D&Q's first ever graphic novel, published in 1992,this is an excellent companion to I Never Liked,You. Stark and expressionistic, this is Chester,Brown's frank and unsettling account of first his,adolescent and then adult relationship with,pornography. It begins in 1975 with an abandoned,copy of Playboy..
Combining the sexual frankness of Fifty Shades of Grey and of Belle de Jour's writing, with the fascinating insights of What the Nanny Saw, Scarlett O'Kelly's memoir of her year as a high-end escort, Paying For It, is an explicit, astonishing and compulsive story of living a double life . Facing financial meltdown, mother of three Scarlett O'Kelly did what the average woman would find unthinkable: she set herself up a sex worker. There was the sex, which, surprisingly for Scarlett, could have unexpected pleasures. Then the clients - ordinary men who worried that they had to hide their sexual needs, desires and fantasies from their wives or girlfriends. Not to mention her realisation that women just like her could build stronger relationships if they could let go their hang-ups in and out of bed. And there's the high price Scarlett paid for her double life - one she is still coming to terms with. Paying For It is a raw, intimate and powerful story of one brave woman's sacrifice in a time of hardship. It is a searingly honest and truly eye-opening account of modern life and what really goes on in couples' bedrooms. It is also an intriguing and risqué account of one woman's sexual odyssey - from her decision to make money from sex to her realisation that she had become sexually liberated in the process. Scarlett O'Kelly is a middle class everywoman - and her clients were ordinary middle class men - so this is an intriguing picture of a side of life that is usually hidden.
The critically lauded memoir about being a john. Now in paperback! Paying for It was easily the most talked-about and controversial graphic novel of 2011, a critical success so innovative and complex that it received two rave reviews in the New York Times, and sold out of its first print run in just six months. Chester Brown’s eloquent, spare artwork stands out in this paperback edition. Paying for It combines the personal and sexual aspects of Brown’s autobiographical work (I Never Liked You, The Playboy) with the polemical drive of Louis Riel. Brown calmly lays out the facts of how he became not only a willing participant in, but a vocal proponent of one of the world’s most hot-button topics—prostitution. While this may appear overly sensational and just plain implausible to some, Brown’s story stands for itself. Paying for It offers an entirely contemporary exploration of sex work—from the timid john who rides his bike to his escorts, wonders how to tip so as not to offend, and reads Dan Savage for advice, to the modern-day transactions complete with online reviews, seemingly willing participants, and clean apartments devoid of clichéd street corners, drugs, or pimps. Complete with a surprise ending, Paying for It continues to provide endless debate and conversation about sex work.
Gus Dury once had a high-flying career as a journalist and a wife he adored. But now he is living on the edge, a drink away from Edinburgh’s down-and-outs, drifting from bar to bar, trying not to sign divorce papers. But the road takes an unexpected turn when a friend asks him to investigate the brutal torture and killing of his son, and Gus becomes embroiled in a much bigger story of political corruption and illegal people-trafficking. Seedy doss-houses, bleak wastelands and sudden violence contrast with the cobbled streets and cool bistros of fashionable Edinburgh, as the puzzle unravels to a truly shocking ending. Praise for PAYING FOR IT: “A fine debut. Black is the new noir.” —Allan Guthrie, winner of the Theakston’s Old Peculier Crime Novel of the Year Award for Two-Way Split “Tony Black’s first novel hits the ground running, combining a sympathetic ear for the surreal dialogue of the dispossessed with a portrait of the belly of a city painted in the blackest of humour.” —The Guardian “Paying For It might just be the most aptly titled novel of the year. Rarely has a title worked on so many levels…the narrative blasts off the page like a triple malt…This is one adrenalin-pumped novel, as moving and compassionate as it is stylishly written.” —Ken Bruen, author of The Guards novels “Assuming (and hoping) that this is the first of many featuring the tortured Gus Dury, we’ve never seen a series character so richly and honestly drawn from the get-go. The emotional punches connect solidly in Paying For It, as the pains of being a father and the pains of being a son are laid bare. The debut of the year.” —Tod Robinson, Thuglit.com “Of all the new writers emerging this year, he is the one to watch.” —Martyn Waites, author of the Joe Donovan series
A compelling alternative view of the relationship between our politics and our economy. Throughout America, structural problems are getting worse. Economic inequality is near Gilded Age heights, the healthcare system is a mess, and the climate crisis continues to grow. Yet most ambitious policy proposals that might fix these calamities are dismissed as wastefully expensive by default. From the kitchen table to Congress, debates are punctuated with a familiar refrain: “How are you going to pay for that?” This question is designed to shut down policy pushes up front, minimizing any interference with the free market. It comes from neoliberalism, an economic ideology that has overtaken both parties. Proponents insist that markets are naturally-occurring and apolitical—and that too much manipulation of the economy will make our society fall apart. Ryan Cooper argues that our society already is falling apart, and the logically preposterous views of neoliberalism are to blame. Most progressives understand this instinctively, but many lack the background knowledge to make effective economic counterarguments. How Are You Going To Pay For That? is filled with engaging discussions and detailed strategies that policymakers and citizens alike can use to assail even the most entrenched lines of neoliberal logic, and start to undo these long-held misconceptions. Equal parts economic theory, history, and political polemic, this is an essential roadmap for winning the key battles to come.
