Painting the Landscape of Your Soul engages and reawakens your innate creativity as a path to self discovery. This book is a step-by-step journey of empowerment, reclaiming your inner self with paint and paper. It incorporates trusting your intuitive voice with deep, underlying principles of healing such as energy medicine and shamanism. It's a journey toward integration and wholeness and will bring a twinkle to your eyes again! No artistic skill is required."
Beautifully illustrated, easy-to-follow guide features 32-page color section demonstrating use of colors in landscapes and showing development of 7 varied landscape paintings by brilliant landscapist George Cherepov. Other sections offer expert advice about basic techniques, composition, lighting, special problems, more. 63 color and 54 black-and-white illustrations. Introduction.
Carl Gustav Carus (1789-1869)--court physician to the king of Saxony--was a naturalist, amateur painter, and theoretician of landscape painting whose Nine Letters on Landscape Painting is an important document of early German romanticism and an elegant appeal for the integration of art and science. Carus was inspired by and had contacts with the greatest German intellectuals of his day. Carus prefaced his work with a letter from his correspondence with Johann Wolfgang von Goethe, who was his primary mentor in both science and art. His writings also reflect, however, the influence of the German natural philosopher Friedrich Wilhelm Joseph Schelling, especially Schelling's notion of a world soul, and the writings of the naturalist and explorer Alexander von Humboldt. Carus played a role in the revolution in landscape painting taking place in Saxony around Caspar David Friedrich. The first edition appears here in English for the first time.
Capturing the landscape on paper requires the artist to look - to look deep into the distance and deep into the soul. This practical book celebrates the genre of landscape painting - the wonder of discovering the extraordinary in the everyday scene. Philip Tyler looks in detail at the materials, techniques and approaches needed to paint the landscape, and offers advice on how to portray space, light, atmosphere and different weather conditions. Supported by the words and images of other notable artists, he explains how to transfer one's emotional response to the landscape onto paper or canvas. There are exercises to support the 50 lessons in the book and over 300 colour images illustrate the text.
Because nature is so expansive and complex, so varied in its range of light, landscape painters often have to look further and more deeply to find form and structure, value patterns, and an organized arrangement of shapes. In Landscape Painting, Mitchell Albala shares his concepts and practices for translating nature's grandeur, complexity, and color dynamics into convincing representations of space and light. Concise, practical, and inspirational, Landscape Painting focuses on the greatest challenges for the landscape artist, such as: • Simplification and Massing: Learn to reduce nature's complexity by looking beneath the surface of a subject to discover the form's basic masses and shapes.• Color and Light: Explore color theory as it specifically applies to the landscape, and learn the various strategies painters use to capture the illusion of natural light.• Selection and Composition: Learn to select wisely from nature's vast panorama. Albala shows you the essential cues to look for and how to find the most promising subject from a world of possibilities. The lessons in Landscape Painting—based on observation rather than imitation and applicable to both plein air and studio practice—are accompanied by painting examples, demonstrations, photographs, and diagrams. Illustrations draw from the work of more than 40 contemporary artists and such masters of landscape painting as John Constable, Sanford Gifford, and Claude Monet. Based on Albala's 25 years of experience and the proven methods taught at his successful plein air workshops, this in-depth guide to all aspects of landscape painting is a must-have for anyone getting started in the genre, as well as more experienced practitioners who want to hone their skills or learn new perspectives.
Known for his use of luminous color, Albert Handell, whose lush landscapes light up these pages, provides lucid instructions to help first-time pastelists achieve impressive results as soon as they begin working with the medium. After reviewing pastel supplies, the author discusses landscape composition and how to establish large shapes first, abstract certain areas, develop a focal point, work from dark to light, and capture the illusion of reality through color. Stepped demonstrations isolate specific landscape aspects, showing how the pastelist depicts skies, trees, buildings, water, rocks, woods, snow, and light.
Landscapes in Oil is the first-ever comprehensive guide to classical landscape painting reinterpreted for the twenty-first century. Drawing from the tradition established by American painters of the Hudson River School--artists like Thomas Cole, Frederic Church, and George Inness--author and painter Ken Salaz reveals great masters' philosophy and methods, updating their approaches for the contemporary landscape painter. Beginning painters are given the basic tools and step-by-step demonstrations, intermediate painters are challenged with unpublished techniques that allow them to break through to the next level, and advanced painters learn to apply their skills under unified theories. Landscapes in Oil devotes a chapter to each of the fundamental elements of landscape painting--drawing, value, color, composition, and light quality--and offers critical advice on selecting tools and materials, choosing colors, and structuring your palette for best results. Emphasizing the necessity of plein air drawing and painting, Salaz demonstrates how to translate small, quick studies made outdoors into full-scale studio paintings. He provides detailed step-by-step breakdowns of the creation of four of his own paintings, focusing not only on application but also on the ideas that underpin every decision a landscape painter must make. The scores of landscape masterworks, past and present, that illustrate this book have been carefully chosen for their aesthetic power and because each embodies a specific aspect of the landscape painter's craft. For Salaz, landscape painting is a noble pursuit, and the goal of the landscape artist is not to paint "pretty pictures" but to create compelling images that express human beings' profound connection to nature in all its diversity and grandeur. At a time when classical landscape is enjoying a renaissance in art schools, ateliers, and galleries across North America, this book is an essential resource for beginning and experienced painters alike.
Meet the boy who can't stop creating art! He loves colours, shapes, textures and EVERYTHING inspires him: his socks, the contents of the fridge, even his cat gets a new coat (of paint!). But there's just one problem: his mum isn't quite so enthusiastic. In fact, she seems a little cross! But this boy has a plan to make his mum smile. He's about to create his finest piece yet and on a very grand scale . . . Funny, irreverent and perfect for creative children and adults, I Am An Artist by Marta Altés is a sharp, silly, fabulous book which shows that art is EVERYWHERE!
In this book, Cheryl Rose-Hall shares the unique painting technique that she has developed. As a sensitive, she shares how she paints by attuning to her subjects through the eyes and spirals out from that central point. Using historical data along with her psychic impressions, she creates empowered works of art based on sacred sites and their mythology. This book includes photos, images, and research that the public has never seen before. This is reiterated in the brilliant forward by Dr. Jean Houston. The book is divided into the four mythic lands where Cheryl lives and creates. Narnia (Northern Ireland), Lemuria (Mt. Shasta), Avalon (UK), and Bohemia (Prague, Czech Republic). There are 120 color photos and 60 color paintings and their stories. Some of the highlights include The real portrait of Mary painted by St. Luke, the actual Kingdom of Narnia, and the rarely seen ancient Lemurian petroglyphs near Mt. Shasta documented by archeologists.
