Performance and Identity in the Classical World
Performance and Identity in the Classical World

Author: Anne Duncan

Publisher: Cambridge University Press

Published: 2006-01-30

Total Pages: 432

ISBN-13: 1107320852

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Performance and Identity in the Classical World traces attitudes towards actors in Greek and Roman culture as a means of understanding ancient conceptions of, and anxieties about, the self. Actors were often viewed as frauds and impostors, capable of deliberately fabricating their identities. Conversely, they were sometimes viewed as possessed by the characters that they played, or as merely playing themselves onstage. Numerous sources reveal an uneasy fascination with actors and acting, from the writings of elite intellectuals (philosophers, orators, biographers, historians) to the abundant theatrical anecdotes that can be read as a body of 'popular performance theory'. This text examines these sources, along with dramatic texts and addresses the issue of impersonation, from the late fifth century BCE to the early Roman Empire.

The Routledge Handbook of Identity and the Environment in the Classical and Medieval Worlds
The Routledge Handbook of Identity and the Environment in the Classical and Medieval Worlds

Author: Rebecca Futo Kennedy

Publisher: Routledge

Published: 2016-01-08

Total Pages: 458

ISBN-13: 1317415701

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The Routledge Handbook of Identity and the Environment in the Classical and Medieval Worlds explores how environment was thought to shape ethnicity and identity, discussing developments in early natural philosophy and historical ethnographies. Defining ‘environment’ broadly to include not only physical but also cultural environments, natural and constructed, the volume considers the multifarious ways in which environment was understood to shape the culture and physical characteristics of peoples, as well as how the ancients manipulated their environments to achieve a desired identity. This diverse collection includes studies not only of the Greco-Roman world, but also ancient China and the European, Jewish and Arab inheritors and transmitters of classical thought. In recent years, work in this subject has been confined mostly to the discussion of texts that reflect an approach to the barbarian as ‘other’. The Routledge Handbook of Identity and the Environment in the Classical and Medieval Worlds takes the discussion of ethnicity on a fresh course, contextualising the concept of the barbarian within rational discourses such as cartography, medicine, and mathematical sciences, an approach that allows us to more clearly discern the varied and nuanced approaches to ethnic identity which abounded in antiquity. The innovative and thought-provoking material in this volume realises new directions in the study of identity in the Classical and Medieval worlds.

Constructing Identities in Late Antiquity
Constructing Identities in Late Antiquity

Author: Richard Miles

Publisher: Routledge

Published: 2002-03-11

Total Pages: 273

ISBN-13: 1134649924

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Identity is a 'trendy' and 'hot' topic in classics Eminent contributors, including Pat Easterling, Gillian Clarke Identity examined from different perspectives and as different structures - sexual, ethnic, geographic, status, religions - comprehensive Theoretically and critically up-to-date

Theater outside Athens
Theater outside Athens

Author: Kathryn Bosher

Publisher: Cambridge University Press

Published: 2012-08-02

Total Pages: 493

ISBN-13: 1139510339

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This volume brings together archeologists, art historians, philologists, literary scholars, political scientists, and historians to articulate the ways in which western Greek theater was distinct from that of the Greek mainland and, at the same time, to investigate how the two traditions interacted. The chapters intersect and build on each other in their pursuit of a number of shared questions and themes: the place of theater in the cultural life of Sicilian and South Italian 'colonial cities;' theater as a method of cultural self-identification; shared mythological themes in performance texts and theatrical vase-painting; and the reflection and analysis of Sicilian and South Italian theater in the work of Athenian philosophers and playwrights. Together, the essays explore central problems in the study of western Greek theater. By gathering a number of different perspectives and methods, this volume offers the first wide-ranging examination of this hitherto neglected history.

Sport and Identity in Ancient Greece
Sport and Identity in Ancient Greece

Author: Zinon Papakonstantinou

Publisher: Routledge

Published: 2019-04-24

Total Pages: 215

ISBN-13: 1317051122

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From the eighth century BCE to the late third century CE, Greeks trained in sport and competed in periodic contests that generated enormous popular interest. As a result, sport was an ideal vehicle for the construction of a plurality of identities along the lines of ethnic origin, civic affiliation, legal and social status as well as gender. Sport and Identity in Ancient Greece delves into the rich literary and epigraphic record on ancient Greek sport and examines, through a series of case studies, diverse aspects of the process of identity construction through sport. Chapters discuss elite identities and sport, sport spectatorship, the regulatory framework of Greek sport, sport and benefaction in the Hellenistic and Roman world, embodied and gendered identities in epigraphic commemoration, as well as the creation of a hybrid culture of Greco-Roman sport in the eastern Mediterranean during the Roman imperial period.

