Oudry's Painted Menagerie
Oudry's Painted Menagerie

Author: Mary Morton

Publisher: Getty Publications

Published: 2007-06-25

Total Pages: 175

ISBN-13: 0892368896

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In the 1720s and 1730s, Jean-Baptiste Oudry established himself as the preeminent painter in France of hunts, animals, still lifes, and landscapes. Oudry’s Painted Menagerie focuses on a suite of eleven life-size portraits of exotic animals from the royal menagerie at Versailles, painted by Oudry between 1739 and 1752. These paintings eventually found their way into the ducal collection in Schwerin, Germany. Among them is the magnificent portrait of Clara, an Indian rhinoceros who became a celebrity in mid-eighteenth-century Europe. Her portrait has been out of public view for more than a century, and it is presented here in its newly conserved state.

My Travels with Clara
My Travels with Clara

Author: Mary Tavener Holmes

Publisher: Getty Publications

Published: 2007

Total Pages: 36

ISBN-13: 9780892368808

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A life-size portrait of the famous rhinoceros named Clara is the centerpiece of the J. Paul Getty Museums exhibition Oudrys Painted Menagerie. In her honor, the Getty has produced this book for children that tells the true story of this 5,000-pound animal and her owner, an 18-century Dutch sea captain. Full color.

Enlightened Animals in Eighteenth-Century Art
Enlightened Animals in Eighteenth-Century Art

Author: Sarah Cohen

Publisher: Bloomsbury Publishing

Published: 2021-02-11

Total Pages: 273

ISBN-13: 1350203602

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How do our senses help us to understand the world? This question, which preoccupied Enlightenment thinkers, also emerged as a key theme in depictions of animals in eighteenth-century art. This book examines the ways in which painters such as Chardin, as well as sculptors, porcelain modelers, and other decorative designers portrayed animals as sensing subjects who physically confirmed the value of material experience. The sensual style known today as the Rococo encouraged the proliferation of animals as exemplars of empirical inquiry, ranging from the popular subject of the monkey artist to the alchemical wonders of the life-sized porcelain animals created for the Saxon court. Examining writings on sensory knowledge by La Mettrie, Condillac, Diderot and other philosophers side by side with depictions of the animal in art, Cohen argues that artists promoted the animal as a sensory subject while also validating the material basis of their own professional practice.

Reconsidering Gérôme
Reconsidering Gérôme

Author: Scott Allan

Publisher: Getty Publications

Published: 2010

Total Pages: 170

ISBN-13: 1606060384

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An unprecedented reexamination of Gérôme's career and his place in art history.

Corcoran Gallery of Art
Corcoran Gallery of Art

Author: Corcoran Gallery of Art

Publisher: Lucia Marquand

Published: 2011

Total Pages: 0

ISBN-13: 9781555953614

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This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.

Zoo
Zoo

Author: Eric Baratay

Publisher: Reaktion Books

Published: 2004

Total Pages: 412

ISBN-13: 9781861892089

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Wild animals have fascinated human observers since time immemorial. The story of our interest in collecting, classifying and dominating Nature so that its inner workings could be understood also looms large in the history of science, and thus it is surprising that the history of menageries, zoological gardens and the zoo as we know it today has been so poorly documented. This gap is addressed by Zoo, a comprehensive history of the zoo in the Western world.

Martha Stewart's Organizing
Martha Stewart's Organizing

Author: Martha Stewart

Publisher: Harvest

Published: 2019-12-21

Total Pages: 291

ISBN-13: 1328508250

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How to organize everything, from America's most trusted lifestyle authority, with color photographs throughout and hundreds of ideas, projects, and tips

Trading Paintings and Painters' Materials
Trading Paintings and Painters' Materials

Author: Anne Haack Christensen

Publisher:

Published: 2019-07-08

Total Pages: 170

ISBN-13: 9781909492714

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The papers in this volume were presented at the CATS international technical art history conference Trading Paintings and Painters' Materials 1550-1800 which explored international markets for paintings and artists' materials in the early modern period and their implications for artistic production. Questions central to these papers include: did preferences exist for artists' materials and paintings from specific geographical areas in particular places and if so why? How did the import of painting materials and artworks impact local production, connoisseurship and art theory? In what conditions were these artists' materials and finished artworks produced and traded in early modern Europe and beyond? The lavishly illustrated contributions in this volume deal with the above questions and shed light on different trades, products, countries and timeframes by combining a large variety of methods and sources, including visual analyses, written sources, pigment analyses and archaeological excavations. This fourth CATS Proceedings will be of interest to scholars and students, museum professionals, curators, conservators, art historians and conservation scientists.

The Mobile Image from Watteau to Boucher
The Mobile Image from Watteau to Boucher

Author: David Pullins

Publisher: Getty Publications

Published: 2024-08-13

Total Pages: 212

ISBN-13: 160606889X

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Reframing long-held assumptions about what distinguishes fine from decorative art, this innovative study explores a mode of making, seeing, and thinking that slices across eighteenth-century visual culture. This book provides a new way of thinking about eighteenth-century French art and visual culture by prioritizing production over reception. Abandoning the ideologically driven discourse that distinguished fine from decorative art between the 1690s and 1770s, The Mobile Image reveals how the two have been inextricably bound from the earliest stages of artistic instruction through the daily life of painters’ workshops. In this study, author David Pullins defines artisanal and artistic means of learning, seeing, and making through a system of “mobile images”: motifs that were effectively engineered for mobility and designed never to be definitive, always awaiting replication and circulation. He examines the careers of Antoine Watteau, Jean-Baptiste Oudry, and François Boucher, situating them against a much broader cast of actors—such as printmakers, publishers, anonymous studio assistants, and architects, among others—to place eighteenth-century painting within a wider context of media and making.