Ovid's Erotic Poems
Ovid's Erotic Poems

Author: Ovid

Publisher: University of Pennsylvania Press

Published: 2014-10-22

Total Pages: 232

ISBN-13: 081224625X

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The most sophisticated and daring poetic ironist of the early Roman Empire, Publius Ovidius Naso, is perhaps best known for his oft-imitated Metamorphoses. But the Roman poet also wrote lively and lewd verse on the subjects of love, sex, marriage, and adultery—a playful parody of the earnest erotic poetry traditions established by his literary ancestors. The Amores, Ovid's first completed book of poetry, explores the conventional mode of erotic elegy with some subversive and silly twists: the poetic narrator sets up a lyrical altar to an unattainable woman only to knock it down by poking fun at her imperfections. Ars Amatoria takes the form of didactic verse in which a purportedly mature and experienced narrator instructs men and women alike on how to best play their hands at the long con of love. Ovid's Erotic Poems offers a modern English translation of the Amores and Ars Amatoria that retains the irreverent wit and verve of the original. Award-winning poet Len Krisak captures the music of Ovid's richly textured Latin meters through rhyming couplets that render the verse as playful and agile as it was meant to be. Sophisticated, satirical, and wildly self-referential, Ovid's Erotic Poems is not just a wickedly funny send-up of romantic and sexual mores but also a sharp critique of literary technique and poetic convention.

Ovid: Ars Amatoria, Book III
Ovid: Ars Amatoria, Book III

Author: Ovid

Publisher: Cambridge University Press

Published: 2003

Total Pages: 8

ISBN-13: 9780521813709

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This is a full-scale commentary devoted to the third book of Ovid's Ars Amatoria. It includes an Introduction, a revision of E. J. Kenney's Oxford text of the book, and detailed line-by-line and section-by-section commentary on the language and ideas of the text. Combining traditional philological scholarship with some of the concerns of more recent critics, both Introduction and commentary place particular emphasis on: the language of the text; the relationship of the book to the didactic, 'erotodidactic' and elegiac traditions; Ovid's usurpation of the lena's traditional role of erotic instructor of women; the poet's handling of the controversial subjects of cosmetics and personal adornment; and the literary and political significances of Ovid's unexpected emphasis in the text of Ars III on restraint and 'moderation'. The book will be of interest to all postgraduates and scholars working on Augustan poetry.

Three Books of Occult Philosophy
Three Books of Occult Philosophy

Author: Heinrich Cornelius Agrippa von Nettesheim

Publisher: Llewellyn Worldwide

Published: 1993

Total Pages: 1030

ISBN-13: 9780875428321

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"The Three Books of Occult Philosophy's vast store of magical lore has been so influential that occultists have been drawing upon it for the past five centuries. This classic work was first published in 1531, and translated into English in 1651, but it has never since been reprinted in its entirety. Now--for the first time in 500 years--editor Donald Tyson presents these writings as Agrippa intended them to appear: wholly complete and free from the hundreds of errors made in the original translation. The Three Books of Occult Philosophy is the most complete repository of pagan and Neo-platonic magic ever compiled. This book is packed with material you will not find elsewhere, including copious extracts on magic from obscure or lost works by Pythagoras, Pliny the Elder, Cicero, Ptolemy, Plato, Aristotle, and many other authorities. Donald Tyson's detailed annotations clarify difficult references and provide origins of quotations, even expanding upon them in many cases in order to make Agrippa's work more accessible to the modern reader. As well as providing extensive insight into the foundations of the Western Esoteric tradition, the Three Books of Occult Philosophy is the ultimate 'how-to' for magical workings. It describes how to work all manner of divinations and natural and ceremonial magic in such clear and useful detail that it is still the guide for modern techniques. And the extensive supplementary material--including biographical and geographical disctionaries and appendices--provides quick reference to many previously obscure matters in classical magic. The Three Books of Occult Philosophy is an essential reference tool for all students of the history of ideas and the occult tradition."--back cover.

The History and Anatomy of Auctorial Self-Criticism in the European Middle Ages
The History and Anatomy of Auctorial Self-Criticism in the European Middle Ages

Author: Anita Obermeier

Publisher: BRILL

Published: 2023-12-28

Total Pages: 314

ISBN-13: 9004456147

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This study outlines the history and anatomy of the European apology tradition from the sixth century BCE to 1500 for the first time. The study examines the vernacular and Latin tales, lyrics, epics, and prose compositions of Arabic, English, French, German, Greek, Icelandic, Italian, Spanish, and Welsh authors. Three different strands of the apology tradition can be proposed. The first and most pervasive strand features apologies to pagan deities and-later-to God. The second most important strand contains literary apologies made to an earthly audience, usually of women. A third strand occurs more rarely and contains apologies for varying literary offenses that are directed to a more general audience. The medieval theory of language privileges an imitation of the Christian master narrative and a hierarchical medieval view of authorship. These notions express a medieval philosophical concern about language and its role, and therefore the role of the author, in cosmic history. Despite the fact that women apologize for different purposes and reasons, their examples illustrate, on yet another level, the antifeminist subtext inherent in the entire apology tradition. Overall, the apology tradition characterized by interauctoriality, intertextuality, and intratextuality, enables self-critical authors to refer not only backward but also-primarily-forward, making the medieval apology a progressive strategy that engenders new literature. This study would be relevant to all medievalists, especially those interested in literature and the history of ideas.