Music for Viola Bastarda

Music for Viola Bastarda

Author: Jason Paras

Publisher: Indiana University Press

Published: 1986-04-22

Total Pages: 256

ISBN-13: 9780253388247

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The term "viola bastarda" refers to both an instrument and a style of playing that is one of the crowning achievements of musical mannerism. The Italian repertory for the solo viola da gamba in the 16th and early 17th centuries was largely music played "alla bastarda," an art of performance in which a polyphonic composition is transformed into a single melodic line derived from the original parts and spanning their ranges. Jason Paras has traced the development of the "viola bastarda" and has assembled and transcribed 46 peices in this genre. The music in his collection is a rich and fascinating repertory that is rarely heard today. This anthology is an invitation to present-day players to recreate the improvisation practice of the 16th and 17th centuries in ways not fully disclosed by ornamentation manuals of that time.


Musical Creativity in Restoration England

Musical Creativity in Restoration England

Author: Rebecca Herissone

Publisher: Cambridge University Press

Published: 2013

Total Pages: 568

ISBN-13: 1107289556

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Musical Creativity in Restoration England is the first comprehensive investigation of approaches to creating music in late seventeenth-century England. Understanding creativity during this period is particularly challenging because many of our basic assumptions about composition - such as concepts of originality, inspiration and genius - were not yet fully developed. In adopting a new methodology that takes into account the historical contexts in which sources were produced, Rebecca Herissone challenges current assumptions about compositional processes and offers new interpretations of the relationships between notation, performance, improvisation and musical memory. She uncovers a creative culture that was predominantly communal, and reveals several distinct approaches to composition, determined not by individuals, but by the practical function of the music. Herissone's new and original interpretations pose a fundamental challenge to our preconceptions about what it meant to be a composer in the seventeenth century and raise broader questions about the interpretation of early modern notation.


Play the Viol

Play the Viol

Author: Alison Crum

Publisher: Clarendon Press

Published: 1992

Total Pages: 185

ISBN-13: 9780198163114

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Play the Viol meets the need for a comprehensive guide to playing technique which provides for the specific requirements of the adult beginner. The book covers the treble, tenor, and bass viol, and assumes no knowledge beyond an ability to read music.


Music and Science in the Age of Galileo

Music and Science in the Age of Galileo

Author: V. Coelho

Publisher: Springer Science & Business Media

Published: 1992-11-30

Total Pages: 276

ISBN-13: 9780792320289

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A collection of essays exploring the relations between music and the scientific culture of Galileo's time. It takes a broad historical approach towards understanding such topics as the role of music in Galileo's experiments and in the scientific revolution


Shakespeare and Music

Shakespeare and Music

Author: Edward W. Naylor

Publisher: BoD – Books on Demand

Published: 2018-09-21

Total Pages: 182

ISBN-13: 3734046866

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Reproduction of the original: Shakespeare and Music by Edward W. Naylor


The Viola Da Gamba

The Viola Da Gamba

Author: Bettina Hoffmann

Publisher: Routledge

Published: 2019-11-11

Total Pages: 0

ISBN-13: 9780367443757

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The viola da gamba was a central instrument in European music from the late fifteenth century well into the late eighteenth. Bettina Hoffmann offers an introduction to the instrument-its construction, technique and history-for the non-specialist with a wealth of original archival scholarship that experts will relish.


Gateways to Understanding Music

Gateways to Understanding Music

Author: Timothy Rice

Publisher: Routledge

Published: 2019-01-21

Total Pages: 1181

ISBN-13: 135170883X

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Gateways to Understanding Music explores music in all the categories that constitute contemporary musical experience: European classical music, popular music, jazz, and world music. Covering the oldest forms of human music making to the newest, the chronological narrative considers music from a global rather than a Eurocentric perspective. Each of sixty modular "gateways" covers a particular genre, style, or period of music. Every gateway opens with a guided listening example that unlocks a world of music through careful study of its structural elements. Based on their listening experience, students are asked to consider how the piece came to be composed or performed, how the piece or performance responded to the social and cultural issues at the time and place of its creation, and what that music means today. Students learn to listen to, explain, understand, and ultimately value all the music they may encounter in their world. FEATURES Global scope—Presents all music as worthy of study, including classical, world, popular, and jazz. Historical narrative—Begins with small-scale forager societies up to the present, with a shifting focus from global to European to American influences. Modular framework—60 gateways in 14 chapters allow flexibility to organize chronologically or by the seven recurring themes: aesthetics, emotion, social life, links to culture, politics, economics, and technology. Listening-guided learning—Leads to understanding the emotion, meaning, significance, and history of music. Introduction of musical concepts—Defined as needed and compiled into a Glossary for reference. Consistent structure—With the same step-by-step format, students learn through repeated practice how to listen and how to think about music. In addition to streamed audio examples, the companion website hosts essential instructors’ resources.