Perceptual Quality Assessment for Compressed Video

Perceptual Quality Assessment for Compressed Video

Author: Kai-Chieh Yang

Publisher:

Published: 2007

Total Pages: 156

ISBN-13:

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With multimedia research burgeoning, video applications have become essential to our daily life. However, as the compression becomes more aggressive, too much data loss results in degrading perceived video quality for viewers. Therefore, an accurate quality measurement is important to improve or preserve the quality of compressed video. This dissertation focuses on measuring the quality degradations that are caused by compression. We specifically target distortions with impact above the human perceptual threshold, which are also called artifacts. This type of distortion usually appears in a structured form. This characteristic makes quality assessment highly content dependent and many existing metrics fail in this regard. Some previous research has tried to raise the accuracy of video quality assessment by considering human visual system (HVS) effects, or human visual attention factors. However, both HVS and human visual attention have very strong interaction in the video quality assessment process, and none of the existing quality measurement research takes both of them into account. In addition, cognitive factors significantly influence the visual quality assessment process, but they have been ignored in current quality assessment research. Based on these realizations, a new video quality assessment philosophy is introduced in this thesis. It considers the characteristics of artifacts, effects from HVS, visual attention, and cognitive non-linearity. First, a new human visual module is proposed, it takes both visual masking and attention effects into account. Its unique design makes embedding this visual module in any video quality related applications very easy. Based on this new human visual module, a blurriness metric is designed which includes cognitive characteristics. This new blurriness metric does not rely on edge information, and is more robust at assessing heavily compressed video data. A metric for artifacts introduced by motion compensated field interpolation (MCFI) is also implemented. It is the first metric ever designed for measuring the spatial quality of temporally interpolated frames. From a temporal quality perspective, a novel temporal quality metric is designed to measure the temporal quality degradation caused by both uniform and non-uniform distributed frame loss. Experimental data shows these metrics significantly outperform the existing metrics.


Modern Image Quality Assessment

Modern Image Quality Assessment

Author: Zhou Wang

Publisher: Springer Nature

Published: 2022-06-01

Total Pages: 146

ISBN-13: 3031022386

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This Lecture book is about objective image quality assessment—where the aim is to provide computational models that can automatically predict perceptual image quality. The early years of the 21st century have witnessed a tremendous growth in the use of digital images as a means for representing and communicating information. A considerable percentage of this literature is devoted to methods for improving the appearance of images, or for maintaining the appearance of images that are processed. Nevertheless, the quality of digital images, processed or otherwise, is rarely perfect. Images are subject to distortions during acquisition, compression, transmission, processing, and reproduction. To maintain, control, and enhance the quality of images, it is important for image acquisition, management, communication, and processing systems to be able to identify and quantify image quality degradations. The goals of this book are as follows; a) to introduce the fundamentals of image quality assessment, and to explain the relevant engineering problems, b) to give a broad treatment of the current state-of-the-art in image quality assessment, by describing leading algorithms that address these engineering problems, and c) to provide new directions for future research, by introducing recent models and paradigms that significantly differ from those used in the past. The book is written to be accessible to university students curious about the state-of-the-art of image quality assessment, expert industrial R&D engineers seeking to implement image/video quality assessment systems for specific applications, and academic theorists interested in developing new algorithms for image quality assessment or using existing algorithms to design or optimize other image processing applications.


