Family secrets and school secrets entwine in an engaging new novel from the author of You Remind Me of You, and Splintering.Sometimes when life haunts you, you're better off becoming the ghost. Emil Simon feels invisible enough. He counts as a nonentity at his elite preparatory school and makes barely a dent in his father's thoughts. When his older brother runs away, he entrusts Emil with a master key to Caramoor Academy. Soon Emil is sneaking into the school at night to explore ... and falling for a faculty daughter who sneaks in for reasons of her own. This is a novel about living with disappearances... and willing yourself to appear.
Ghosts and spirits populate the world around us. We just need to be sensitive or psychic enough to hear and see them. In this book, author Paul Roland examines a fascinating assortment of recorded sightings from as far back in history as Roman times. This serious look at ghosts presents them not as chain-rattling spooks or clouds of cold, swirling mist, but as entities with which we share a greater reality. A comprehensive exploration of the realm of the supernatural, from ghost ships and poltergeists to out-of-body experiences and the idea of spirits as the manifestation of people still living, The Complete Book of Ghosts will challenge your beliefs and preconceptions as never before.
In this fascinating study, Schmitt examines the significance of the widespread belief in ghosts during the Middle Ages and traces the imaginative, political, and religious contexts of these everyday haunts. Ghosts were pitiful or terrifying, usually solitary, creatures who arose from their tombs to haunt their friends and relatives. Including numerous color illustrations of ghosts and their trappings, this book presents a unique and intriguing look at medieval culture. 28 color plates.
Zaria has dreamed of England for as long as she can remember-according to the novels she's read, everything magical happens there! When her grandfather suffers a stroke, Zaria and her mother head to London to help care for him. Zaria reads fantastic tales to her grandfather every afternoon, and she's thrilled to discover that her cousin Winston shares her love of wands, wizards, and mythical creatures. But Zaria soon finds that life in London is actually quite ordinary-until she goes on a day trip to nearby Windsor Castle. There Zaria meets two extraordinary ghosts who need help finding their way back to the African continent they once called home.
ÊThe Book of Dreams and GhostsÊis an entertaining horror fiction composed of short stories. The narrations play with readerÕs psychology and drag it to illusions and hallucinations. The author has used a simple plot which is narrated in the plain language. The stories have unnerving twists and turns and seem realistic as different narrators tell their true dreams. Spine chilling.
Aspiring to be the fastest sprinter on his elite middle school's track team, gifted runner Ghost finds his goal challenged by a tragic past with a violent father.
This contributed volume explores the functions of belief and supernatural experience within an array of cultures, as well as the stance of academe toward the study of belief and the supernatural. The essays in this volume call into question the idea that supernatural experience is extraordinary. Among the contributors are Shelley Adler, David Hufford, Barre Toelken, and Gillian Bennett.
Ghost stories tap into our most primal emotions as they encourage us to confront the timeless question: What comes after death? Here, in tales that are by turn scary, funny, philosophic, and touching, you’ll find that question sharpened, split, reconsidered—and met with a multitude of answers. A spirit who is fated to spend eternity reliving the exact moment she lost her chance at love, ghostly trees that haunt the occupant of a wooden house, specters that snatch anyone who steps into the shadows, and parakeets that serve as mouthpieces for the dead: these are just a few of the characters in this extraordinary compendium of one hundred ghost stories. Kevin Brockmeier’s fiction has always explored the space between the fantastical and the everyday with profundity and poignancy. As in his previous books, The Ghost Variations discovers new ways of looking at who we are and what matters to us, exploring how mysterious, sad, strange, and comical it is to be alive—or, as it happens, not to be.
Ghosts haunt the stages of world theatre, appearing in classical Greek drama through to the plays of 21st-century dramatists. Tracing the phenomenon across time and in different cultures, the chapters collected here examine their representation, dramatic function, and what they may tell us about the belief systems of their original audiences and the conditions of theatrical production. As illusions of illusions, they foreground many dramatic themes common to a wide variety of periods and cultures. Arranged chronologically, this collection examines how ghosts represent political change in Athenian culture in three plays by Aeschylus; their function in traditional Japanese drama; the staging of the supernatural in the dramatic liturgy of the early Middle Ages; ghosts within the dramatic works of Middleton, George Peele, and Christopher Marlowe, and the technologies employed in the 18th and 19th centuries to represent the supernatural on stage. Coverage of the dramatic representation of ghosts in the 20th and 21st centuries includes studies of Noël Coward's Blithe Spirit, August Wilson's Pittsburgh Cycle, plays by Sam Shepard, David Mamet, and Sarah Ruhl, Paddy Chayefsky's The Tenth Man, Suzan-Lori Parks' Topdog/Underdog, and the spectral imprint of Shakespeare's ghosts in the Irish drama of Marina Carr, Martin McDonagh, William Butler Yeats, and Samuel Beckett. The volume closes by examining three contemporary American indigenous plays by Anishinaabe author, Alanis King.
