Organ and Harpsichord Music by Women Composers
Organ and Harpsichord Music by Women Composers

Author: Adel Heinrich

Publisher: Bloomsbury Publishing USA

Published: 1991-06-30

Total Pages: 392

ISBN-13: 0313387907

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This reference work catalogs music for organ and harpsichord written by more than 700 women composers from 40 countries. Compiler Adel Heinrich has expanded the organ and harpsichord repertoire to include choir and instruments accompanying organ and harpsichord. She provides more detailed information about each work than can be found in any other reference book on women composers. In addition to biographies for each woman, Heinrich supplies listings of individual compositions, and includes descriptions and sources whenever possible. Each composition is listed in both the Instrumentation Index and the Title Index. Publishers, library sources, and recording companies with their addresses are also provided. There is also a chronological listing of composers by country. Two appendices list a large number of women who have either written music for organ and harpsichord with no specific titles known, or have performed on one or both instruments. This reference book is a valuable resource for organists, harpsichordists, teachers, choral and instrumental conductors, and planners of festivals and recitals.

Organ and Harpsichord Music by Women Composers
Organ and Harpsichord Music by Women Composers

Author:

Publisher: Greenwood

Published: 1991-06-30

Total Pages: 0

ISBN-13: 0313268029

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Annotation. Intended to document unfamiliar repertoire for the organ and harpsichord and to open avenues for further research, this exhaustive reference work catalogues music for organ or harpsichord with and without instruments, voices, and choirs by more than 700 women composers from some 40 countries. Heinrich provides biographies for each composer and listings, descriptions, and sources for each composition. Each listing is classified within the Instrumentation and Title indexes. The volume also contains addresses of publishers, libraries and record companies. It is valuable for organists as well as harpsichordists, choral and instrumental conductors, and performers in chamber ensembles.

A Guide to Piano Music by Women Composers
A Guide to Piano Music by Women Composers

Author: Pamela Y. Dees

Publisher: Bloomsbury Publishing USA

Published: 2002-02-28

Total Pages: 246

ISBN-13: 0313017034

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Designed as a practical reference guide for professional pianists and piano teachers, A Guide to Piano Music by Women Composers, Volume I, is an annotated catalogue of the available piano music in print composed by 144 women born before the 20th century. The work also features biographies and extensive bibliographical information for each composer. Arranged alphabetically by composer into categories including single works, collections, and anthologies, the music is also described in terms of grade level, genre, mood, style characteristics, and technical requirements, and ranges in difficulty from late elementary to virtuoso concert repertoire. Far too many teachers, students, professional musicians, and audiences are unaware of the contributions made by women in music, and of the beauty and merit of their specific compositions. This reference work provides an invaluable addition to the current literature.

Piano Music by Black Women Composers
Piano Music by Black Women Composers

Author: Helen Walker-Hill

Publisher: Bloomsbury Publishing USA

Published: 1992-02-28

Total Pages: 161

ISBN-13: 0313064725

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In recent years, considerable scholarly attention has been paid to women in music, and information on the music of a handful of black women composers, such as Florence Price and Mary Lou Williams, has been published. Determined search, however, is needed to locate what little data is available on most such composers. Proceeding from a desire to use music of black women composers in her piano performance and teaching, Helen Walker-Hill has dedicated herself to uncovering this material, utilizing secondary sources and numerous archives, conducting interviews with composers, and engaging in voluminous correspondence with individuals and institutions. The result is the most comprehensive catalog of music composed by African American women to date. The depth of detail required limiting the scope to solo and ensemble piano music. However, an introductory overview on the contributions of black women in music and biographical sketches on the fifty-four composers profiled in the catalog contain broader information. Over 300 piano works are listed, with detailed descriptive information on close to 200 works the author was able to obtain and study, including sources and levels of difficulty. Appendixes list available published music, ensemble instrumentation, music for teaching, and music published before 1920. A selected bibliography and a selected discography are also provided. This biographical dictionary and descriptive catalog will be most directly useful to performers and teachers, but the breadth of information makes it valuable for research in music history, African American studies, and women's studies.

Women in Music
Women in Music

Author: Karin Pendle

Publisher: Routledge

Published: 2005-09-19

Total Pages: 643

ISBN-13: 1135384630

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First published in 2006. Routledge is an imprint of Taylor & Francis, an Informa company.