Modern Image Quality Assessment

Modern Image Quality Assessment

Author: Zhou Wang

Publisher: Morgan & Claypool Publishers

Published: 2006

Total Pages: 157

ISBN-13: 1598290223

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This Lecture book is about objective image quality assessment--where the aim is to provide computational models that can automatically predict perceptual image quality. The early years of the 21st century have witnessed a tremendous growth in the use of digital images as a means for representing and communicating information. A considerable percentage of this literature is devoted to methods for improving the appearance of images, or for maintaining the appearance of images that are processed. Nevertheless, the quality of digital images, processed or otherwise, is rarely perfect. Images are subject to distortions during acquisition, compression, transmission, processing, and reproduction. To maintain, control, and enhance the quality of images, it is important for image acquisition, management, communication, and processing systems to be able to identify and quantify image quality degradations. The goals of this book are as follows; a) to introduce the fundamentals of image quality assessment, and to explain the relevant engineering problems, b) to give a broad treatment of the current state-of-the-art in image quality assessment, by describing leading algorithms that address these engineering problems, and c) to provide new directions for future research, by introducing recent models and paradigms that significantly differ from those used in the past. The book is written to be accessible to university students curious about the state-of-the-art of image quality assessment, expert industrial R&D engineers seeking to implement image/video quality assessment systems for specific applications, and academic theorists interested in developing new algorithms for image quality assessment or using existing algorithms to design or optimize other image processing applications.


Digital Video Quality

Digital Video Quality

Author: Stefan Winkler

Publisher: John Wiley & Sons

Published: 2013-05-28

Total Pages: 200

ISBN-13: 1118691261

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Visual quality assessment is an interdisciplinary topic that links image/video processing, psychology and physiology. Many engineers are familiar with the image/video processing; transmission networks side of things but not with the perceptual aspects pertaining to quality. Digital Video Quality first introduces the concepts of human vision and visual quality. Based on these, specific video quality metrics are developed and their design is presented. These metrics are then evaluated and used in a number of applications, including image/video compression, transmission and watermarking. Introduces the concepts of human vision and vision quality. Presents the design and development of specific video quality metrics. Evaluates video quality metrics in the context of image/video compression, transmission and watermarking. Presents tools developed for the analysis of video quality


Intelligent Image and Video Compression

Intelligent Image and Video Compression

Author: David Bull

Publisher: Academic Press

Published: 2021-04-07

Total Pages: 610

ISBN-13: 0128203544

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Intelligent Image and Video Compression: Communicating Pictures, Second Edition explains the requirements, analysis, design and application of a modern video coding system. It draws on the authors' extensive academic and professional experience in this field to deliver a text that is algorithmically rigorous yet accessible, relevant to modern standards and practical. It builds on a thorough grounding in mathematical foundations and visual perception to demonstrate how modern image and video compression methods can be designed to meet the rate-quality performance levels demanded by today's applications and users, in the context of prevailing network constraints. "David Bull and Fan Zhang have written a timely and accessible book on the topic of image and video compression. Compression of visual signals is one of the great technological achievements of modern times, and has made possible the great successes of streaming and social media and digital cinema. Their book, Intelligent Image and Video Compression covers all the salient topics ranging over visual perception, information theory, bandpass transform theory, motion estimation and prediction, lossy and lossless compression, and of course the compression standards from MPEG (ranging from H.261 through the most modern H.266, or VVC) and the open standards VP9 and AV-1. The book is replete with clear explanations and figures, including color where appropriate, making it quite accessible and valuable to the advanced student as well as the expert practitioner. The book offers an excellent glossary and as a bonus, a set of tutorial problems. Highly recommended! --Al Bovik - An approach that combines algorithmic rigor with practical implementation using numerous worked examples - Explains how video compression methods exploit statistical redundancies, natural correlations, and knowledge of human perception to improve performance - Uses contemporary video coding standards (AVC, HEVC and VVC) as a vehicle for explaining block-based compression - Provides broad coverage of important topics such as visual quality assessment and video streaming


Fine-grained Importance for Perceptual Video Compression

Fine-grained Importance for Perceptual Video Compression

Author: Evgenya Pergament

Publisher:

Published: 2023

Total Pages: 0

ISBN-13:

