Brass Bands of the British Isles 1800-2018 - a historical directory

Brass Bands of the British Isles 1800-2018 - a historical directory

Author: Gavin Holman

Publisher: Gavin Holman

Published:

Total Pages: 290

ISBN-13:

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Of the many brass bands that have flourished in Britain and Ireland over the last 200 years very few have documented records covering their history. This directory is an attempt to collect together information about such bands and make it available to all. Over 19,600 bands are recorded here, with some 10,600 additional cross references for alternative or previous names. This volume supersedes the earlier “British Brass Bands – a Historical Directory” (2016) and includes some 1,400 bands from the island of Ireland. A separate work is in preparation covering brass bands beyond the British Isles. A separate appendix lists the brass bands in each county


School Architecture

School Architecture

Author: Edward Robson

Publisher: BoD – Books on Demand

Published: 2023-12-31

Total Pages: 470

ISBN-13: 3368848828

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Reprint of the original, first published in 1874.


Brass Bands of the World: Militarism, Colonial Legacies, and Local Music Making

Brass Bands of the World: Militarism, Colonial Legacies, and Local Music Making

Author: Suzel Ana Reily

Publisher: Routledge

Published: 2016-04-15

Total Pages: 302

ISBN-13: 1317172655

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Bands structured around western wind instruments are among the most widespread instrumental ensembles in the world. Although these ensembles draw upon European military traditions that spread globally through colonialism, militarism and missionary work, local musicians have adapted the brass band prototype to their home settings, and today these ensembles are found in religious processions and funerals, military manoeuvres and parades, and popular music genres throughout the world. Based on their expertise in ethnographic and archival research, the contributors to this volume present a series of essays that examine wind band cultures from a range of disciplinary perspectives, allowing for a comparison of band cultures across geographic and historical fields. The themes addressed encompass the military heritage of band cultures; local appropriations of the military prototype; links between bands and their local communities; the spheres of local band activities and the modes of sociability within them; and the role of bands in trajectories toward professional musicianship. This book will appeal to readers with an interest in ethnomusicology, colonial and post-colonial studies, community music practices, as well as anyone who has played with or listened to their local band.