Composer Genealogies
Composer Genealogies

Author: Scott Pfitzinger

Publisher: Rowman & Littlefield

Published: 2017-03-01

Total Pages: 629

ISBN-13: 1442272252

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Throughout the western classical tradition, composers have influenced and been influenced by their students and teachers. Many musicians frequently add to their personal acclaim by naming their teachers and the lineage through which they were taught. Until now, the relationships between composers have remained uncataloged and understudied, but with enough research, it is possible to document entire schools of composition. Composer Genealogies: A Compendium of Composers, Their Teachers, and Their Students is the first volume to gather the genealogies of more than seventeen thousand classical composers in a single volume. Functioning as its own fully cross-referenced index, this volume lists composers and their dates, followed by their teachers and notable students. A short introduction presents the parameters by which composers were selected and provides a survey of the literature available for further study. Gathering records and information from reference books, university websites, obituaries, articles, composers’ websites, and even direct contact with some composers, Pfitzinger creates a valuable resource for music researchers, composers, and performers.

Women's Studies
Women's Studies

Author: Linda Krikos

Publisher: Bloomsbury Publishing USA

Published: 2004-08-30

Total Pages: 851

ISBN-13: 0313072930

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This truly monumental work maps the literature of women's studies, covering thousands of titles and Web sites in 19 subject areas published between 1985 and 1999. Intended as a reference and collection development tool, this bibliography provides a guide for women's studies information for each title along with a detailed, often evaluative review. The annotations summarize each work's content, its importance or contribution to women's studies, and its relationship to other titles on the subject. Core titles and titles that are out of print are noted, and reviews indicate which titles are appropriate as texts or supplemental texts. This definitive guide to the literature of women's studies is a must-purchase for academic libraries that support women's studies programs, and it is a useful addition to any academic or public library that endeavors to represent the field. A team of subject specialists has taken on the immense task of documenting publications in the area of women's studies in the last decades of the 20th century. The result is this truly monumental work, which maps the field, covering thousands of titles and Web sites in 19 subject areas published between 1985 and 1999. Intended as a reference and collection development tool, this bibliography provides a guide for women's studies information for each title along with a detailed, often evaluative review. The annotations summarize each work's content, its importance or contribution to women's studies, and its relationship to other titles on the subject. Most reviews cite and describe similar and contrasting titles, substantially extending the coverage. Core titles and titles that are out of print are noted, and reviews indicate which titles are appropriate as texts or supplemental texts. Taking up where the previous volume by Loeb, Searing, and Stineman left off, this is the definitive guide to the literature of women's studies. It is a must purchase for academic libraries that support women's studies programs; and a welcome addition to any academic or public library that endeavors to represent the field.

Uniform Titles for Music
Uniform Titles for Music

Author: Michelle S. Koth

Publisher: Scarecrow Press

Published: 2008

Total Pages: 296

ISBN-13: 9780810852815

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Uniform Titles for Music explains the concept and practice of uniform titles for musical works by a single composer and works of unknown or collective authorship. The book provides a step-by-step approach to establishing uniform titles.

Say Can You Deny Me
Say Can You Deny Me

Author: Barbara Garvey Jackson

Publisher: University of Arkansas Press

Published: 1994-01-01

Total Pages: 520

ISBN-13: 9781557283030

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Jackson has culminated her lifelong research in producing this bibliographically arranged guide. "Say Can You Deny Me" lists the locations of the printed and manuscript sources of Renaissance, baroque, classic, and some early romantic women composers. With listings from over 400 libraries worldwide, the guide is the definitive work documenting a substantial contribution to the world of music by women.

The Routledge Handbook of Women’s Work in Music
The Routledge Handbook of Women’s Work in Music

Author: Rhiannon Mathias

Publisher: Routledge

Published: 2021-12-31

Total Pages: 486

ISBN-13: 0429575041

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The Routledge Handbook of Women’s Work in Music presents a unique collection of core research by academics and music practitioners from around the world, engaging with an extraordinarily wide range of topics on women’s contributions to Western and Eastern art music, popular music, world music, music education, ethnomusicology as well as in the music industries. The handbook falls into six parts. Part I serves as an introduction to the rich variety of subject matter the reader can expect to encounter in the handbook as a whole. Part II focuses on what might be termed the more traditional strand of feminist musicology – research which highlights the work of historical and/or neglected composers. Part III explores topics concerned with feminist aesthetics and music creation and Part IV focuses on questions addressing the performance and reception of music and musicians. The narrative of the handbook shifts in Part V to focus on opportunities and leadership in the music professions from a Western perspective. The final section of the handbook (Part VI) provides new frames of context for women’s positions as workers, educators, patrons, activists and promoters of music. This is a key reference work for advanced undergraduates, postgraduates and researchers in music and gender.