"Louise Brooks (1906-1985), one of the most famous actresses of the silent era, was renowned as much for her rebellion against Hollywood as for her performances in such classics as Pandora's Box and Diary of a Lost Girl. Collected here are eight autobiographical essays by Brooks, vividly describing her childhood in Kansas, her early career as a Denishawn dancer and Ziegfeld Follies "Glorified Girl," and her friendships with Martha Graham, Charles Chaplin, W. C. Fields, Humphrey Bogart and others."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Are you an art-movie buff or a blockbuster enthusiast? Can you reel off a list of New Wave masterpieces, or are you more interested in classic Westerns? Most of us love the movies in one form or another, but very few of us have the all-round knowledge we'd like. 30-Second Cinema offers an immersion course, served up in neat, entertaining shorts. These 50 topics deal with cinema's beginnings, with its growth as an industry, with key stars and producers, with global movements--from German Expressionism to New Hollywood--and with the movies as a business. By the time you've worked your way through, you'll be able to identify the work of George Melies, define auteur theory or mumblecore in a couple of pithy phrases, and you'll have broadened your knowledge of global cinema to embrace not only Bollywood but Nollywood, too. All in the time it takes to watch a couple of trailers.
A little girl penguin is different than her brothers. When she falls through the ice, she finds a golden box. She gets it to the surface and tries to open it amidst all the other animals warnings. The other animals finally decide to help her and a wonderful surprise is found inside the box.
G.W. Pabst's 1929 silent classic Pandora's Box (Die Büchse der Pandora), stars Hollywood icon Louise Brooks as the enigmatic heroine whose erotic charms lead to disaster for the men drawn into her web. Despite failing commercially upon release, it has evolved into a cult film long after it should have been forgotten. Pandora's Box captivates audiences with its libidinous, violent story, and its mysterious heroine whose motivations, as well as whose guilt or innocence, are difficult to determine. It is a sophisticated adaptation of Frank Wedekind's Lulu plays, and indisputably Louise Brooks' finest performance on film. In her compelling study, Pamela Hutchinson traces Pandora's production history and the many contexts of its creation and afterlife, revisiting and challenging many assumptions made about the film, its lead character and its star. Analysing the film act by act, she explores the conflicted relationship between Brooks and the director G.W. Pabst, the film's historical contexts in Weimar Berlin, and its changing fortunes since its release.
This book was requested by my clients as a follow up of my book "The Interior Light - Activate your greatness" as a more detailed analysis of attraction, dating and relationships, in which I examine a fictional love story with comments and explanations. Once you open "The Pandora's box - The forbidden truth about dating and relationships" and read it, all the illusions about dating and relationships will be vanquished and it will remain only the factual truth about why attraction, dating and relationship work the way it does as well as what exactly women and men think when they test each other. As the principles of attraction, dating and relationship become instictive to you, you will become an alpha of your respective gender (alpha man, alpha woman) and always know what to do and not do in any given moment: this truth will be yours for your whole life thus improving and allowing you to have effortless dating and relationship skills. Learn more at: theinteriorlight.wordpress.com
The 1929 Louise Brooks film, DIARY OF A LOST GIRL, is based on a bestselling book first published in Germany in 1905. Though little known today, it was a literary sensation at the beginning of the 20th Century. Was it – as many believed – the real-life diary of a young woman forced by circumstance into a life of prostitution? Or a sensational and clever fake, one of the first novels of its kind? This controversial and often censored work inspired a sequel, a parody, a play, a score of imitators, and two silent films. It was also translated into 14 languages, and sold more than 1,200,000 copies. This new edition of the original English language translation brings this important book back into print in the United States after more than 100 years. It includes an introduction by Thomas Gladysz, Director of the Louise Brooks Society, detailing the book's remarkable history. This special "Louise Brooks Edition" also includes more than three dozen vintage illustrations. More at www.pandorasbox.com/diary.html
Pandora's Box (1904) (Die B�chse der Pandora) is a play by the German dramatist Frank Wedekind. It forms the second part of his pairing of 'Lulu' plays (the first is Earth Spirit [1895]), both of which depict a society "riven by the demands of lust and greed". G. W. Pabst directed a silent film version (Pandora's Box), which was loosely based on the play, in 1929. Both plays together also formed the basis for the opera Lulu by Alban Berg in 1935 (premiered posthumously in 1937). In the original manuscript, dating from 1894, the 'Lulu' drama was in five acts and subtitled 'A Monster Tragedy'. Wedekind subsequently divided the work into two plays: Earth Spirit (German: Erdgeist, first printed in 1895) and Pandora's Box (German: Die B�chse der Pandora). It is now customary in theatre performances to run the two plays together, in abridged form, under the title Lulu. Wedekind is known to have taken his inspiration from at least two sources: the pantomime Lulu by F�licien Champsaur, which he saw in Paris in the early 1890s, and the sex murders of Jack the Ripper in London in 1888. The premiere of Pandora's Box, a restricted performance due to difficulties with the censor, took place in Nuremberg on 1 February 1904. The 1905 Viennese premiere, again restricted, was instigated by the satirist Karl Kraus. In Vienna Lulu was played by Tilly Newes, later to become Wedekind's wife, with the part of Jack the Ripper played by Wedekind himself.
Louise Brooks has become one of the most spectacular icons of early cinema. Her career began as a dancer with the Ziegfeld Follies, and soon she was receiving film offers from both MGM and Paramount, mingling with the high and mighty of Hollywood, having a passionate affair with Charlie Chaplin, spending weekends at William Randolph Hearst's castle and captivating such men as William S. Paley, the founder of CBS. Cowie celebrates Lulu with rare film footage stills, private photos, letters, interviews, and text, exploring this influential cult figure and abiding symbol of the Jazz Age.
