Pando is an inspiring tribute to a Utah grove of quaking Aspen trees connected by their roots to form one of the world's oldest and largest living things. Author Kate Allen Fox engages readers' senses to help convey the vastness of Pando, the challenges it faces, and how we all can be part of the solution. With lyrical poetry, Fox summarizes the science, action, and compassion needed to save this wonder of nature.
Split This Rock Recommended Poetry Books of 2014 Praise for Allison Adelle Hedge Coke: "These are the songs of righteous anger and utter beauty."—Joy Harjo From "Carcass": Split skin stretched over marrowless cage, encased dry tomb, like those strewn through this loess reach, cradling past ever present here, and now you come walking riverside, bringing sensory thrill into daylight much like this cervidae culled morning each waking before demise. We move this way, catching life until death captures us, where we rot into the same dust holding multitudes before us, and welcoming those beyond. Allison Adelle Hedge Coke is a poet, writer, performer, editor, and activist.
Roy Rogers' golden palomino, Trigger, was the perhaps the most famous horse in film--more popular than the man himself among certain fans. In its expanded second edition, this detailed look at the animals and men who created the legend of "the smartest horse in the movies" examines the life story of the original Trigger--and his doubles, particularly Little Trigger, the extraordinary trick horse. Movies in which Trigger appeared without Rogers are discussed. More than 200 photographs (90 new to this edition) and 30,000 words of additional material are included, covering unresolved aspects of Trigger's story, controversies surrounding the sale of the Roy Roger's Museum collection and the fate of his legacy.
Between 1750 and 1850 Spanish American politics underwent a dramatic cultural shift as monarchist colonies gave way to independent states based at least nominally on popular sovereignty and republican citizenship. In The Time of Liberty, Peter Guardino explores the participation of subalterns in this grand transformation. He focuses on Mexico, comparing local politics in two parts of Oaxaca: the mestizo, urban Oaxaca City and the rural villages of nearby Villa Alta, where the population was mostly indigenous. Guardino challenges traditional assumptions that poverty and isolation alienated rural peasants from the political process. He shows that peasants and other subalterns were conscious and complex actors in political and ideological struggles and that popular politics played an important role in national politics in the first half of the nineteenth century. Guardino makes extensive use of archival materials, including judicial transcripts and newspaper accounts, to illuminate the dramatic contrasts between the local politics of the city and of the countryside, describing in detail how both sets of citizens spoke and acted politically. He contends that although it was the elites who initiated the national change to republicanism, the transition took root only when engaged by subalterns. He convincingly argues that various aspects of the new political paradigms found adherents among even some of the most isolated segments of society and that any subsequent failure of electoral politics was due to an absence of pluralism rather than a lack of widespread political participation.
In Lousy Sex Gerald Callahan explores the science of self, illustrating the immune system’s role in forming individual identity. Blending the scientific essay with deeply personal narratives, these poignant and enlightening stories use microbiology and immunology to explore a new way to answer the question, who am I? “Self” has many definitions. Science has demonstrated that 90 percent of the cells in our bodies are bacteria—we are in many respects more non-self than self. In Lousy Sex, Callahan considers this microbio-neuro perspective on human identity together with the soulful, social perception of self, drawing on both art and science to fully illuminate this relationship. In his stories about where we came from and who we are, Callahan uses autobiographical episodes to illustrate his scientific points. Through stories about the sex lives of wood lice, the biological advantages of eating dirt, the question of immortality, the relationship between syphilis and the musical genius of Beethoven, and more, this book creates another way, a chimeric way, of seeing ourselves. The general reader with an interest in science will find Lousy Sex fascinating.
