construction methods of incremental refinement. This novel research investigates ‘the digital chain’ between phases as an opportunity for extended interdisciplinary design collaboration. The highly illustrated book features work from 15 early-stage researchers alongside chapters from world-leading industry collaborators and academics.
Data, Matter, Design presents a comprehensive overview of current design processes that rely on the input of data and use of computational design strategies, and their relationship to an array of outputs. Technological changes, through the use of computational tools and processes, have radically altered and influenced our relationship to cities and the methods by which we design architecture, urban, and landscape systems. This book presents a wide range of curated projects and contributed texts by leading architects, urbanists, and designers that transform data as an abstraction, into spatial, experiential, and performative configurations within urban ecologies, emerging materials, robotic agents, adaptive fields, and virtual constructs. Richly illustrated with over 200 images, Data, Matter, Design is an essential read for students, academics, and professionals to evaluate and discuss how data in design methodologies and theoretical discourses have evolved in the last two decades and why processes of data collection, measurement, quantification, simulation, algorithmic control, and their integration into methods of reading and producing spatial conditions, are becoming vital in academic and industry practices.
Boat, airplane, and automobile design tools and software are now applied to architectural projects using robotics and high-strength, low-weight, carbon fiber composites. Greg Lynn's studio and Mark Foster Gage's seminar at Yale—with participants Frank Gehry, Lise Ann Couture, Chris Bangle, and Greg Foley, among others—generated a lively dialogue invigorating the future of design.
Far beyond its long-standing decorative and protective use, architectural ceramics has matured into a material system of great potential. Triggered by material research, design computation and digital fabrication methods, the innovations in ceramic technology are enabling expanded applications for ceramics as a multi-functional, performative material system. Ceramic material systems comprise the full ecosystem from material extraction and processing to the assembly of construction elements and their eventual reuse and recycling. This book establishes the state of the art of this quickly emerging field, with a particular interest in presenting the knowledge needed for developing project-specific solutions that often involve custom ceramic elements. The authors provide a rigorous background of the materials and associated technologies as well as inspiration from the very best contemporary buildings using ceramic systems, along with an overview of emerging ceramic technologies and research. The main section of the book is supplemented with a descriptive and critically commented listing of the most interesting and innovative ceramic products on the market today, ranging from interior tile products to complex active façade systems and roof products.
Over the last few decades, a rich and increasingly diverse practice has emerged in the art world that invites the public to touch, enter, and experience the work, whether it is in a gallery, on city streets, or in the landscape. Like architecture, many of these temporary artworks aspire to alter viewers' experience of the environment. An installation is usually the end product for an artist, but for architects it can also be a preliminary step in an ongoing design process. Like paper projects designed in the absence of "real" architecture, installations offer architects another way to engage in issues critical to their practice. Direct experimentation with architecture's material and social dimensions engages the public around issues in the built environment that concern them and expands the ways that architecture can participate in and impact people's everyday lives. The first survey of its kind, Installations by Architects features fifty of the most significant projects from the last twenty-five years by today's most exciting architects, including Anderson Anderson, Philip Beesley, Diller + Scofidio, John Hejduk, Dan Hoffman, and Kuth/Ranieri Architects. Projects are grouped in critical areas of discussion under the themes of tectonics, body, nature, memory, and public space. Each project is supplemented by interviews with the project architects and the discussions of critics and theorists situated within a larger intellectual context. There is no doubt that installations will continue to play a critical role in the practice of architecture. Installations by Architects aims to contribute to the role of installations in sharpening our understanding of the built environment.