Essays by Julius Baum, C. G. Jung, C. Kerényi, Hans Leisegang, Paul Masson-Oursel, Fritz Meier, Jean de Menasce, Georges Nagel, Walter F. Otto, Max Pulver, Hugo Rahner, Paul Schmitt, and Walter Wili.
Essays by Henry Corbin, Mircea Eliade, C. G. Jung, Max Knoll, G. van der Leeuw, Louis Massignon, Erich Neumann, Helmuth Plessner, Adolf Portmann, Henri-Charles Puech, Gilles Quispel, and Hellmut Wilhelm. With an introduction by Henry Corbin. Originally published in 1957. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Essays by Ernst Benz, Henry Corbin, Jean Daniélou, Mircea Eliade, G. van der Leeuw, Fritz Meier, Adolf Portmann, Daisetz T. Suzuki, Paul Tillich, Lancelot Law Whyte, and Heinrich Zimmer.
Essays by Ernst Benz, Henry Corbin, Jean Daniélou, Mircea Eliade, G. van der Leeuw, Fritz Meier, Adolf Portmann, Daisetz T. Suzuki, Paul Tillich, Lancelot Law Whyte, and Heinrich Zimmer. Originally published in 1964. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Essays by Ernesto Buonaiuti, Friedrich Dessauer, C. G. Jung, Werner Kaegi, C. Kerényi, Paul Masson-Oursel, Fritz Meier, Adolf Portmann, Max Pulver, Hugo Rahner, Erwin Schrödinger, and Walter Wili.
C.G. Jung held an ‘extemporaneous’ seminar on “The Solar Myths and Opicinus de Canistris” at the 1943 Eranos Conference. In a complete version for the first time, this book presents all of the known material relating to the seminar, including notes taken by two of his students, Alwine von Keller and Rivkah Schärf Kluger, and the outline that Jung himself prepared. Opicinus de Canistris (1296–c. 1352) was a priest and cartographer from near Pavia, Italy. His typically medieval cartography is characterized by historical, theological, symbolic and astrological references along with a curious anthropomorphism, which depicted continents and oceans with human features. Jung recognized this as a projection of Opicinus’ inner world and interpreted the maps of the world as mandalas, where the integration of the shadow, the dark principle, was missing. From the contents: Opicinus de Canistris. Concluding Seminar, Eranos, Ascona, 1943 (Speaking Notes by Carl Gustav Jung) Notes on Jung’s Seminar held on August 12 and 14, 1943, by Alwine von Keller and Rivkah Schärf Kluger Rivkah Schärf Kluger. A Life Fuelled with Intensity of Spirit and Rare Depth of Soul, by Nomi Kluger-Nash Alwine von Keller (1878–1965). A Biographical Memoir, by Riccardo Bernardini, Gian Piero Quaglino, Augusto Romano
A lavishly illustrated volume of C.G. Jung’s visual work, from drawing to painting to sculpture. A world-renowned, founding figure in analytical psychology, and one of the twentieth century’s most vibrant thinkers, C.G. Jung imbued as much inspiration, passion, and precision in what he made as in what he wrote. Though it spanned his entire lifetime and included painting, drawing, and sculpture, Jung’s practice of visual art was a talent that Jung himself consistently downplayed out of a stated desire never to claim the title “artist.” But the long-awaited and landmark publication, in 2009, of C.G. Jung’s The Red Book revealed an astonishing visual facet of a man so influential in the realm of thought and words, as it integrated stunning symbolic images with an exploration of “thinking in images” in therapeutic work and the development of the method of Active Imagination. The remarkable depictions that burst forth from the pages of that calligraphic volume remained largely unrecognized and unexplored until publication. The release of The Red Book generated enormous interest in Jung’s visual works and allowed scholars to engage with the legacy of Jung’s creativity. The essays collected here present previously unpublished artistic work and address a remarkably broad spectrum of artistic accomplishment, both independently and within the context of The Red Book, itself widely represented. Tracing the evolution of Jung’s visual efforts from early childhood to adult life while illuminating the close relation of Jung’s lived experience to his scientific and creative endeavors, The Art of C.G. Jung offers a diverse exhibition of Jung’s engagement with visual art as maker, collector, and analyst.
Miguel Serrano, a Chilean diplomat and writer who has travelled widely in India studying Yoga, had a close friendship with Jung and Hesse at the end of their lives. This book is the outcome of his meetings and correspondence with them. Many letters are reproduced including documents of great importance written to the author by Jung shortly before his death, explaining his ideas about the nature of the world and of his work.