Flamenco has taken the world by storm, with huge crowds experiencing its power. Ironically, though, if the performance is authentic - and much in the tourist trade is not - the uninitiated may find it baffling; the rhythms are exotic and strange, the intensity of feeling startling. Yet for the Andalusians, flamenco has been familiar for a thousand years: it is the song of the outcasts. Robin Totton writes from his life among them, for he has come as close to flamenco as any outsider can hope to. Readers will follow as he walks us through the poetic song forms, the rhythmic guitar and the flamboyant dance, as well as the vocabulary, names and places of living art of flamenco. Item #00331637 is a paperback edition with an accompanying CD.
Sue Jones is a spacebus driver from a nowhere colony. Yearning for adventure, she pilots a shuttle into uncharted regions—and crash-lands in a harsh world. Kara is an alien whose people are Outcasts who have been banished to this world and survive in Rings above the storm-swept surface. When Kara rescues her and brings her to the Rings, Sue soon learns that the Outcasts believe humans belong on the surface. As Sue discovers her protector’s secrets, Kara struggles to keep Sue safe and her own feelings at bay. Can love bridge the gap between worlds and heal the deepest of wounds?
The University of Minnesota. A place for students to learn, live, and laugh. For the Others, the students that are vampire, werewolf, gremlin, or some other non-human race, there is hope of not being alone in the struggle to hide their true nature from humans. A group known as the Campus Outcasts exists to give Others a place to belong. When Liam Murray joins the Campus Outcasts, he thinks he's found a paradise. But an unfortunate run-in with a psychotic vampire introduces him to just how hellish the life of a mutt like himself can be. Now the Outcasts are forced to deal with the struggle against physical foes, as well as maintain a passing grade in their classes, and all are forced to learn the true meaning of trying to survive their college years.
Pëtr Filippovich Iakubovich represents the many young people whose opposition to the Russian state turned to extremism during the late nineteenth and early twentieth centuries. His conviction and banishment to forced labor and settlement in Siberia was an experience shared by many. But, unlike most, Iakubovich detailed his experiences in a thrilling and insightful roman à clef. Like the better-known accounts by Dostoevskii and Chekhov, Iakubovich’s novel paints a picture of his fellow criminal inmates that is both objective and insightful. “In the World of the Outcasts” proved especially popular, appearing first in serial form between 1895 and 1898, and then as a book which ran through three editions prior to 1917. Along with other exposés of official malfeasance and corruption, it helped to focus popular resentment against the Romanovs. The book reappeared in 1964, in one of the last breaths of fresh air before Khrushchëv was supplanted by Brezhnev’s neo-Stalinism. Laying bare the facts of Russia’s penal system like Dostoevskii’s “Notes from a Dead House” before it, and Solzhenitsyn’s “One Day in the Life of Ivan Denisovich” after it, Iakubovich’s “In the World of the Outcasts” is both a valuable historical document and a compelling work of literary fiction. This translation marks the first appearance of Iakubovich’s masterpiece in English.
This extract from the Eerdmans Commentary on the Bible provides Jarik and Rogerson’s introduction to and concise commentary on Ecclesiastes and Song of Songs. The Eerdmans Commentary on the Bible presents, in nontechnical language, the best of modern scholarship on each book of the Bible, including the Apocrypha. Reader-friendly commentary complements succinct summaries of each section of the text and will be valuable to scholars, students, and general readers. Rather than attempt a verse-by-verse analysis, these volumes work from larger sense units, highlighting the place of each passage within the overarching biblical story. Commentators focus on the genre of each text—parable, prophetic oracle, legal code, and so on—interpreting within the historical and literary context. The volumes also address major issues within each biblical book—including the range of possible interpretations—and refer readers to the best resources for further discussions.
This is a study of Wordsworth's metrical theory and his practice in the art of versification. It provides a detailed treatment of what Wordsworth calls the innumerable minutiae that the art of the poet depends upon and of the broader vision to which these minutiae contribute.
Gong fu, the indigenous martial art of China, was exported into American popular culture through numerous "kung fu" movies in the 20th century. Perhaps the most renowned of the martial arts in the U.S., gong fu remains often misunderstood, perhaps because of its esoteric practices that include aspects of Daoism, Confucianism, Buddhism and other syncretic elements. Using the science of embodiment--the study of the interaction between body, mind, cognition, behavior and environment--this book explores the relationships among practitioner, praxis, spirituality, philosophy and the body in gong fu. Drawing on familiar routines, films, artifacts and art, the author connects the reader to ancient Chinese culture, philosophy, myth, shamanism and ritual.
All Music Guide's Stephen Thomas Erlewine has written, Even when he was out of fashion in the '80s and '90s, it was clear that Bowie was one of the most influential musicians in rock, for better or worse. In this comprehensive analysis of David Bowie's career, author James Perone examines the many identities and styles Bowie has developed over the years, and in so doing provides a stunning chronicle of creativity at work. Born David Jones in a London suburb in 1947, David Bowie changed his name in the late '60s to avoid confusion with the singer David Jones of The Monkees. This name change would turn out to be a highly prescient act: for in incorporating an exceptionally wide variety of styles, Bowie would become the most notorious chameleon of the rock era. Due in large part to his early success in the glam rock subgenre and his claims of homosexuality (dismissed by many writers as a ploy to generate public interest and record sales), Bowie raised serious issues about sexual orientation in rock music, regardless of whether or not his claimed homosexuality was genuine or part of his on-stage character. His regular use of theatrical personae also raises interesting issues concerning authenticity and the perception of authenticity in rock music. Although Bowie has been primarily an album artist, his recordings of Fame, Golden Years, Let's Dance, China Girl, Blue Jean, and Dancing in the Streets, all made it into the Billboard top 10 singles charts. Of these, all but one was written or co-written by Bowie. Even more notable are the songs he wrote and recorded that have made an impact far in excess of their chart standing. These include Space Oddity, Rebel, Rebel, Changes, Modern Love, and Young Americans. From his early 1970s albums like Hunky Dory and The Rise & Fall of Ziggy Stardust and the Spiders from Mars-in both of which he assumed the character of the fictional, androgynous Stardust-to Diamond Dogs, Heroes, Tin Machine, and Black Tie White Noise, Bowie's albums generated both significant word-of-mouth interest and some of the most contentious critical reactions of any artist of the rock era. This long overdue investigation lets Bowie's artistry speak for itself. After a biographical introduction, chronologically arranged chapters discuss the singer's fascinating—and iconoclastic—body of work. A discography and annotated bibliography conclude the book.