Our Sentence is Up
Our Sentence is Up

Author: Patrick Meaney

Publisher: Sequart

Published: 2011

Total Pages: 355

ISBN-13: 1466347805

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Grant Morrison's THE INVISIBLES has been hailed as an ambitious comics masterpiece, the key to Morrison's entire body of work, and the inspiration for THE MATRIX. But it's also frequently written off as incomprehensible.Using a conversational, accessible style, Patrick Meaney (director of GRANT MORRISON: TALKING WITH GODS) opens up THE INVISIBLES through in-depth analysis that makes sense of the series's complicated ideas, fractured chronology, and delirious blend of fiction and reality. Meaney also explores how the series's fictional conspiracy theories fare in the wake of 9/11 and the War on Terror. The book includes an extensive interview with Grant Morrison and an introduction by Timothy Callahan (author of GRANT MORRISON: THE EARLY YEARS).From Sequart Research & Literacy Organization. More info at http://Sequart.org

The English Sentence Up Close
The English Sentence Up Close

Author: Peter Beaven

Publisher: Lulu.com

Published: 2017-08-03

Total Pages: 174

ISBN-13: 099874655X

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The enlightened notion of displaying the decomposed elements of a sentence pictorially has had a long history in the U.S. The pedagogical idea was developed by Stephen Watkins Clark in his 1847 book with the mouthful-of-a-title A Practical Grammar: In Which Words, Phrases & Sentences are Classified According to Their Offices and Their Various Relationships to Each Another - a true sentence diagramming challenge! Clark's scheme of deploying the parts of a sentence into stacked and adjacent cartoon-like balloons or bubbles was improved upon in Higher Lessons in English Grammar, (first edition 1877) by Alonzo Reed and Brainerd Kellogg of Brooklyn Polytechnic Institute. Their "geometry of grammar" - as it has been called - is predicated on the idea that students would better learn how to structure sentences if they could see them drawn as linear graphic structures.

Creating Cut-Up Sentence Books, Grades PK - 1
Creating Cut-Up Sentence Books, Grades PK - 1

Author: Stroh

Publisher: Key Education Publishing

Published: 2010-05-18

Total Pages: 97

ISBN-13: 1602688915

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Facilitate a love of language in students in grades PK–1 with Creating Cut-Up Sentence Books! This 96-page book helps students develop successful reading strategies and skills. It includes 18 reproducible cut-up sentence books with popular themes, directions for making large classroom books and individual student books, and stories with high-frequency words from the First 25 Word List. The book supports NCTE and NAEYC standards.

The Elusive Sentence
The Elusive Sentence

Author: Rita Eulalie Hatfield

Publisher: Rowman & Littlefield

Published: 2015-12-08

Total Pages: 173

ISBN-13: 1475823401

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Across our nation, many within our educational system complain that America’s children cannot write well. Hatfield and Young assert that the problem lies at the foundation of our pedagogy for writing, that most elementary writing curricula lack rudimentary instruction at the sentence level. The authors introduce a sentence-level writing intervention that explicitly defines the elements found in great sentences. This intervention forms the foundational framework for writing skills acquisition, helping teachers, students, and writers of all ages to understand how to craft well-written sentences and paragraphs. Research supports that the most effective instruction is skills-based and multisensory; therefore, Hatfield and Young also introduce a cognitively differentiated writing model, which uses arts-integrated instruction to enhance learning and memory for other content areas. This writing model is based on best practice and this sentence-level intervention serves as a precursor for mastering the new writing standards for CCSS. It offers novice writers a precise blueprint for what successful writing looks like and clearly defines the elusive sentence.

First You Write a Sentence
First You Write a Sentence

Author: Joe Moran

Publisher: Penguin

Published: 2019-08-13

Total Pages: 241

ISBN-13: 0525506152

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“Do you want to write clearer, livelier prose? This witty primer will help.” —The New York Times Book Review An exploration of how the most ordinary words can be turned into verbal constellations of extraordinary grace through the art of building sentences The sentence is the common ground where every writer walks. A good sentence can be written (and read) by anyone if we simply give it the gift of our time, and it is as close as most of us will get to making something truly beautiful. Using minimal technical terms and sources ranging from the Bible and Shakespeare to George Orwell and Maggie Nelson, as well as scientific studies of what can best fire the reader's mind, author Joe Moran shows how we can all write in a way that is clear, compelling and alive. Whether dealing with finding the ideal word, building a sentence, or constructing a paragraph, First You Write a Sentence informs by light example: much richer than a style guide, it can be read not only for instruction but for pleasure and delight. And along the way, it shows how good writing can help us notice the world, make ourselves known to others, and live more meaningful lives. It's an elegant gem in praise of the English sentence.

The Graphic Canon of Crime and Mystery, Vol. 1
The Graphic Canon of Crime and Mystery, Vol. 1

Author: Russ Kick

Publisher: Seven Stories Press

Published: 2017-11-28

Total Pages: 354

ISBN-13: 1609807863

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The first of two volumes builds on the brilliant and original Graphic Canon series in retelling classic works of literature as comics and other visual forms. Organized thematically, Volume 1 opens with "The Act" (think In Cold Blood and A Clockwork Orange), followed by sections dedicated to "Criminals," Whodunit," "Judgment" (Scarlet Letter, anyone?), and "Punishment." Here you'll find stunning and suspenseful adaptations starring classic PIs Sherlock Holmes, Auguste Dupin, Hercule Poirot, Father Brown, Mike Hammer, and teenage girl-detective Violet Strange. But the mystery, intrigue, and foul play don't end (or begin) there. The artists also bring to life crime stories from the Arabian Nights, the Bible, The Canterbury Tales, China's Song Dynasty, Shakespeare, James Joyce's Dubliners, Patricia Highsmith, Truman Capote, and current writers like Stephen King, Jo Nesbo, and Sara Paretsky. Rick Geary brings his crisp style to Dostoevsky's Crime and Punishment. Teddy Goldenberg gives us a dense, murky treatment of Dashiell Hammett's "The Road Home," often considered the first hardboiled detective story ever published. C. Frakes resurrects the forgotten novella "Talma Gordon," the first mystery written by an African American; and Shawn Cheng renders the first serial-killer story, the so-called fairy tale "Bluebeard" by Charles Perrault. Even the very natures of crime, justice, and punishment are up for grabs. Landis Blair reimagines The Trial, as a choose-your-own-adventure story that you cannot win, Ted Rall retells an O. Henry story about a petty criminal who just can't get arrested. From The Marquis de Sade to James Cain, Aeschylus to Paula Hawkins, crime and mystery has never been so brilliantly reimagined.

Crises of the Sentence
Crises of the Sentence

Author: Jan Mieszkowski

Publisher: University of Chicago Press

Published: 2019-04-02

Total Pages: 258

ISBN-13: 022661722X

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There are few forms in which so much authority has been invested with so little reflection as the sentence. Though a fundamental unit of discourse, it has rarely been an explicit object of inquiry, often taking a back seat to concepts such as the word, trope, line, or stanza. To understand what is at stake in thinking—or not thinking—about the sentence, Jan Mieszkowski looks at the difficulties confronting nineteenth- and twentieth-century authors when they try to explain what a sentence is and what it can do. From Romantic debates about the power of the stand-alone sentence, to the realist obsession with precision and revision, to modernist experiments with ungovernable forms, Mieszkowski explores the hidden allegiances behind our ever-changing stylistic ideals. By showing how an investment in superior writing has always been an ethical and a political as well as an aesthetic commitment, Crises of the Sentence offers a new perspective on our love-hate relationship with this fundamental compositional category.