The contest was not without its controversy. When it was announced, rules stated that preference would be given to quilts which developed the Century of Progress theme. However, when the prizes were awarded, commemorative quilts were ignored in favor of traditional patterns. Disgruntled contestants complained to Sears that the judges were biased in favor of tradition. The winning quilt, called the Unknown Star, was entered by Margaret Rogers Caden of Lexington, Kentucky. Much of the work on Ms. Caden's quilt was done by seamstresses who sewed for hire, in violation of contest rules.
The contest was not without its controversy. When it was announced, rules stated that preference would be given to quilts which developed the Century of Progress theme. However, when the prizes were awarded, commemorative quilts were ignored in favor of traditional patterns. Disgruntled contestants complained to Sears that the judges were biased in favor of tradition. The winning quilt, called the Unknown Star, was entered by Margaret Rogers Caden of Lexington, Kentucky. Much of the work on Ms. Caden's quilt was done by seamstresses who sewed for hire, in violation of contest rules.
Although they are commonplace in American homes, quilts are much more than simple patchwork bed coverings and wall adornments. While many of these beautiful and intricate works of art are rich in history and tradition, others reflect the cutting-edge talent and avant-garde mastery of contemporary quiltmakers. Kentucky Quilts and Quiltmakers: Three Centuries of Creativity, Community, and Commerce is the first comprehensive study to approach quilts as objects of material culture that have adorned homes throughout the history of the commonwealth and the country. Linda Elisabeth LaPinta highlights such topics as quiltmaking in women's history, the influence of early Black quiltmakers, popular Kentucky quilt patterns, types, and colors, and the continuing importance of preserving the commonwealth's quilt history and traditions. The author provides a panoramic view of Kentucky quiltmaking from colonial America through the American Revolution, the Civil War to the 1900s, to the new millennium and the dynamic quilting industry of today. LaPinta reveals Kentucky's pivotal role in shaping significant aspects of American quilt culture—Kentuckians founded the first statewide quilt documentation project, created important exhibits and major quilt organizations, and established the National Quilt Museum. Rounding out this all-encompassing volume is a collection of fascinating and intimate artistic commentaries by notable quiltmakers, as well as discussion of the key players who have conserved, celebrated, and showcased the commonwealth's extraordinary quilt culture.
Masterpiece quilts and Master quilters--both are honored in The Quilters Hall of Fame. The book profiles more than forty of the quilting world's most influential people--from early twentieth-century quilt designer Ruby McKim to quilt curator Jonathan Holstein to contemporary art quilter Nancy Crow. Lavishly illustrated with one hundred glorious color photographs of their quilts, plus historical photographs, ads, and pattern booklets, The Quilters Hall of Fame is essential for every quilter's bookshelf.
For generations, quilts have both preserved history and furthered artistic innovation, leading to personal and creative discoveries that have changed lives. In Quilts in the Attic, author and quiltmaker Karen Musgrave presents 30 stories of great quilt discoveries, including hidden masterpieces, fascinating finds, and treasured family heirlooms. The tales in this book are both heartwarming and thrilling, whether about unearthing breathtaking pieces at summer flea markets or finding Grandma’s priceless antique quilt hidden away in a box. By sharing stories from all over the world, Musgrave uses these wonderful works of art to explore the complex patchwork of human history, from 19th-century Jewish life in Southern California to the Sears National Quilt Contest at the 1933 World’s Fair in Chicago, to a 12th-century castle in France. Each memory embodies the inherent human drive to craft something of purpose and meaning while shedding light on the works of well-known quiltmakers like Mary Lee Bendolph from Gee’s Bend, Marie Webster, and Ruby Short McKim. Featuring stories from unknown and famous quilters alike, Quilts in the Attic uncovers the mystery and significance of the quilts we love.
During the Great Depression, a time of widespread poverty, women managed to produce some of America's most beautiful quilts. Soft Covers for Hard Times explores matters rural and city quiltmakers had in common. 70 lavish full-color illustrations.
Much has changed in the world of self-taught art since the millennium. Many of the recognized "masters" have died and new artists have emerged. Many galleries have closed but few new ones have opened, as artists and dealers increasingly sell through websites and social media. The growth and popularity of auction houses have altered the relationship between artists and collectors. In its third edition, this book provides updated information on artists, galleries, museums, auctions, organizations and publications for both experienced and aspiring collectors of self-taught, outsider and folk art. Gallery and museum entries are organized geographically and alphabetically by state and city.