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The proliferation of videos that are consumed by humans over the internet has accelerated the search for better video compression algorithms. Traditional video compression algorithms reduce video file sizes by removing spatial, temporal, and coding redundancies. Because different spatio-temporal regions of the video differ in their relative importance to the human viewer, there is an opportunity to improve video compression algorithms even further, by removing perceptual redundancy. However, it is challenging to infer what the levels of importance are to the viewer in different areas, or to even collect such fine-grained information. Indeed, such information is often not used during compression beyond low-level heuristics. In this dissertation, we present a framework that facilitates research into fine-grained subjective importance in compressed videos, which we have utilized to improve the rate-distortion performance of existing video codecs. The specific contributions of the work presented in this dissertation are threefold: (1) we designed a novel tool, the Perceptual Importance Map collection Tool (PIMTool), an interactive web-tool which allows scalable collection of fine-grained perceptual importance by having users interactively paint spatio-temporal maps over encoded videos. While users use the tool, the videos presented to the users are constantly updated based on their painted spatio-temporal maps, showing the users the trade-off between improving the importance of certain areas and decreasing the importance of other areas. This tool also allows users to control the magnitude of increase or decrease of the importance in different areas in the video, resulting in detailed relative importance maps; (2) Using PIMTool, we collected a dataset of 178 videos with a total of 14443 frames of human annotated spatio-temporal importance maps over the videos. We call this dataset the Perceptual Importance Map Dataset (PIMD). Via a subjective study, we demonstrate that encoding the videos in our dataset while taking into account the importance maps leads to higher perceptual quality at the same bitrate, with the videos encoded with importance maps preferred 1.8x over the baseline videos; and (3) we used our curated dataset to train a lightweight machine learning model that can predict these spatio-temporal importance regions. We call this model the Perceptual Importance Map Model (PIMM). Our results show that for the 18 videos in our test set, the importance maps predicted by our PIMM model lead to higher perceptual quality videos, 2x preferred over the baseline at the same bitrate.


Multimedia Quality of Experience (QoE)

Multimedia Quality of Experience (QoE)

Author: Chang Wen Chen

Publisher: John Wiley & Sons

Published: 2016-01-19

Total Pages: 190

ISBN-13: 111848391X

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Multimedia Quality of Experience (QoE) Current Status and Future Requirements Multimedia Quality of Experience (QoE): Current Status and Future Requirements discusses the current status of QoE (Quality of Experience) research, providing guidelines on QoE assessment and management practice. Moreover, it covers many different aspects of QoE research, including definitions, standardization (ITU, ETSI, IEEE, IETF), measurement, management, and architectures. In addition, the authors bring together contributions from recognized experts (worldwide) in the area of subjective and objective QoE video assessment. Discusses the current status of QoE research; reporting the latest advances from various standardization bodies Provides guidelines on QoE assessment and management practice Explores methods, means, and architectures of QoE Considers future requirements of QoE


Digital Video Image Quality and Perceptual Coding

Digital Video Image Quality and Perceptual Coding

Author: H.R. Wu

Publisher: CRC Press

Published: 2017-12-19

Total Pages: 640

ISBN-13: 1420027824

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The hand is quicker than the eye. In many cases, so is digital video. Maintaining image quality in bandwidth- and memory-restricted environments is quickly becoming a reality as thriving research delves ever deeper into perceptual coding techniques, which discard superfluous data that humans cannot process or detect. Surveying the topic from a Human Visual System (HVS)-based approach, Digital Video Image Quality and Perceptual Coding outlines the principles, metrics, and standards associated with perceptual coding, as well as the latest techniques and applications. This book is divided broadly into three parts. First, it introduces the fundamental theory, concepts, principles, and techniques underlying the field, such as the basics of compression, HVS modeling, and coding artifacts associated with current well-known techniques. The next section focuses on picture quality assessment criteria; subjective and objective methods and metrics, including vision model based digital video impairment metrics; testing procedures; and international standards regarding image quality. Finally, practical applications come into focus, including digital image and video coder designs based on the HVS as well as post-filtering, restoration, error correction, and concealment techniques. The permeation of digital images and video throughout the world cannot be understated. Nor can the importance of preserving quality while using minimal storage space, and Digital Video Image Quality and Perceptual Coding provides the tools necessary to accomplish this goal. Instructors and lecturers wishing to make use of this work as a textbook can download a presentation of 786 slides in PDF format organized to augment the text. accompany our book (H.R. Wu and K.R. Rao, Digital Video Image Quality and Perceptual Coding, CRC Press (ISBN: 0-8247-2777-0), Nov. 2005) for lecturers or instructor to use for their classes if they use the book.