An Index to Reproductions of Paintings by Twentieth-Century Chinese Artists
An Index to Reproductions of Paintings by Twentieth-Century Chinese Artists

Author: Ellen Johnston Laing

Publisher: University of Michigan Press

Published: 2020-08-06

Total Pages: 555

ISBN-13: 0472901486

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In the second half of the twentieth century, studies in Chinese painting history have been greatly aided by several major lists of Chinese artists and their works. Published between 1956 and 1980, these lists were limited to Imperial China. The current index covers the period from 1912 to around 1980. It includes the names of approximately 3,500 traditional-style artists along with lists of their works, reproduced in some 264 monographs, books, journals, and catalogs published from the 1920s to around 1980. With a few exceptions, artists working after 1949 outside continental China are excluded. Revised Edition, 1998; first published by the Asian Studies Program, University of Oregon, 1984.

Chinese Snuff Bottles (in Slipcase)
Chinese Snuff Bottles (in Slipcase)

Author: Denis S. Low

Publisher: Laurence King

Published: 2007

Total Pages: 424

ISBN-13:

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Imperial Court of the Manchus (Qing Dynasty 1642-1911). Powdered snuff was regarded as having medicinal qualities and with Court patronage, rapidly grew in popularity. Ornate and intricate bottles to hold and dispense the "medicinal" snuff were designed by Chinese craftsmen using a bewildering array of materials: porcelain, enamel, metal, wood, jadeite, ivory and glass, often employing techniques known only in China at the time. Snuff bottles are elaborately decorated, invariably miniature and admired for their tactile qualities. The surviving examples are highly prized by collectors and students of the history of arts and crafts in China. This book is the third catalogue of the vast Denis Low collection of snuff bottles, which numbers more than 1000. Its publication coincides with an exhibition of 355 snuff bottles from this world-renowned collection at the Asian Civilisations Museum of Singapore from July to November 2007. Largely organised by the material of fabrication, each snuff bottle is carefully described and provenance details are given. Although this book is not meant to be a scholarly study of snuff bottles, much research has been done by Denis Low, the results of which can be seen from the notes he presents on the style, design, decoration, use or uniqueness of each example featured here.