This Book Is On The Drawings In The Palmleaf Manuscripts Of Orissa Drawn By The Scribes-Artists Who; Had No Family Background Of Art, No Training From Any Teacher.These Drawings Are Not Drawn By Pen Or Pencil But Etched By The Help Of An Iron Needle Called Style On Dry Palmleaves.They Are Based On The Text Of The Manuscripts And The Artists Have Shown Their Individuality In Their Drawings. They Are Successful In Expressing Their Feelings Through A Few Lines, Which They Have Drawn Spontaneously, But Precisely Within A Limited Space Of One To Two Inches (Which Is The Breadth Of The Palmleaf).
This Work, Drawn Largely From Oriya Sources, Provides A Much-Needed Analysis Of An Important But Often Neglected Topic. This Is The First Book That Provides A Comprehensive Assessment Of The Many-Sided Contributions Of Gourisankar Roy, Fakir Mohan Senapati, Radhanath Roy, Baikunthanath De And Maharaja Krushana Chandra Bhanj Who Were Some Of The Foremost Among The Makers Of Modern Orissa. It Explores The Evolution Of This Area, Its Problems And Triumphs, And Studies The Thoughts And Deeds Of These Five Towering Personalities Of Orissa In The Second Half Of 19Th Century. It Provides An Overall Picture Of The Different Aspects Of 19Th Century Orissa, Social, Political And Cultural. The Text Is Accessible To A Broad Readership And Will Be Of Service To Students And Scholars At All Levels.
With 600 signed, alphabetically organized articles covering the entirety of folklore in South Asia, this new resource includes countries and regions, ethnic groups, religious concepts and practices, artistic genres, holidays and traditions, and many other concepts. A preface introduces the material, while a comprehensive index, cross-references, and black and white illustrations round out the work. The focus on south Asia includes Afghanistan, Bangladesh, India, Pakistan, and Sri Lanka, with short survey articles on Tibet, Bhutan, Sikkim, and various diaspora communities. This unique reference will be invaluable for collections serving students, scholars, and the general public.
An art form of Orissa is illustration on palm-leaf that flourished along with the Orissan tradition of copying kavya texts on palm-leaf manuscripts and illuminating them. This book traces the palm-leaf tradition of Orissa and the development of Oriya literature that provides the basis of palm-leaf art. An important but little-known art form of Orissa is illustration on palm-leaf that flourished along with the Orissan tradition of copying kavya texts on palm-leaf manuscripts and illuminating them. This art form touched its zenith during the golden age of Oriya kavya
"Books have long been objects of beauty. For many centuries and in societies across the world, bookmakers have lavished great care on the paper, binding materials, and illustrations that surround the words on a page as well as on the lettering or type in which those words appear. This volume, featuring an array of beautiful books from the British Library's collection, focuses on the sensory experience of holding these objects in your hands. Each book represents a specific moment in the development of the object-from scrolls and bound illuminated manuscripts to paperbacks and formatted digital information. The books range from the seventh century to the present and include examples from China, Japan, Southeast Asia, and the Middle East as well as Europe and North America, with separate features on book traditions in Africa and Oceania. Expert curators and other specialists explore these books from the perspective of design and manufacturing, with original art photographs that zero in on their texture and materials as well as graphics that detail their size, number of folios, and other specifications. Offering a wide-ranging look at the creation and use of books, this volume is itself an object of beauty"--
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