Hello to all my family and friends . Most people that are traveling or just want to relax at home or on the beach or waiting to be seen for an appointment will always pick up a book or magazine and or do a cross word puzzle book and some other may just do the opposite and read a few poems and short stories like what I have here in my book and I hope you enjoy the many different ideas of how I expressed myself with my poems and short stories coming from my daily travels and life experiences and much more . I hope you all will enjoy my facts and opinions to better your daily journeys in your life and in your relationships or marriages as well for many more years to come . Thank you .
“Paul Tran’s debut collection of poems is indelible, this remarkable voice transforming itself as you read, eventually transforming you.” —Alexander Chee, author of How to Write an Autobiographical Novel “This powerful debut marshals narrative lyrics and stark beauty to address personal and political violence.” —New York Times Book Review A profound meditation on physical, emotional, and psychological transformation in the aftermath of imperial violence and interpersonal abuse, from a poet both “tender and unflinching” (Khadijah Queen) Visceral and astonishing, Paul Tran's debut poetry collection All the Flowers Kneeling investigates intergenerational trauma, sexual violence, and U.S. imperialism in order to radically alter our understanding of freedom, power, and control. In poems of desire, gender, bodies, legacies, and imagined futures, Tran’s poems elucidate the complex and harrowing processes of reckoning and recovery, enhanced by innovative poetic forms that mirror the nonlinear emotional and psychological experiences of trauma survivors. At once grand and intimate, commanding and deeply vulnerable, All the Flowers Kneeling revels in rediscovering and reconfiguring the self, and ultimately becomes an essential testament to the human capacity for resilience, endurance, and love.
Paul Laurence Dunbar (June 27, 1872 - February 9, 1906) was an African-American poet, novelist, and playwright of the late 19th and early 20th centuries. Born in Dayton, Ohio, to parents who had been slaves in Kentucky before the American Civil War, Dunbar started to write as a child and was president of his high school's literary society. He published his first poems at the age of 16 in a Dayton newspaper. Much of his more popular work in his lifetime was written in the Negro dialect associated with the antebellum South. His work was praised by William Dean Howells, a leading critic associated with the Harper's Weekly, and Dunbar was one of the first African-American writers to establish a national reputation. He wrote the lyrics for the musical comedy, In Dahomey (1903), the first all-African-American musical produced on Broadway; the musical also toured in the United States and the United Kingdom. Dunbar also wrote in conventional English in other poetry and novels; since the late 20th century, scholars have become more interested in these other works. Suffering from tuberculosis, Dunbar died at the age of 33. Dunbar's work is known for its colorful language and a conversational tone, with a brilliant rhetorical structure. These traits were well matched to the tune-writing ability of Carrie Jacobs-Bond (1862-1946), with whom he collaborated. Dunbar became the first African-American poet to earn national distinction and acceptance. The New York Times called him "a true singer of the people - white or black." Frederick Douglass once referred to Dunbar as, "one of the sweetest songsters his race has produced and a man of whom [he hoped] great things." His friend and writer James Weldon Johnson highly praised Dunbar, writing in The Book of American Negro Poetry: "Paul Laurence Dunbar stands out as the first poet from the Negro race in the United States to show a combined mastery over poetic material and poetic technique, to reveal innate literary distinction in what he wrote, and to maintain a high level of performance. He was the first to rise to a height from which he could take a perspective view of his own race. He was the first to see objectively its humor, its superstitions, its short-comings; the first to feel sympathetically its heart-wounds, its yearnings, its aspirations, and to voice them all in a purely literary form."
Penned in a distinctive lyrical style, this collection of poems concerns itself with how the living haunt themselves. Each of the pieces are formed around a vivid image--among them, a child's signature in the dust of an old guitar, the stone plinth where a café once stood, a white balloon, and a chateau, still furnished with the belongings of its vanished owner. With a powerful and haunting voice, the concept of love underscores the commonplace in this moving and memorable collection of verse.
