A look not only at the inner man but also at the environments that shaped Leonard Cohen, from the rock scene of New York in the 1960s to the remote Zen monastery where Cohen spent years later in life.
Praised as "brilliantly revelatory...a masterful work of critical journalism" (Kirkus Reviews, starred review), The Holy or the Broken is the fascinating account of one of the most-performed rock songs in history--Leonard Cohen's heartrending "Hallelujah." How did one obscure song become an international anthem for human triumph and tragedy, a song each successive generation seems to feel they have discovered and claimed as uniquely their own? Celebrated music journalist Alan Light follows the improbable journey of "Hallelujah" straight to the heart of popular culture.
Fusing street scenes (from Budapest to New York City) with family history (African American and Jewish), Sean Thomas Dougherty uses both traditional and experimental forms to explore issues of identity and family. Deeply rooted in music and performance, Dougherty’s poetry resists easy categorization, revealing the complexity of our lives and times. Sean Thomas Dougherty lives in Erie, Pennsylvania, where he teaches in the BFA program for creative writing at Penn State Erie. He is a nationally renowned performance poet and author of nine previous poetry collections. He was a finalist for the 2005 Paterson Poetry Prize and winner of the 2000 Pinyon Press Poetry Prize.
The losses in our lives are both big and small. We leave home. We experience physical illness. We struggle with vocation. We may long for a spouse or child. We lose people we love to addiction or death. In this book spiritual director Beth Slevcove offers stories of loss from her own life along with distinctive spiritual practices that can guide us back to God.
Have you ever stood in a worship service and found it hard to sing about Gods love because you felt disconnected by the circumstances of living? Many of us know all the right answers about Gods love and his authority, but we find it difficult to see it applied in a practical way in our lives because we are broken by the acts of others, traumas of sickness and loss, or our own failures. Our Broken Hallelujahs is a poetic and beautiful look at how Gods love reaches into the brokenness of your life to empower you. Rebecca shares her personal story, biblical examples, and the stories of how others have found a hallelujah in the broken places of life. Her prayer is that this study will help you to find a voice to sing your own hallelujah.
Marking the fiftieth anniversary of Kazantzakis's death, author Darren J. N. Middleton looks back on Kazantzakis's life and literary art to suggest that, contrary to popular belief, Kazantzakis and his views actually comport with the ideals of Christianity.
Where Is God? There are never quick fixes or easy answers when it comes to suffering. But even when we can't immediately see God's hand—when the struggle is hard and painful—he is working. Weaving together Scripture, personal stories, and the words of the classic hymn "How Firm a Foundation," David Powlison brings an experienced counselor's touch to exploring how God enters into our sufferings, helping us see God working in our own particular struggles—and discover how God's grace goes deeper than we could ever imagine.
Your friend just left his wife. You catch your child posting something inappropriate on the Internet. Someone in your small group is depressed. A relative was just diagnosed with an incurable disease. When those you know experience trouble, you want to offer real hope and help from God's Word. Using case studies and concrete examples, Michael ...
Following his successful book One Step Closer, Scharen shows how to engage faith and culture through popular music, including the blues, hip-hop, and rock.
This book studies the working efficacy of Leonard Cohen's song Hallelujah in the context of today's network culture. Especially as recorded on YouTube, k.d. lang's interpretation(s) of Cohen's Hallelujah, embody acoustically and visually/viscerally, what Nietzsche named the 'spirit of music'. Today, the working of music is magnified and transformed by recording dynamics and mediated via Facebook exchanges, blog postings and video sites. Given the sexual/religious core of Cohen's Hallelujah, this study poses a phenomenological reading of the objectification of both men and women, raising the question of desire, including gender issues and both homosexual and heterosexual desire. A review of critical thinking about musical performance as 'currency' and consumed commodity takes up Adorno's reading of Benjamin's analysis of the work of art in the age of mechanical reproduction as applied to music/radio/sound and the persistent role of 'recording consciousness'. Ultimately, the question of what Nietzsche called the becoming-human-of-dissonance is explored in terms of both ancient tragedy and Beethoven's striking deployment of dissonance as Nietzsche analyses both as playing with suffering, discontent, and pain itself, a playing for the sake not of language or sense but musically, as joy.