Most people agree that Jesus’ parables are about the kingdom of God. But what is that? They seem to have a lot about hell and judgment, but how is that consistent with the Parable of the Prodigal Son and Jesus’ search for “lost sheep”? They speak of the “Son of Man,” but who or what is that? Some have thought they predict the end of the world, but could that be a failure to understand biblical language? In a new survey of Jesus’ parables, Keith Ward proposes that they imply a theology of the universal and unlimited love of God, a moral demand to care for the well-being of all living things, a compassion for the poor and rejected of the earth, an open door of repentance that even death cannot close, the offer of new life in the Spirit, and an ultimate goal of universal creative sharing in the life of the cosmic Christ.
2022 Catholic Media Association first place award in scripture: academic studies In this book, which covers all of Jesus’ parables, award-winning author Gerhard Lohfink takes a closer look at the origins of each one—its shape, its realistic details, but most of all its original message and the situation into which it was once spoken. Jesus’ parables speak in bold images of the kingdom of God, making it present to us as they reveal something of the mystery of his own person. Lohfink also offers a review of some of the scholarship in this area—as this topic has sustained research on Jesus since the first telling of these stories—but not for the purposes of debate. His reflections interpret the forty parables and show how they speak of the coming of the reign of God, lead us to Jesus, and reveal the mystery of Jesus himself.
Over the centuries, New Testament texts have often been read in ways that reflect and encourage anti-Semitism. For example, the parable of the "wicked husbandmen," who kill the son of their landlord in order to seize the land, has been used to blame the Jews for the death of Christ. Since the Holocaust, Christian scholars have increasingly recognized and rejected this inheritance. In Parables for Our Time Tania Oldenhage seeks to fashion a biblical hermeneutics that consciously works with memories of the Holocaust. New Testament scholars have not directly confronted the horror of Nazi crimes, Oldenhage argues, but their work has nonetheless been deeply affected by the events of the Holocaust. By placing twentieth-century biblical scholarship within its specific historical and cultural contexts, she is able to trace the process by which the Holocaust gradually moved into the collective consciousness of New Testament scholars, both in Germany and in the United States. Her focus is on the scholarly interpretation of the parables of Jesus. She sets the stage with the work of Wolfgang Harnisch who exemplifies the problems surrounding Holocaust remembrance in the Germany of the 1980s and 1990s. She then turns to Joachim Jeremias's eminent work on the parables, first published in 1947. Jeremias's anti-Jewish rhetoric, she argues, should be understood not only as a perpetuation of an age-old interpretive pattern, but as representative of German difficulties in responding to the Holocaust immediately after the war. Oldenhage goes on to explore the way in which Jeremias's approach was challenged by biblical scholars in the U.S. during the 1970s. In particular, she examines the turn to literature and literary theory exemplified in the works of John Dominic Crossan and Paul Ricoeur. Nazi atrocities became part of the cultural reservoir from which Crossan and Ricoeur drew, she shows, although they never engaged with the historical facts of the Holocaust. In conclusion, Oldenhage offers her own reading of the parable of the wicked husbandmen, demonstrating how the turn from historical to literary criticism opens up the text to interpretation in light of the Holocaust. If the parables are to be meaningful in our time, she contends, we must take account of the troubling resonances between these ancient Christian stories and the atrocities of Auschwitz.
Every life holds times of happiness, but also times of disappointment and confusion. We feel pressure from all sides and wonder if God is really there. We call out to God, wanting to know the purpose and value of the season in which we find ourselves. With her wise counsel and gentle encouragement, bestselling author Pamela Reeve leads readers to see the often unrecognized miracle that God is working in our lives to bring about spiritual growth. Drawing from John 15, she reveals the secret to true and lasting peace in the midst of routine or change, in gladness or extreme sorrow. Lush vineyard photographs beautifully illustrate how God lovingly prunes us to bear the fruit of Christ living within us. A Vineyard in the Desert? It doesn't make sense. Why would the Master Gardner plant His tender vines in a hostile place where searing sun, nameless blights, and biting pests descend to consume the maturing grapes? Why would He cut back those vines so severely, exposing them to merciless heat? Because the sweetest, most bountiful harvest of fruit will burst from thise very vines, so carefully tended by a wise heart and loving hands. Within these pages of this stunningly beautiful book, Pam Reeve shows how our Lord brings hope and sweet new wine from the very pressure, sorrows, and dissappointments that encroah upon the seasons of our lives. Story Behind the Book An encounter with a desert vineyard in her youth led Dr. Reeve to a lifelong interest in vines and vineyards. In talks to college students and women’s groups around the country, she uses magnificent slides and a gentle message of courage and hope to the overwhelmed, the discouraged, and those enduring difficult seasons in their lives. This book will inspire readers to depend on Christ living within them to produce His character within and fruit through them. It is not our own religious efforts, but Christ living within us, that promotes spiritual growth.
The parables of Jesus seem designed to sneak up on us and upend our assumptions. The familiar takes an unexpected turn and the listener's secret thoughts are exposed. In these twelve-session LifeGuide® Bible Study, John White invites us to lend an ear to thes greatest stories ever told—stories with power to reveal us to ourselves.
Combined with sensitive, heart-touching prose, these beautiful four-color photographs take readers to new vistas of reflection, hope, and joy in the beauty of life and God's ongoing work -- in creation and in his creatures.
A premier New Testament scholar explores how Jesus' trial and execution are portrayed in the New Testament and how that portrayal has affected biblical studies, Christian theology, and Jewish-Christian relations through history. Tomson has written an accessible, responsible analysis of the biblical accounts of Jesus' death, demonstrating how, through compounded misunderstandings, they contributed to anti-Jewish sentiment in the early church and later history. Tomson's question of how Jesus is to be understood in his first-century Judean context is a critical one not only for biblical scholars, but for anyone concerned about human rights and interreligious dialogue today.
Although the body has been the focus of much contemporary cultural theory, the models that are typically applied neglect the most salient characteristics of embodied existence—movement, affect, and sensation—in favor of concepts derived from linguistic theory. In Parables for the Virtual Brian Massumi views the body and media such as television, film, and the Internet, as cultural formations that operate on multiple registers of sensation beyond the reach of the reading techniques founded on the standard rhetorical and semiotic models. Renewing and assessing William James's radical empiricism and Henri Bergson's philosophy of perception through the filter of the post-war French philosophy of Deleuze, Guattari, and Foucault, Massumi links a cultural logic of variation to questions of movement, affect, and sensation. If such concepts are as fundamental as signs and significations, he argues, then a new set of theoretical issues appear, and with them potential new paths for the wedding of scientific and cultural theory. Replacing the traditional opposition of literal and figural with new distinctions between stasis and motion and between actual and virtual, Parables for the Virtual tackles related theoretical issues by applying them to cultural mediums as diverse as architecture, body art, the digital art of Stelarc, and Ronald Reagan's acting career. The result is an intriguing combination of cultural theory, science, and philosophy that asserts itself in a crystalline and multi-faceted argument.