A LOS ANGELES TIMES BOOK PRIZE WINNER A BOSTON GLOBE BEST BOOK OF 2021 Booker Prize-shortlisted and New York Times bestselling author Paul Auster's comprehensive, landmark biography of the great American writer Stephen Crane. With Burning Boy, celebrated novelist Paul Auster tells the extraordinary story of Stephen Crane, best known as the author of The Red Badge of Courage, who transformed American literature through an avalanche of original short stories, novellas, poems, journalism, and war reportage before his life was cut short by tuberculosis at age twenty-eight. Auster’s probing account of this singular life tracks Crane as he rebounds from one perilous situation to the next: A controversial article written at twenty disrupts the course of the 1892 presidential campaign, a public battle with the New York police department over the false arrest of a prostitute effectively exiles him from the city, a star-crossed love affair with an unhappily married uptown girl tortures him, a common-law marriage to the proprietress of Jacksonville’s most elegant bawdyhouse endures, a shipwreck results in his near drowning, he withstands enemy fire to send dispatches from the Spanish-American War, and then he relocates to England, where Joseph Conrad becomes his closest friend and Henry James weeps over his tragic, early death. In Burning Boy, Auster not only puts forth an immersive read about an unforgettable life but also, casting a dazzled eye on Crane’s astonishing originality and productivity, provides uniquely knowing insight into Crane’s creative processes to produce the rarest of reading experiences—the dramatic biography of a brilliant writer as only another literary master could tell it.
The son of former slaves, Paul Laurence Dunbar was one of the most prominent and publicly recognized figures in American literature at the turn of the twentieth century. Thirty-three years old at the time of his death in 1906, he had published four novels, four collections of short stories, and fourteen books of poetry, not to mention numerous songs, plays, and essays in newspapers and magazines around the world. In the century following his death, Dunbar slipped into relative obscurity, remembered mainly for his dialect poetry or as a footnote to other more canonical figures from the period. The Complete Stories of Paul Laurence Dunbar showcases his gifts as a writer of short fiction and provides key insights into the tensions and themes of Dunbar's literary achievement. Through examining the 104 stories written by Dunbar between 1890 and 1905, readers will be able to better understand Dunbar's specific attempts to maintain his artistic integrity while struggling with America's racist stereotypes. His work interrogated the color-line that informed American life and dictated his role as an artist in American letters. Editors Gene Jarrett and Thomas Morgan identify major themes and implications in Dunbar's work. Available in one convenient, comprehensive, and definitive volume for the first time, The Complete Stories of Paul Laurence Dunbar illustrates the complexity of his literary life and legacy. ABOUT THE EDITORS---Gene Jarrett is an assistant professor of English at the University of Maryland, College Park. He is co-editor (with Henry Louis Gates Jr.) of a forthcoming anthology, New Negro Criticism: Essays on Race, Representation, and African American Culture.Thomas Morgan is a lecturer at the University of Tennessee, Knoxville. His research and teaching interests focus on critical race theory in late-nineteenth century American and African American literature, specifically as it applies to the politics of narrative form.
"In The Alpine Tales, that promise is kept. The Three Queens Wilderness is only the swing of an ice ax away from the mountains you may think you know. It is a world inhabited by three strange sisters at mortal odds--and by marmots and ouzels and pocket gophers ready to help you find your way. The dangers you'll face are ever present. For this alpine world was a place of perfection until, by the bane of the Lava Beast, it crumbled into something sadder. Join the quest to repair the ruins of glistening peaks and endless forests, and discover a lang you will dearly love." -- Back cover
Paul Laurence Dunbar (1872–1906) was an American novelist, short story writer, and poet during the start of the 20th century. Born to ex-slave parents, Dunbar began writing at a very early age and had published his first poems by the age of 16 in a local newspaper. Much of his work was written in the "African-American Vernacular" associated with the antebellum South, although he also employed conventional English in his novels and poems. Dunbar was among the first African-American writers to garner international acclaim for their work. This volume contains a collection of Dunbar's best short stories, originally published in three books. “Folks from Dixie” (1898) comprises 12 stories and was Dunbar's first collection, as well as the first volume of short stories ever published in the United States by an African American. “The Strength of Gideon and Other Stories” (1899) was Dunbar's second collection, including 20 short stories. Originally published in 1904, “The Heart of Happy Hollow” contains sixteen short stories that explore African American life post-Civil War. A fantastic collection of powerful tales that offer a unique glimpse into the lives of African Americans at the turn of the century. Other notable works by this author include: “Oak and Ivy” (1892), “Majors and Minors” (1896), and “Lyrics of Lowly Life” (1896). Read & Co. Classics is proudly publishing this brand new collection of classic short stories now complete with a specially-commissioned new biography of the author and original illustrations by E. W. Kemble.
