The Orchestra
Author: Ebenezer Prout
Publisher:
Published: 1899
Total Pages: 312
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Ebenezer Prout
Publisher:
Published: 1899
Total Pages: 312
ISBN-13:
DOWNLOAD EBOOKAuthor: Gardner Read
Publisher:
Published: 2004
Total Pages: 312
ISBN-13:
DOWNLOAD EBOOK"Orchestral Combinations demonstrates specific instrumental combinations that have intrigued past and present composers and suggests other groupings that may prove to be of equal validity and tonal interest. This book is a thesaurus of orchestral combinations, a lexicon of the science and art of fusing timbre and sonority in symphonic scoring. Few standard manuals devote such attention to this fascinating subject as it directly relates to the imaginative deployment of orchestral instruments."--Résumé de l'éditeur.
Author: Ebenezer Prout
Publisher:
Published: 1899
Total Pages: 312
ISBN-13:
DOWNLOAD EBOOKAuthor: Ebenezer Prout
Publisher:
Published: 1899
Total Pages: 312
ISBN-13:
DOWNLOAD EBOOKAuthor: Daniel Gregory Mason
Publisher:
Published: 1909
Total Pages: 172
ISBN-13:
DOWNLOAD EBOOKAuthor: Ebenezer Prout
Publisher:
Published: 1899
Total Pages: 310
ISBN-13:
DOWNLOAD EBOOKAuthor: Arthur Elson
Publisher:
Published: 1903
Total Pages: 340
ISBN-13:
DOWNLOAD EBOOKAuthor: Percy A. Scholes
Publisher:
Published: 1919
Total Pages: 136
ISBN-13:
DOWNLOAD EBOOKAuthor: W. J. Baltzell
Publisher: Good Press
Published: 2019-11-19
Total Pages: 345
ISBN-13:
DOWNLOAD EBOOK"A Complete History of Music for Schools, Clubs, and Private Reading" is a great source of information on the history of music from ancient times to publishing. This work aims to give an overall picture of how music evolved in the world. It traces the development of the musical art across different countries. Broken into 60 lessons, it will be great both as a class manual and as a reader's companion.
Author: Mark McKnight
Publisher: Scarecrow Press
Published: 2002-04-16
Total Pages: 178
ISBN-13: 1461669820
DOWNLOAD EBOOKDue to the distinctive nature of music as a separate "language" that non-musicians are often unable to read or understand, the cataloging and classification of music materials frequently present special challenges. In response to this often problematic situation, this volume is designed to introduce the principles of music classification to beginning music catalogers, as well as to non-specialist catalogers, and those who only occasionally deal with music materials. It will surely relieve the stress level for general catalogers by providing practical guidelines as well as clarifying and explaining the most commonly used classification systems in the United States—the Dewey Decimal Classification (DDC), the Library of Congress Classification (LCC), and the Alpha-Numeric System for Classification of Recordings (ANSCR). Also included is a general historical overview of music classification, from early attempts to organize specific collections, to the efforts of Oscar Sonneck and others to adapt fundamental principles of classification to the distinctive characteristics of music materials; as well as a discussion of the special needs of the users of those materials.