After serving a six year prison term because of the betrayal of a friend, Harrison Destry decides to hunt down the twelve jurors who framed and then convicted him.
America is a nation making itself up as it goes along—a story of discovery and invention unfolding in speeches and images, letters and poetry, unprecedented feats of scholarship and imagination. In these myriad, multiform, endlessly changing expressions of the American experience, the authors and editors of this volume find a new American history. In more than two hundred original essays, A New Literary History of America brings together the nation’s many voices. From the first conception of a New World in the sixteenth century to the latest re-envisioning of that world in cartoons, television, science fiction, and hip hop, the book gives us a new, kaleidoscopic view of what “Made in America” means. Literature, music, film, art, history, science, philosophy, political rhetoric—cultural creations of every kind appear in relation to each other, and to the time and place that give them shape. The meeting of minds is extraordinary as T. J. Clark writes on Jackson Pollock, Paul Muldoon on Carl Sandburg, Camille Paglia on Tennessee Williams, Sarah Vowell on Grant Wood’s American Gothic, Walter Mosley on hard-boiled detective fiction, Jonathan Lethem on Thomas Edison, Gerald Early on Tarzan, Bharati Mukherjee on The Scarlet Letter, Gish Jen on Catcher in the Rye, and Ishmael Reed on Huckleberry Finn. From Anne Bradstreet and John Winthrop to Philip Roth and Toni Morrison, from Alexander Graham Bell and Stephen Foster to Alcoholics Anonymous, Life, Chuck Berry, Alfred Hitchcock, and Ronald Reagan, this is America singing, celebrating itself, and becoming something altogether different, plural, singular, new.
Since the beginning of television, Westerns have been playing on the small screen. From the mid-1950s until the early 1960s, they were one of TV's most popular genres, with millions of viewers tuning in to such popular shows as Rawhide, Gunsmoke, and Disney's Davy Crockett. Though the cultural revolution of the later 1960s contributed to the demise of traditional Western programs, the Western never actually disappeared from TV. Instead, it took on new forms, such as the highly popular Lonesome Dove and Deadwood, while exploring the lives of characters who never before had a starring role, including anti-heroes, mountain men, farmers, Native and African Americans, Latinos, and women. Shooting Stars of the Small Screen is a comprehensive encyclopedia of more than 450 actors who received star billing or played a recurring character role in a TV Western series or a made-for-TV Western movie or miniseries from the late 1940s up to 2008. Douglas Brode covers the highlights of each actor's career, including Western movie work, if significant, to give a full sense of the actor's screen persona(s). Within the entries are discussions of scores of popular Western TV shows that explore how these programs both reflected and impacted the social world in which they aired. Brode opens the encyclopedia with a fascinating history of the TV Western that traces its roots in B Western movies, while also showing how TV Westerns developed their own unique storytelling conventions.
Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - BUT the man's almost dead. The words stung John Hare's fainting spirit into life. He opened his eyes. The desert still stretched before him, the appalling thing that had overpowered him with its deceiving purple distance. Near by stood a sombre group of men. Leave him here, said one, addressing a gray-bearded giant. "He's the fellow sent into southern Utah to spy out the cattle thieves. He's all but dead. Dene's out-laws are after him. Don't cross Dene." The stately answer might have come from a Scottish Covenanter or a follower of Cromwell. Martin Cole, I will not go a hair's-breadth out of my way for Dene or any other man. You forget your religion. I see my duty to God.
Introduction: Mediated America: Americana as Hollywoodiana / Jan Olsson, Kingsley Bolton -- Italian marionettes meet cinematic modernity / Jan Olsson -- "A red-blooded romance"; or Americanizing early multi-reel feature cinema: the case of The spoilers / Joel Frykholm -- Song of the sonic body: noise, the audience, and early American moving picture culture / Meredith C. Ward -- Constructing the global vernacular: American English and the media / Kingsley Bolton -- You only live once: repetitions of crime as desire in the films of Sylvia Sidney, 1930-1937 / Esther Sonnet -- Punks! Topicality and the 1950s gangster bio-pic cycle / Peter Stanfield -- Importing evil: the American gangster, Swedish cinema, and anti-American propaganda / Ann-Kristin Wallengren -- Sun Yu and the early Americanization of Chinese cinema / Corrado Neri -- If America were really China or how Christopher Columbus discovered Asia / Gregory Lee -- Civil rights on the screen / Michael Renov -- Goodbye rabbit ears: visualizing and mapping the U.S. Digital TV transition / Lisa Parks -- Archival transitions: some digital propositions / Pelle Snickars -- Are Americans human? / Evelyn Ch'ien -- Afterword: Rethinking the American century / William Uricchio.
With Amusement for All contextualizes what Americans have done for fun since 1830, showing the reciprocal nature of the relationships among social, political, economic, and cultural forces and the ways in which the entertainment world has reflected, changed, or reinforced the values of American society.
Stunning handmade knives in full-on color! Showcasing fine artistry isn't a difficult job. Unlike museum curators, the knife book editors, designers and publishers don't even need to display the items in a well-lit room. The pages of Knives 2015 come alive with the most utilitarian, artistic, unique and exquisite blades from around the world. The world's finest edges--whether everyday carry pieces, hunters, bowies, belt and boot knives, camp knives, flipper folders or highly embellished works of art--find a home in the 35th edition of the Knives annual book. And each is accompanied by complete specifications, descriptions and editorial comments. Add in a comprehensive Custom Knifemaker Directory, including email addresses, websites, phone numbers, specialties and technical information, and you can see why collectors and enthusiasts own every volume of this coveted book. Engrossing feature articles delve into frame-lock folders, blunt tips on tall ships, knives disguised as other items, survival knives, "A Sword for a Warrior King" and plenty more World's most complete Custom Knifemaker Directory The latest trends in handmade knives State-of-the-art engraving, scrimshaw, jewel inlay, sculpting and carving More knives, articles, information, trend-setting innovations and state-of-the-art embellishments than any other book on the market!
Spent cartridges. The pieces of an original Tabasco Pepper Sauce bottle. Shards of a ceramic pot, stained red. For archaeologists each of the thousands of artifacts uncovered at a site tells a story. For noted Comstock authority Ronald M. James, it is a story resulting from decades of research and excavation at one of the largest National Historic Landmarks in America, the Nevada town that, with the discovery of the Comstock Lode, became a boomtown microcosm of the American West. Drawing on the work of hundreds of volunteers, students, and professional archaeologists, Virginia City: Secrets of a Western Past shows how every detail—from unearthed artifacts to reports of local saloons to plans for the cemetery to surviving nineteenth-century buildings—adds to our view of Virginia City when it was one of the richest places on earth. James recreates this unlikely epitome of frontier industry and cosmopolitan living, the thriving hub of corporate executives, middle-class families, miners, prostitutes, and barkeepers—and more foreign-born residents per capita than anywhere else in the country—in a spot that had begun its life a few years earlier as the mining camp of several lucky guys. An excavation of the history of Virginia City, a window on the heyday of the American frontier, James’s book is also an enlightening look at how archaeology brings the story of the past to life.