By the CWA Gold Dagger award-winning author of Other Paths to Glory Anthony Price ingeniously combines the machinations of British Intelligence with the legend of King Arthur in an extraordinary thriller that crackles with suspense from start to finish. A US Air Force plane mysteriously vanishes on a flight from its base in Britain, and its ace pilot with it. The CIA investigates the missing pilot, and makes some odd findings - finding that will take British Intelligence officer David Audley back to the sixth century in an absorbing battle of wits with the Soviet secret police.
From a strange, dark chapter in American political history comes the captivating story of Ted Kennedy's 1980 campaign for president against the incumbent Jimmy Carter, told in full for the first time. The Carter presidency was on life support. The Democrats, desperate to keep power and yearning to resurrect former glory, turned to Kennedy. And so, 1980 became a civil war. It was the last time an American president received a serious reelection challenge from inside his own party, the last contested convention, and the last all-out floor fight, where political combatants fought in real time to decide who would be the nominee. It was the last gasp of an outdated system, an insider's game that old Kennedy hands thought they had mastered, and the year that marked the unraveling of the Democratic Party as America had known it. Camelot's End details the incredible drama of Kennedy's challenge -- what led to it, how it unfolded, and its lasting effects -- with cinematic sweep. It is a story about what happened to the Democratic Party when the country's long string of successes, luck, and global dominance following World War II ran its course, and how, on a quest to recapture the magic of JFK, Democrats plunged themselves into an intra-party civil war. And, at its heart, Camelot's End is the tale of two extraordinary and deeply flawed men: Teddy Kennedy, one of the nation's greatest lawmakers, a man of flaws and of great character; and Jimmy Carter, a politically tenacious but frequently underestimated trailblazer. Comprehensive and nuanced, featuring new interviews with major party leaders and behind-the-scenes revelations from the time, Camelot's End presents both Kennedy and Carter in a new light, and takes readers deep inside a dark chapter in American political history.
“Outlander meets Camelot” (Kirsty Logan, author of The Gracekeepers) in the first book of an exciting historical series that reveals the untold story of Languoreth—a powerful and, until now, tragically forgotten queen of 6th-century Scotland—twin sister of the man who inspired the legendary character of Merlin. Intelligent, passionate, rebellious, and brave, Languoreth is the unforgettable heroine of The Lost Queen, a tale of conflicted loves and survival set against the cinematic backdrop of ancient Scotland, a magical land of myths and superstition inspired by the beauty of the natural world. One of the most powerful early medieval queens in British history, Languoreth ruled at a time of enormous disruption and bloodshed, when the burgeoning forces of Christianity threatened to obliterate the ancient pagan beliefs and change her way of life forever. Together with her twin brother Lailoken, a warrior and druid known to history as Merlin, Languoreth is catapulted into a world of danger and violence. When a war brings the hero Emrys Pendragon, to their door, Languoreth collides with the handsome warrior Maelgwn. Their passionate connection is forged by enchantment, but Languoreth is promised in marriage to Rhydderch, son of the High King who is sympathetic to the followers of Christianity. As Rhydderch's wife, Languoreth must assume her duty to fight for the preservation of the Old Way, her kingdom, and all she holds dear. “Moving, thrilling, and ultimately spellbinding” (BookPage), The Lost Queen brings this remarkable woman to life—rescuing her from obscurity, and reaffirming her place at the center of the most enduring legends of all time. “Moving, thrilling, and ultimately spellbinding, The Lost Queen is perfect for readers of historical fiction like The Clan of the Cave Bear and Wolf Hall, and for lovers of fantasy like Outlander and The Mists of Avalon” (BookPage).
Truan Monroe, raised an orphan on an isle in the Irish sea, is a deadly warrior and sorcerer of awesome powers. Now, a startling vision of the past sends him through a doorway in time to a place where Merlin the magician has been banished for all eternity. Here, armed with the sword Excaliber, the Holy Grail, and the Prophecy of Cassandra, Truan wages war against Malagraine, Lord of Darkness, and struggles to save the life of the woman he loves.
