Subsidio litúrgico digital que incluye el ordinario de la misa, las lecturas y la reflexión de cada día del mes, para que tanto fieles, catequistas, religiosos y sacerdotes puedan prepararse adecuadamente para la celebración de la Eucaristía. Incluye: • Ordinario de la Misa • Lectio Divina • Santo Rosario • Santo del día • Oracional • Bendicional • Oraciones de la Misericordia • Viacrucis
An inside look at the obsessive, secretive, and often bizarre world of high-profile stamp collecting, told through the journey of the world’s most sought-after stamp. When it was issued in 1856, it cost a penny. In 2014, this tiny square of faded red paper sold at Sotheby’s for nearly $9.5 million, the largest amount ever paid for a postage stamp at auction. Through the stories of the eccentric characters who have bought, owned, and sold the one-cent magenta in the years in between, James Barron delivers a fascinating tale of global history and immense wealth, and of the human desire to collect. One-cent magentas were provisional stamps, printed quickly in what was then British Guiana when a shipment of official stamps from London did not arrive. They were intended for periodicals, and most were thrown out with the newspapers. But one stamp survived. The singular one-cent magenta has had only nine owners since a twelve-year-old boy discovered it in 1873 as he sorted through papers in his uncle’s house. He soon sold it for what would be $17 today. (That’s been called the worst stamp deal in history.) Among later owners was a fabulously wealthy Frenchman who hid the stamp from almost everyone (even King George V of England couldn’t get a peek); a businessman who traveled with the stamp in a briefcase he handcuffed to his wrist; and John E. du Pont, an heir to the chemical fortune, who died while serving a thirty-year sentence for the murder of Olympic wrestler Dave Schultz. Recommended for fans of Nicholas A. Basbanes, Susan Orlean, and Simon Winchester, The One-Cent Magenta explores the intersection of obsessive pursuits and great affluence and asks why we want most what is most rare.
The Sources of Catholic Dogma is a translation of the Enchiridion Symbolorum. It contains dogmatic pronouncements and decisions of the Councils of the Church and the Roman Pontiffs. This is a valuable tool for anyone who wants to know what the Catholic Church truly teaches. This edition has been corrected, as some slight errors made it into the original English translation. These are noted on the pages and the correction page is appended at the end.
ORDER OF CATHOLIC MASS IN ENGLISH AND FRENCH Catholic Order of the Mass in English and French authored by the Catholic Laity Publishing contains the following parts of the Holy Mass in both English and French Languages: Introductory Rites (Rites D'Introduction) Penitential Act (Préparation Pénitentielle) Kyrie (Kyrie) Gloria (Gloria) The Collect (Prière D'ouverture) Liturgy of the Word (Liturgie de la Parole) Profession of Faith (Profession De Foi) Liturgy of the Eucharist (Liturgie Eucharistique) Eucharistic Prayer II (Prière Eucharistique II) Communion Rites (Rites De Communion) Breaking of the Bread (Fraction du Pain) Communion (Communion) Prayer after Communion (Prière après la Communion) Concluding Rites (Rites De Conclusion) Blessing (Bénédiction) Dismissal (Congédiement)
This resource takes a pastoral approach to the long-standing practice of Eucharistic adoration. It addressed frequently-asked questions about Eucharistic adoration especially what the relationship between Mass and Eucharistic adoration, what is the importance of Eucharistic adoration, and the difference between Eucharistic adoration and exposition. It also includes excerpts from Redemptionis Sacramentum and Holy Communion and Worship of the Eucharist Outside Mass.
A comprehensive introduction for the English-speaking reader to the novels of Portugal's best-known literary figure, José Saramago. The book covers both his acclaimed historically-based fictions and his more recent, allegorical works. Attention is paid to questions of ideological content, and the exploitation of specifically Portuguese literary and cultural traditions.
This is the first English translation of The Adventures of the Ingenious Alfanhui, a picaresque novel in which the hero, a magical little boy, goes in search not of his fortune but of knowledge, growing both wiser and possibly sadder in the process. These are the adventures of a magical little boy which will appeal to both children and adults.
In 1803 in the colonial South American city of La Plata, Doña Martina Vilvado y Balverde presented herself to church and crown officials to denounce her husband of more than four years, Don Antonio Yta, as a “woman in disguise.” Forced to submit to a medical inspection that revealed a woman’s body, Don Antonio confessed to having been María Yta, but continued to assert his maleness and claimed to have a functional “member” that appeared, he said, when necessary. Passing to América is at once a historical biography and an in-depth examination of the sex/gender complex in an era before “gender” had been divorced from “sex.” The book presents readers with the original court docket, including Don Antonio’s extended confession, in which he tells his life story, and the equally extraordinary biographical sketch offered by Felipa Ybañez of her “son María,” both in English translation and the original Spanish. Thomas A. Abercrombie’s analysis not only grapples with how to understand the sex/gender system within the Spanish Atlantic empire at the turn of the nineteenth century but also explores what Antonio/María and contemporaries can teach us about the complexities of the relationship between sex and gender today. Passing to América brings to light a previously obscure case of gender transgression and puts Don Antonio’s life into its social and historical context in order to explore the meaning of “trans” identity in Spain and its American colonies. This accessible and intriguing study provides new insight into historical and contemporary gender construction that will interest students and scholars of gender studies and colonial Spanish literature and history. This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses and the Association of Research Libraries—and the generous support of New York University. Learn more at the TOME website: openmonographs.org.
The #1 New York Times bestseller! From the #1 New York Times bestselling author of the Reckoners series, the Mistborn trilogy, and the Stormlight Archive comes the second book in an epic series about a girl with a secret in a dangerous world at war for humanity's future. All her life, Spensa's dreamed of becoming a pilot and proving herself a hero like her father. She made it to the sky, but the truths she learned there were crushing. The rumors of her father's cowardice are true--he deserted his Flight during battle against the Krell. Worse, though, he turned against his team and attacked them. Spensa is sure that there's more to the story. And she's sure that whatever happened to her father that day could happen to her. When she made it outside the protective shell of her planet, she heard the stars--and what they revealed to her was terrifying. Everything Spensa has been taught about her world is a lie. Humankind has always celebrated heros, but who defines what a hero is? Could humanity be the evil the galaxy needs to be protected from? Spensa is determined to find out, but each answer she discovers reveals a dozen new questions: about the war, about her enemies, and even, perhaps, about Spensa herself. But Spensa also discovered a few other things about herself--and she'll travel to the end of the galaxy to save humankind if she needs to. "Sanderson delivers a cinematic adventure that explores the defining aspects of the individual versus the society. . . . Fans of Sanderson will not be disappointed." --SLJ "It is impossible to turn the pages fast enough." --Booklist "He's simply a brilliant writer. Period." --Patrick Rothfuss, author of the New York Times bestseller The Name of the Wind, on Brandon Sanderson.
