Artists have made gates and fences in wrought iron over the centuries in ornamental designs shown here in hundreds of photos. The restoration of wrought iron is discussed and ironwork examples are organized according to their uses, such as gratings that protect doors and windows, entries and gates from Europe in the Middle Ages, artistic creations of the 17th and 18th centuries, and works of our own day.
This classic work documents the many uses and ingenious adaptations of wrought iron in architecture, with numerous examples from the fourteenth century through the twentieth centuries. Gerald Geerlings' extensive introduction details the properties of wrought iron; its textures; tools and terms of the trade; architectural applications, design, motifs, and ornamentation; economic considerations; finishing; and more. The author illuminates the history of wrought iron with carefully researched surveys of the craft in several countries, including Italy, Spain, England, Germany, France, Belgium, Holland, and America. Nearly 400 illustrations, including 73 clear drawings and 307 sharply focused photographs of gates, railings, screens, lighting fixtures, bannisters, balconies, door knockers, and other objects, chronicle the evolution of wrought iron as both a structural and decorative material. Special attention is devoted to early-twentieth-century developments and applications of this highly useful metal.
Forty plates of meticulously rendered hinges, grilles, railings, latches, door knockers, and more — selected from English chapels, tombs, castles, and other structures — span more than 600 years of metalworking history.
In the half century after the building of the Crystal Palace (1851), some architects, engineers, manufacturers and theorists believed that the fusion of iron and ornament would reconcile art and technology and create a new, modern architectural language. This book studies the development of mechanised architectural ornament in iron in nineteenth-century architecture, its reception and theorisation, and the contexts in which it flourished. As such, it offers new ways of understanding the notion of modernity in Victorian architecture.
A pictorial examination of cast iron in New Orleans. Cast iron artistry remains an iconic characteristic of New Orleans, familiar to both locals and visitors alike. Beginning with the origins of cast iron, this pictorial study follows its evolution into contemporary times. Ornate illustrations depict the various patterns of cast iron that have been used over the years while photographs portray examples of the artistry throughout the city.
Beds, chairs, tables, benches and small items of furniture made of cast iron, the most modern and versatile material of its time, were available thanks to its durability and low price. The art-historical development of iron furniture has long been neglected and this book offers a systematic illustrated record of the many diverse forms featuring two major names: Karl Friedrich Schinkel of Germany and Christopher Dresser of the United Kingdom.
"Most of Australia's towns and cities sprang up at the height of the cast iron era - their development also coinciding with Australia's lavish gold boom period. The verandah - so suited to cast iron decoration-was the perfect architectural solution to the sunny Antipodean climate, and many beautiful cast iron-decorated terraces, villas and hotels bear testimony to this golden era of Australian history."--BOOK JACKET.
