"In 1970s America, politicians began "getting tough" on drugs, crime, and welfare. These campaigns helped expand the nation's penal system, discredit welfare programs, and cast blame for the era's social upheaval on racialized deviants that the state was not accountable to serve or represent. Getting Tough sheds light on how this unprecedented growth of the penal system and the evisceration of the nation's welfare programs developed hand in hand. Julily Kohler-Hausmann shows that these historical events were animated by struggles over how to interpret and respond to the inequality and disorder that crested during this period."--Page 4 of cover
This is the first biography of Stanley Mosk (1912-2001), iconic protector of civil rights and civil liberties during his 37 years as a justice of the Supreme Court of California (1964 to 2001). He had quickly risen as a well liked leader among Los Angeles reformers, as executive secretary to California governor Culbert Olson and then 16 years as a superior court judge. His 1958 election and service as state attorney general soon won national attention and the promise of likely election to the U.S. Senate, but an unexpected campaign twist augured a new course. This book frames Mosk's Supreme Court years and the landmark cases in which his opinions or biting dissents continue to resonate.
"This biography of Rose Elizabeth Bird is an overdue look at California's first female supreme court chief justice, against the backdrop of California's political and cultural climate in the 1970s and 1980s"--
Huerta discusses his family background and education, his employment in Peru, in the Santa Maria Valley, California, at the University of California, Davis, and as deputy assistant U.S. Attorney General for Civil Rights. He discusses Mexican-American Legal Defense Fund, and Californios for Fair Representation. He comments extensively on reapportionment and its impact on Mexican-Americans throughout California.
The Manhattan Project—the World War II race to produce an atomic bomb—transformed the entire country in myriad ways, but it did not affect each region equally. Acting on an enduring perception of the American West as an “empty” place, the U.S. government located a disproportionate number of nuclear facilities—particularly the ones most likely to spread pollution—in western states. The Manhattan Project manufactured plutonium at Hanford, Washington; designed and assembled bombs at Los Alamos, New Mexico; and detonated the world’s first atomic bomb at Alamagordo, New Mexico, on June 16, 1945. In the years that followed the war, the U.S. Atomic Energy Commission selected additional western sites for its work. Many westerners initially welcomed the atom. Like federal officials, they, too, regarded their region as “empty,” or underdeveloped. Facilities to make, test, and base atomic weapons, sites to store nuclear waste, and even nuclear power plants were regarded as assets. By the 1960s and 1970s, however, regional attitudes began to change. At a variety of locales, ranging from Eskimo Alaska to Mormon Utah, westerners devoted themselves to resisting the atom and its effects on their environments and communities. Just as the atomic age had dawned in the American West, so its artificial sun began to set there. The Atomic West brings together contributions from several disciplines to explore the impact on the West of the development of atomic power from wartime secrecy and initial postwar enthusiasm to public doubts and protest in the 1970s and 1980s. An impressive example of the benefits of interdisciplinary studies on complex topics, The Atomic West advances our understanding of both regional history and the history of science, and does so with human communities as a significant focal point. The book will be of special interest to students and experts on the American West, environmental history, and the history of science and technology.
"The first comprehensive study of Franz Kline's methods and techniques and the eighth book in the Artist's Materials series, which explores the unique and unconventional materials used by contemporary artists and the challenges encountered by professionals tasked with conserving their works"--
A study of Australian nurse Sister Elizabeth Kenny and her efforts to have her unorthodox methods of treating polio accepted as mainstream polio care in the United States during the 1940s. A case study of changing clinical care, and an examination of the hidden politics of philanthropies and medical societies.
