Richard Tempest examines Aleksandr Solzhenitsyn’s evolution as a literary artist from his early autobiographical novel Love the Revolution to the experimental mega-saga The Red Wheel, and beyond. Tempest shows how this author gives his characters a presence so textured that we can readily imagine them as figures of flesh and blood and thought and feeling. The study discusses Solzhenitsyn’s treatment of Lenin, Stalin, and the Russian Revolution; surprising predilection for textual puzzles and games à la Nabokov or even Borges; exploration of erotic themes; and his polemical interactions with Russian and Western modernism. Also included is new information about the writer’s life and art provided by his family, as well as Tempest’s interviews with him in 2003-7.
A study of Aleksandr Solzhenitsyn's prose that examines his most important characters as well as his treatment of Lenin, Stalin, and the Russian revolution; surprising predilection for literary puzzles and games; erotic themes; and polemical interactions with Russian and Western modernism.
Tamizdat offers a new perspective on the history of the Cold War by exploring the story of the contraband manuscripts sent from the USSR to the West. A word that means publishing "over there," tamizdat manuscripts were rejected, censored, or never submitted for publication in the Soviet Union and were smuggled through various channels and printed outside the country, with or without their authors' knowledge. Yasha Klots demonstrates how tamizdat contributed to the formation of the twentieth-century Russian literary canon: the majority of contemporary Russian classics first appeared abroad long before they saw publication in Russia. Examining narratives of Stalinism and the Gulag, Klots focuses on contraband manuscripts in the 1960s and 70s, from Khrushchev's Thaw to Stagnation under Brezhnev. Klots revisits the traditional notion of late Soviet culture as a binary opposition between the underground and official state publishing. He shows that even as tamizdat represented an alternative field of cultural production in opposition to the Soviet regime and the dogma of Socialist Realism, it was not devoid of its own hierarchy, ideological agenda, and even censorship. Tamizdat is a cultural history of Russian literature outside the Iron Curtain. The Russian literary diaspora was the indispensable ecosystem for these works. Yet in the post-Stalin years, they also served as a powerful weapon on the cultural fronts of the Cold War, laying bare the geographical, stylistic, and ideological rifts between two disparate yet inextricably intertwined fields of Russian literature, one at home, the other abroad. Open Access edition funded by the National Endowment for the Humanities.
"In addition to updated references and case studies, the Second Edition includes new chapters on crisis management and innovation leadership. Each chapter provides guidance for contemporary and aspiring leaders in managing the ever-changing complexities o current and future healthcare systems. The growing necessity to manage unplanned change and undertake predictive and adaptive leadership roles is now a fundamental skill set and this workbook allows readers to understand the strategies to become a more effective leader in today's healthcare environment."--BOOK JACKET.
At a time when we are witnessing the return of the World Soul, the rise of feminine consciousness and the re-enchantment of Nature, the friendship between Marion Woodman and Elinor Dickson offers us a rare glimpse into the new story yearning to be born. Dancing at the Still Point reveals a remarkable friendship rooted in Soul that is both deeply personal and transpersonal. Prompted by a dream in which Marion told her to write about their friendship, Elinor has succeeded in weaving their shared visions, dreams and insights with the playfulness, challenges, and honesty they shared over thirty-four years. Like all deep friendships, Marion and Elinor mirrored each other while mutually affirming their individual destinies. This is a book that celebrates the gift of friendship as a compelling model for community in these times. As Marion would say, “where soul meets soul that’s love” and love is the field in which we are all called to dance. Elinor Dickson, Ph.D., is a psychologist, Jungian therapist, lecturer and workshop leader. She is the co-author of Dancing in the Flames written with Marion Woodman. She lives in Toronto, Ontario
This unique exploration of Russian prose fiction about the Soviet labour camp system since the Stalin era compares representations of identity, ethics and memory across the corpus. The Soviet labour camp system, or Gulag, was a highly complex network of different types of penal institutions, scattered across the vast Soviet territory and affecting millions of Soviet citizens directly and indirectly. As Gulag Fiction shows, its legacies remain palpable today, though survivors of the camps are now increasingly scarce, and successive Soviet and post-Soviet leaders have been reluctant to authorise a full working through of the Gulag past. This is the first book to compare Soviet, samizdat and post-Soviet literary prose about the Gulag as penal system, carceral experience and traumatic memory. Polly Jones analyses prose texts from across the 20th and 21st centuries through the prism of key themes in contemporary Soviet historiography and Holocaust literature scholarship: selfhood and survival; perpetration and responsibility; memory and post-memory.
Things are hot and getting hotter... Escape into this delicious shifter romance from bestselling author MaryJanice Davidson. Oz Adway is a rare breed: an accountant who wants to get dirty. He's a werewolf working for the Interspecies Placement Agency so it's not long before he gets the opportunity to break out of his boring, safe office job. He volunteers to find runaway bear cub Sally Smalls, recently orphaned by a plane crash. Piece of cake, right? Unfortunately, Sally's taken refuge with "ordinary" human Lila Kai. Lila has no idea what's going on, but she'll destroy anyone who tries to take the cub. Oz is not about to let a human jeopardize his daring career move, no matter how attractive he finds her. Lila knows something's different about the sexy weirdo who keeps popping up in the wrong place at the right time. She's determined to figure out what, regardless of the escalating threats to her safety and Oz's distracting hotness. She didn't move into a cursed house and take in a werebear just to run when things get complicated. Together, Oz and Lila will prevail! But only if they can keep their hands off each other... Put away your pocket protectors: This hilarious story includes a nerdy shifter accountant with a bad-boy side, a fiercely protective human heroine, and a baby bear cub who will make every reader sigh in cuteness. Fans of Shelly Laurenston and paranormal adventure won't want to miss the newest installment in the BeWere My Heart series! "This hilarious, sizzling romance [is] perfect for fans of Kresley Cole's Immortals After Dark series."—Publishers Weekly for Bears Behaving Badly "Davidson is in fine form with the over-the-top humor and outrageous situations that have made her a bestseller."—Booklist for Me, Myself, and Why
Pt. 1. Introduction -- pt. 2. Business and technology -- pt. 3. Politics, governance and foreign policy -- pt. 4. Social issues -- pt. 5. National identity -- pt. 6. Conclusions.
