Penny dreadfuls - sensational stories published in weekly parts - were an important feature of Victorian popular literature. They were often anonymous, and inspired by the melodramas of the day. This is the catalogue of a comprehensive collection bequeathed by music-hall performer Barry Ono.
From the author of Any Which Wall, comes another story of magic and how it can change you. In Penny Dreadful the magic is small, but the transformation is big. Penelope Grey is a lonely, wealthy child in a nothern big city who, by a twist of fate, becomes Penny: a happy, poor child in the rural south. Rich with unusual and appealing characters, Penny Dreadful asks readers to think about who they really are and what they really want. For fans of Polly Horvath, Lemony Snicket, and Kate diCamillo!
My name is not actually Penny Dreadful. It is Penelope Jones. The 'Dreadful' bit is my dad's JOKE. But it is not even true that I am dreadful... honest. You see, the DISASTER with Rooney, our class rat, might not have been such a DISASTER if it wasn't for Cosmo Moon Webster and his Amazing Maze. AND it is utterly not my fault that the Patented Burglar Trap accidentally tripped Gran over, so her bone went snap. ALSO, I only took Barry the cat to the hospital so he could revive Gran with The Power Of Pets. How was I to know it would be a Complete CATastrophe? Be prepared for three more hilarious tales of mishap, mayhem and misadventure... Penny Dreadful is back! The first book in the Penny Dreadful series, ‘Penny Dreadful is a Magnet for Disaster’, was shortlisted for the Roald Dahl Funny Prize
My name is not actually Penny Dreadful. It is Penelope Jones. The 'Dreadful' bit is my dad's JOKE. But this time I really wasn't trying to be DREADFUL... No. I was just trying to DO MY BEST, so it is completely not my fault that right now I am sort of blueish all over and so is my sister Daisy's swan outfit. And I was also really TRYING TO HELP Joshua Bottomley fall in love with Daisy by doing a science experiment on him, but I did not know that he would just go a bit pale and green and it would all turn into one BIG kerfuffle! Get ready for a taste of destruction with Penny’s third side-splitting trio of troublesome tales! The first book in the Penny Dreadful series, ‘Penny Dreadful is a Magnet for Disaster’, was shortlisted for the Roald Dahl Funny Prize
My name is not actually Penny Dreadful. It is Penelope Jones. The 'Dreadful' bit is my dad's JOKE. But in fact I am completely UNDREADFUL. It is just that sometimes my BRILLIANT IDEAS turn into DISASTERS. E.g. I didn't mean for Dad to have to go to a crucial meeting with a plastic flowerpot stuck on his head, I was only trying to invent a Patented Brain Massaging Helmet. Plus how was I to know that you can't do chickenpox for show-and-tell, or go to ballet class dressed as a blue cat, because even in disguise I am INCREDIBLY CONTAGIOUS! Three fantastically funny Penny Dreadful adventures in one fab book! Shortlisted for the Roald Dahl Funny Prize 2011
• Penny Dreadfuls and the Gothic uncovers neglected Gothic texts of the nineteenth century which are crucial in understanding working-class popular culture. • The approach of this study of penny dreadfuls is vast and eclectic, ranging from data-driven publication data to close textual analysis of these texts to adaptations of penny fiction. • This title covers a broad range of penny texts, some of which have never before been written on.
Originally published in 1991. Focusing on ‘boys' own’ literature, this book examines the reasons why such a distinct type of combative masculinity developed during the heyday of the British Empire. This book reveals the motives that produced this obsessive focus on boyhood. In Victorian Britain many kinds of writing, from the popular juvenile weeklies to parliamentary reports, celebrated boys of all classes as the heroes of their day. Fighting fit, morally upright, and proudly patriotic - these adventurous young men were set forth on imperial missions, civilizing a savage world. Such noble heroes included the strapping lads who brought an end to cannibalism on Ballantyne's "Coral Island" who came into their own in the highly respectable "Boys' Own Paper", and who eventually grew up into the men of Haggard's romances, advancing into the Dark Continent. The author here demonstrates why these young heroes have enjoyed a lasting appeal to readers of children's classics by Stevenson, Kipling and Henty, among many others. He shows why the political intent of many of these stories has been obscured by traditional literary criticism, a form of criticism itself moulded by ideals of empire and ‘Englishness’. Throughout, imperial boyhood is related to wide-ranging debates about culture, literacy, realism and romance. This is a book of interest to students of literature, social history and education.
E.S. Turner's first book, published in 1948, is a wholly original, richly researched and uncommonly insightful study of a somewhat disreputable genre: the 'Boys' Weekly' papers commonly known as 'penny dreadfuls.' 'A classic of its kind... [Turner] ploughed through back numbers of the old blood-and-thunder adventure magazines specialising in cliffhanger serials; the young hero would be left hanging over a cliff in a totally impossible situation, which would be easily resolved in the next issue: 'With one bound Jack was free.' Social history had never been as much fun or, with three extra printings in its first week - such was the demand - as profitable.' Jonathan Sale, Guardian 'Some people felt that E.S. Turner may have invented a new kind of book - the popular social history, very British, very funny, but written with a glistening elegance.' Andrew O'Hagan, London Review of Books