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Pardes Rimonim is a classic work of authentic Kabbalah penned by the preeminent scholar, Rabbi Moshe Cordovero (Ramak). A powerful intellect, fertile writer, and gigantic figure in Kabbalah, Ramak (circa 1520-1570) distinguished himself first in Talmudic studies while under the tutelage of Rabbi Yosef Caro. However, he began his Kabbalah studies at age 20 with Rabbi Shlomo Alkabetz, who was both his brother-in-law and composer of Lecha Dodi. In the Pardes, Ramak also displays a marked philosophical influence by the Rambam (Rabbi Moshe Ben Maimon, i.e. Maimonides). Indeed, Ramak's encyclopedic work in Kabbalah heralded the renaissance of kabbalistic genius that emerged after him in Safed. A comprehensive work collecting the kabbalistic learning of that time, the original Hebrew version of the Pardes was a single volume composed of 32 parts and was written in both Hebrew and Aramaic. This edition comprises 12 volumes, and this is volume 1.
The last in a series of three volumes edited by Marc Lee Raphael surveying some of the major rabbinic and lay personalities who have shaped Judaism in America for the past two centuries, this work focuses on Orthodox Judaism. Along with a basic description of the achievements of some of the most notable leaders, a bibliography of their writings and sources for further study is included as well as an essay on Orthodox rabbinic organizations and a survey of American Orthodox periodicals. Of interest to scholars, students, and lay persons alike, this volume will inform readers about the earliest communities of Jews who settled in America as they developed the institutions of Orthodox Jewish life and set a public standard of compliance with Jewish law. These early American Jews followed a Spanish-Dutch version of Sephardic customs and rites. Their synagogues used traditional prayer books, promoted the celebration of Jewish holidays, established mikvahs, acquired Passover provisions, and arranged for cemetery land and burial services. While many of these Sephardic immigrants did not maintain halakha in their daily regimen as did their European counterparts, they set a public standard of compliance with Jewish law, thus honoring Jewish tradition. Further immigration of thousands of Jews from Western and Central Europe in the middle of the 19th century brought a world of traditional piety and extensive Jewish learning to America, exemplified by Rabbi Abraham Rice, who served in Baltimore, and Yissachar Dov (Bernard) Illowy, who served communities from Philadelphia to New Orleans. Such men marked the beginning of a learned and scholarly rabbinate in America. This volume provides valuable biographical insights regarding some of the most notable religious leaders in American Orthodoxy.
This volume contains essays dealing with complex relationships between Judaism and Christianity, taking a bold step, assuming that no historical period can be excluded from the interactive process between Judaism and Christianity, conscious or unconscious, as either rejection or appropriation
Feminist interpretation has become one of the important text-centered literary methods in biblical interpretation. It challenges the authority, canonicity, veracity, and normativity of the biblical text due to its patriarchal-androcentric orientation. Feminist readers ask how far the patriarchal texts in the Bible can be authoritative and normative in articulating the theology and practices of the church. The author responds to these important questions both sympathetically and critically and considers whether they might have universal significance. He provides a lucid and thorough examination of the hermeneutical methodologies and presuppositions that lie behind many of the leading proponents of feminist readings of the Old Testament. The author asks whether Eve is unnecessarily accused by the traditional readers or is completely liberated by modern feminist readers.
This book conceptualizes Mizrahi (Middle Eastern Jewish) theatre, unfolding its performances in the field of Israeli theatre with a critical gaze. It covers the conceptualization and typology, not along a chronological axis, but rather through seven theatrical forms. The author suggests a defi nition of Mizrahi theatre that has fl uid boundaries and it can encompass various possibilities for self-representation onstage. Although Mizrahi theatre began to develop in the 1970s, the years since the turn of the millennium have seen an intense flowering of theatrical works by second- and third-generation artists dealing with issues of identity and narrative in a diverse array of forms. Mizrahi theatre is a cultural locus of self-representation, generally created by Mizrahi artists who deal with content, social experiences, cultural, religious, and traditional foundations, and artistic languages derived from the history and social reality of Mizrahi Jews in both Israel and their Middle Eastern countries of origin. Critically surveying Mizrahi theatre in Israel, the book is a key resource for students and academics interested in theatre and performance studies, and Jewish and Israeli studies.