After the great success in 1990 of Darkness Visible, his memoir of depression and recovery, William Styron wrote more frequently in an introspective, autobiographical mode. Havanas in Camelot brings together fourteen of his personal essays, including a reminiscence of his brief friendship with John F. Kennedy; a recollection of the power and ceremony on display at the inauguration of François Mitterrand; memoirs of Truman Capote, James Baldwin, and Terry Southern; a meditation on Mark Twain; an account of Styron’s daily walks with his dog; and an evocation of his summer home on Martha’s Vineyard. Styron’s essays touch on the great themes of his fiction–racial oppression, slavery, and the Holocaust–but for the most part they address other subjects: bowdlerizations of history, literary lists, childhood moviegoing, the censoring of his own work, and the pursuit of celebrity fetish objects. These essays, which reveal a reflective and humorous side of Styron’s nature, make possible a fuller assessment of this enigmatic man of American letters.
This analysis of the genre shows that the fictional world portrayed by the mystery writer parallels the actual world of the reader. Because daily life is so implausible, readers willingly suspend disbelief as they are absorbed by the pages of detective fiction. This apparent unity of the fictional thriller and veritable circumstance produces a code of modernity that is the essence of the genre. In the light of this concept of modernity Mystery Fiction and Modern Life examines works by Arthur Conan Doyle, Edgar Allan Poe, John Buchan, Eric Ambler, Dashiell Hammett, Ross Macdonald, Tony Hillerman, Agatha Christie, Helen MacInnes, Patricia Cornwell, Marcia Muller, Sara Paretsky, Anthony Price, and others.
'So beautiful, so haunting . . . bitingly real . . . Giles has given us a vital, glorious story: rich, rewarding, and utterly revealing of our times' Manda Scott Following his acclaimed Sunday Times bestseller, Lancelot, Giles Kristian's new novel returns us to the realms of Arthurian legend . . . The Saxons have returned and their war bands stalk the land. The lords of Britain look only to their own survival, unable or unwilling to unite as they once did under Arthur. And in a monastery hidden in the marshlands of Avalon, a novice monk prepares to take his vows. However, two strangers - the wild-spirited, Saxon-killing Iselle and the ageing warrior Gawain - will pluck him from his sheltered existence and his world will be turned upside down. Together they will go in search of the last druid, to find the cauldron of a god, and to raise an army to hold the darkness at bay. And as they journey, so the novice will cast aside his training and embrace his legacy. For he is a warrior born. His name is Galahad. And he is the son of Lancelot . . . Acclaim for Lancelot: 'A masterpiece.' Conn Iggulden 'Stands head and shoulders above the rest.' Manda Scott 'Glorious. Tragic. Lyrical. Totally gripping.' Ben Kane 'A gorgeous, rich retelling.' The Times 'An extraordinary writer . . . an exceptional book.' Dr Janina Ramirez
Set in Britain in the 5th century, a time of pagan magic and Christian piety, this enchanting debut novel brings to life the legend of Camelot, and with it, bold passions and forbidden love. Original.
The court of Camelot is unsettled by the arrival of Loholt, King Arthur?s illegitimate son. Driven by the need for an heir, the king embraces the stranger, though not everyone in Camelot so readily accepts the mysterious young man. Arthur?s seneschal and foster brother, the redoubtable Sir Kay, is especially wary of Loholt?s motives. And when Loholt is killed, Kay finds himself under suspicion of murder.Stripped of his knighthood, Kay forges an unwilling alliance with the renegade Briant and his lover, the enchantress Brisane, who seek to bring down the men closest to the king. If Sir Kay cannot redirect their plot or win back the court?s trust, nothing will save Camelot from the twin threats of war and evil sorcery.?One of the half-dozen best Arthurian novels I have yet read.? ?Phyllis Ann Karr, author of Idylls of the Queen and The Arthurian Companion.?An original novel of considerable merit.? ?Science Fiction Chronicle?A book you will not want to put down.? ?RPGnet