Killing Hercules
Killing Hercules

Author: Richard Rowland

Publisher: Taylor & Francis

Published: 2016-12-08

Total Pages: 357

ISBN-13: 1317109090

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This book offers an entirely new reception history of the myth of Hercules and his wife/killer Deianira. The book poses, and attempts to answer, two important and related questions. First, why have artists across two millennia felt compelled to revisit this particular myth to express anxieties about violence at both a global and domestic level? Secondly, from the moment that Sophocles disrupted a myth about the definitive exemplar of masculinity and martial prowess and turned it into a story about domestic abuse, through to a 2014 production of Handel’s Hercules that was set in the context of the ‘war on terror’, the reception history of this myth has been one of discontinuity and conflict; how and why does each culture reinvent this narrative to address its own concerns and discontents, and how does each generation speak to, qualify or annihilate the certainties of its predecessors in order to understand, contain or exonerate the aggression with which their governors – of state and of the household – so often enforce their authority, and the violence to which their nations, and their homes, are perennially vulnerable?

Women in Roman Republican Drama
Women in Roman Republican Drama

Author: Dorota Dutsch

Publisher: University of Wisconsin Pres

Published: 2015-04-27

Total Pages: 275

ISBN-13: 0299303144

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About the role of women in Roman Republican plays of all genres, and about the role of gender in the influence of this on later dramatists

Theatre and Metatheatre
Theatre and Metatheatre

Author: Elodie Paillard

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2021-11-22

Total Pages: 317

ISBN-13: 3110716550

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The aim of this book is to explore the definition(s) of ‘theatre’ and ‘metatheatre’ that scholars use when studying the ancient Greek world. Although in modern languages their meaning is mostly straightforward, both concepts become problematical when applied to ancient reality. In fact, ‘theatre’ as well as ‘metatheatre’ are used in many different, sometimes even contradictory, ways by modern scholars. Through a series of papers examining questions related to ancient Greek theatre and dramatic performances of various genres the use of those two terms is problematized and put into question. Must ancient Greek theatre be reduced to what was performed in proper theatre-buildings? And is everything was performed within such buildings to be considered as ‘theatre’? How does the definition of what is considered as theatre evolve from one period to the other? As for ‘metatheatre’, the discussion revolves around the interaction between reality and fiction in dramatic pieces of all genres. The various definitions of ‘metatheatre’ are also explored and explicited by the papers gathered in this volume, as well as the question of the distinction between paratheatre (understood as paratragedy/comedy) and metatheatre. Readers will be encouraged by the diversity of approaches presented in this book to re-think their own understanding and use of ‘theatre’ and ‘metatheatre’ when examining ancient Greek reality.

Law as Performance
Law as Performance

Author: Julie Stone Peters

Publisher: Oxford University Press

Published: 2022

Total Pages: 367

ISBN-13: 0192898493

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Tirades against legal theatrics are nearly as old as law itself, and yet so is the age-old claim that law must not merely be done: it must be "seen to be done." Law as Performance traces the history of legal performance and spectatorship through the early modern period. Viewing law as the product not merely of edicts or doctrines but of expressive action, it investigates the performances that literally created law: in civic arenas, courtrooms, judges' chambers, marketplaces, scaffolds, and streets. It examines the legal codes, learned treatises, trial reports, lawyers' manuals, execution narratives, rhetoric books, images (and more) that confronted these performances, praising their virtues or denouncing their evils. In so doing, it recovers a long, rich, and largely overlooked tradition of jurisprudential thought about law as a performance practice. This tradition not only generated an elaborate poetics and politics of legal performance. It provided western jurisprudence with a set of constitutive norms that, in working to distinguish law from theatrics, defined the very nature of law. In the crucial opposition between law and theatre, law stood for cool deliberation, by-the-book rules, and sovereign discipline. Theatre stood for deceptive artifice, entertainment, histrionics, melodrama. And yet legal performance, even at its most theatrical, also appeared fundamental to law's realization: a central mechanism for shaping legal subjects, key to persuasion, essential to deterrence, indispensable to law's power, --as it still does today.