This unique resource will be an enormous aid and impetus to Churchill studies. It lists over 600 works, with annotations, and includes sections listing an additional 5,900 entries covering book reviews, significant articles, and chapters from books. Separate author and title indexes will allow the user to locate specific entries. The book's aim is to direct students, researchers, and bibliophiles to the entire corpus of works about Churchill.
Churchill is today remembered as a great leader, a war hero, a literary heavyweight and a renowned wit. This incarnation of Churchill is the latest in a long-evolving identity, which at various times has sustained his power, enhanced his popularity and enabled him to personify aspects of British national identity. Indeed Churchill was more aware than most of the performative power of his public life. He lived in an age of the illustrated mass-produced newspaper, with its cartoons and 'Kodak-snappers'. He was well-known for his readiness to appear in uniform for photo opportunities during the Second World War and he not only wrote about the art of political caricature, but collected cartoons of himself, his allies and opponents. In this heavily-illustrated book, Jonathan Black considers the changing image of Churchill in visual art, from cartoons and paintings to photographs and sculptures. He asks how and why his image developed right up to the present day and examines the extent to which Churchill was complicit in its production.
During the years following World War II debates about the British landscape fused with questions of national identity as the country reconstructed its sense of self. For better or for worse artists, statesmen, and ordinary citizens saw themselves reflected in the landscape, and in turn helped to shape the way that others envisioned the land. While landscape art is frequently imagined in terms of painting, this book examines the role of landscape in terms of a broader definition of visual culture to include the discussion not only of works of oil on canvas, but also prints, sculpture, photography, advertising, fashion journalism, artists' biographies, and the multi-media stage of the national exhibition. Making extensive use of archival materials (newspaper reviews, radio broadcasts, interviews with artists, letters and exhibition planning documents), Catherine Jolivette explores the intersection of landscape art with a variety of discourses including the role of women in contemporary society, the status of immigrant artists in Britain, developments in science and technology, and the promotion of British art and culture abroad.
An entirely new perspective on Churchill and his paintings told in his own words and including material never before published, edited and introduced by David Cannadine. Across almost 50 years, Winston Churchill produced more than 500 paintings. His subjects included his family homes at Blenheim and Chartwell, evocative coastal scenes on the French Riviera, and many sun-drenched depictions of Marrakesh in Morocco, as well as still life pictures and an extraordinarily revealing self-portrait, painted during a particularly troubled time in his life. In war and peace, Churchill came to enjoy painting as his primary means of relaxation from the strain of public affairs. In his introduction to Churchill: The Statesman as Artist, David Cannadine provides the most important account yet of Churchill's life in art, which was not just a private hobby, but also, from 1945 onwards, an essential element of his public fame. The first part of this book brings together for the first time all of Churchill's writings and speeches on art, not only 'Painting as a Pastime', but his addresses to the Royal Academy, his reviews of two of the Academy's summer exhibitions, and an important speech he delivered about art and freedom in 1937. The second part of the book provides previously uncollected critical accounts of his work by some of Churchill's contemporaries: Augustus John's hitherto unpublished introduction to the Royal Academy exhibition of Churchill's paintings in 1959, and essays and reviews by Churchill's acquaintances Sir John Rothenstein, Professor Thomas Bodkin and the art critic Eric Newton. The book is lavishly illustrated with reproductions of many of Churchill's paintings, some of them appearing for the first time. Here is Churchill the artist more fully revealed than ever before.
This illustrated A–Z biographical companion presents information about all aspects of Winston Churchill's remarkable career, spotlighting the events and people with whom he was most closely associated. When Winston Churchill was still in his teens, he was already a man in a hurry—partly due to his fear that, like his father, he would die young. Born into aristocratic politics, he sought glory through battle as a means to secure a position in politics, fame, and money through the writing of books. To promote their careers, both he and his father made full use of their family connections and the allure of their social life. Among the telling details revealed are that his mother, Jennie Jerome (Lady Randolph), was an American heiress and was his major adviser and reliable friend when he was younger, and that his wife, Clementine, disliked and distrusted many of Winston's political cronies. This A–Z biographical dictionary covers everything from his grandiose spending, trademark agar and whiskey sodas, and silk underwear to his mother's many marriages and affairs, and his relationships with Edward VIII and Queen Elizabeth II.
Universally acclaimed for their compelling narrative, their fresh insights, and their objective renderings of Winston Churchill's life, The Last Lion trilogy presents a revelatory and unparalleled portrait of this brilliant, flawed, and dynamic adventurer, aristocrat, soldier, and statesman. Born at the end of the 19th century when Imperial Britain still stood at the splendid pinnacle of her power, Churchill would witness the shift a few years later as the Empire hovered on the brink of a catastrophic new era. One of the greatest wartime leaders of our time, he would go on to stand alone, politically isolated in Parliament, as he took the lead in warning of the growing Nazi threat, and would lead Britain to victory against Nazi Germany and the Axis powers in World War II. Now, celebrated historian William Manchester's landmark biographies are collected together for the first time, along with the eagerly anticipated final installment Churchill's last years in power. More than thirty years in the making, The Last Lion is the definitive work on this remarkable man whose courageous vision guided the destiny of a nation during darkly troubled times-and who looms as one of the greatest figures of our century.
The first volume in William Manchester's masterful, magnum opus account of Winston Churchill's life. The Last Lion: Visions of Glory follows the first fifty-eight years of Churchill's life--the years that mold him into the man who will become one of the most influential politicians of the twentieth century. In this, the first volume, Manchester follows Churchill from his birth to 1932, when he began to warn against the re-militarization of Germany. Born of an American mother and the gifted but unstable son of a duke, his childhood was one of wretched neglect. He sought glory on the battlefields of Cuba, Sudan, India, South Africa and the trenches of France. In Parliament he was the prime force behind the creation of Iraq and Jordan, laid the groundwork for the birth of Israel, and negotiated the independence of the Irish Free State. Yet, as Chancellor of the Exchequer he plunged England into economic crisis, and his fruitless attempt to suppress Gandhi's quest for Indian independence brought political chaos to Britain. Throughout, Churchill learned the lessons that would prepare him for the storm to come, and as the 1930's began, he readied himself for the coming battle against Nazism--an evil the world had never before seen.