What if everyone in the world did a good deed for three people - and what if each of them 'paid it forward' by doing a good deed for three more people, and so on, until the world was a different place? PAY IT FORWARD begins when social studies teacher Reuben St Clair gives his class an extra assignment: implement a plan that will change the world. Trevor, a boy with an active imagination and a loving, though dysfunctional, mother, rises to the challenge. His plan is this: he'll do something good for three people and tell each that instead of paying him back, they should pay it forward and do a favour for three more people. Trevor's initial attempt seems to fail. But eventually, wondrously, the seeds that Trevor has planted bear fruit in ways that are marvellous to behold and that surprise even Trevor.
A “bracing and well-argued” study of America’s college debt crisis—“necessary reading for anyone concerned about the fate of American higher education” (Kirkus). College is far too expensive for many people today, and the confusing mix of federal, state, institutional, and private financial aid leaves countless students without the resources they need to pay for it. In Paying the Price, education scholar Sara Goldrick-Rab reveals the devastating effect of these shortfalls. Goldrick-Rab examines a study of 3,000 students who used the support of federal aid and Pell Grants to enroll in public colleges and universities in Wisconsin in 2008. Half the students in the study left college without a degree, while less than 20 percent finished within five years. The cause of their problems, time and again, was lack of money. Unable to afford tuition, books, and living expenses, they worked too many hours at outside jobs, dropped classes, took time off to save money, and even went without adequate food or housing. In many heartbreaking cases, they simply left school—not with a degree, but with crippling debt. Goldrick-Rab combines that data with devastating stories of six individual students, whose struggles make clear the human and financial costs of our convoluted financial aid policies. In the final section of the book, Goldrick-Rab offers a range of possible solutions, from technical improvements to the financial aid application process, to a bold, public sector–focused “first degree free” program. "Honestly one of the most exciting books I've read, because [Goldrick-Rab has] solutions. It's a manual that I'd recommend to anyone out there, if you're a parent, if you're a teacher, if you're a student."—Trevor Noah, The Daily Show
Chester Brown reinvents the comic book medium to create the critically acclaimed historical biography Louis Riel. Brown won the Harvey Awards for best writing and best graphic novel for his compelling, meticulous, and dispassionate retelling of the charismatic, and perhaps insane, nineteenth-century Metis leader's life. Brown coolly documents with dramatic subtlety the violent rebellion on the Canadian prairie led by Riel, an embattled figure in Canadian history, regarded by some as a martyr who died in the name of freedom, while others consider him a treacherous murderer.
Two young women, dormitory mates, embark on their education at a big state university. Five years later, one is earning a good salary at a prestigious accounting firm. With no loans to repay, she lives in a fashionable apartment with her fiancé. The other woman, saddled with burdensome debt and a low GPA, is still struggling to finish her degree in tourism. In an era of skyrocketing tuition and mounting concern over whether college is "worth it," Paying for the Party is an indispensable contribution to the dialogue assessing the state of American higher education. A powerful exposé of unmet obligations and misplaced priorities, it explains in vivid detail why so many leave college with so little to show for it. Drawing on findings from a five-year interview study, Elizabeth Armstrong and Laura Hamilton bring us to the campus of "MU," a flagship Midwestern public university, where we follow a group of women drawn into a culture of status seeking and sororities. Mapping different pathways available to MU students, the authors demonstrate that the most well-resourced and seductive route is a "party pathway" anchored in the Greek system and facilitated by the administration. This pathway exerts influence over the academic and social experiences of all students, and while it benefits the affluent and well-connected, Armstrong and Hamilton make clear how it seriously disadvantages the majority. Eye-opening and provocative, Paying for the Party reveals how outcomes can differ so dramatically for those whom universities enroll.