Proposing a new way to map intersections of photography and American literature, Katherine Henninger demonstrates the importance of pinpointing specific cultural and subcultural history. "Ordering the Facade" traces the visual and literary cultures of sou
Proposing a new way to map intersections of photography and American literature, Katherine Henninger demonstrates the importance of pinpointing specific cultural and subcultural history. "Ordering the Facade" traces the visual and literary cultures of sou
The book is a guide for students and teachers to understand the need for, the role of and the methods and techniques of freehand analytical sketching in architecture. The presentation focuses on drawing as an approach to and phase of architectural design. The conceptual goal of this approach is to use drawing not as illustration or depiction, but as exploration. The first part of the book discusses underlying concepts of freehand sketching in design education and practice as a complement to digital technologies. The main component is a series of chapters that constitute a typology of fundamental issues in architecture and urban design; for instance, issues of "façade" are illustrated with sketch diagrams that show how façades can be explored and sketched through a series of specific questions and step-by-step procedures. In the expanded and updated edition, a new part explores the questions and experiences of large architectural offices in applying freehand drawing in the practice of architectural design. This book is especially timely in an age in which the false conflict between "traditional vs. digital" gives way to multiple design tools, including sketching. It fosters understanding of the essential human ability to investigate the designed and the natural world through freehand drawing.
"Andrea Palladio's works - the Basilica, Palazzo Chiericati, and Villa Rotonda in Vicenza; Villa Cornaro in Piombino Dese; the Redentore Church in Venice; and numerous other buildings - have never ceased to attract the attention of architects, historians, and the general public. Arguably the most influential Renaissance architect, Palladio and his works have been examined in countless publications. In this book, Branko Mitrovic rethinks traditionally held views of Palladio's design theory. He explores Palladio's approach to spatial composition, facade design, detailing, proportions, and use of the classical orders; discusses Platonist influences in Palladio's design; and uncovers pertinent aspects of Palladio's design procedures and methodology. Mitrovic provides a synthesis of earlier Palladian scholarship and emphasizes the importance of the history of design theory to the understanding of the architectural works of the part. Finally, he offers an insightful view of the application of Palladio's Renaissance design principles in twenty-first-century architecture, inspiring, through Palladianism, the architecture of the future." "Nearly 200 photographs and illustrations show-case a broad selection of Palladian structures and styles, supplemented by digital renderings, views, and site plans. Throughout, Mitrovic's comprehensive study reveals what architectural historians, practicing architects, and students can learn from Palladio today."--Jacket.
The proceedings of the second Williams Symposium explore the phenomenon of curvature, together with other such "secrets" of classical refinement. Debated ever since the Renaissance, these stunning architectural subtleties are treated here for the first time in a combined effort of international experts. Ranging from painstaking new technical observations to the wider issues of perception and art theory, this well-illustrated volume demonstrates why classical architecture was—and still is—deemed to be perfect. University Museum Monograph, 107
Teaches the principles behind the successful planning and creation of inspired built forms and urban places This book offers an integrated understanding of both the principles and the perception of the design of built environments and public spaces. It outlines the fundamental characteristics that are evident in the creation of built form and illustrates how they determine the experience of resultant places. It also consolidates the key criteria that need to be taken into consideration in the development of these areas. All of the above-mentioned aims to provide designers with a solid understanding of the implications of their decisions on perception and behavior during the creation of new spaces. Design and Order: Perceptual experience of built form - Principles in the Planning and Making of Place starts by examining the designing of natural environments and the affect that they have on humans. It teaches readers how people experience and are shaped by a space—via their eyes, brain, and overall perception. It then instructs on proper grammar of form and syntax so that designers can understand how to pursue design processes systematically. The book then takes readers through this process of designing, informing them on the principles of form, function, configuration, communication, organization, color and contrasts, building structures, good practice and more. Seeks to improve the methodological approach to the planning and design of buildings Broadly address all of the functions that impact the realization of new built and urban form Outlines the fundamental characteristics that are evident in the design of built forms and illustrates how these characteristics determine the experience of the resultant places Comprehensively covers the ideas, principles, and the perception of design Teaches designers to make informed decisions about applying or discarding principles when creating spaces. Design and Order is a unique book that will appeal to students and professionals in architecture, urban design and planning, as well as designers and developers.
In this volume, the key monuments that form the Theatral Complex, including the Theatral Circle, the Fieldstone Building with its masonry style plaster interior, the marble Doric hexastyle Dedication of Philip III and Alexander IV, the elegant Ionic Porch later attached to the western side of the Dedication, and the remains of dozens of bronze statues that originally framed the Theatral Circle, are presented in their archaeological, architectural, and historical contexts. The potential significance of the Complex within the mystery cult, both as the place that initially gave shape to the group of pilgrims undergoing initiation, and as the place where new initiates ultimately departed the Sanctuary, accords the Theatral Complex on the Eastern Hill a central place in the history of ancient Greek sacred space. Actual-state and reconstruction drawings; photographs; and a catalogue of the small finds, including pottery, lamps, terracotta figurines, coins, metal objects, inscriptions, stone objects, and glass, accompany the text.