How a Smith aided William Wallace win at Stirling Bridge, in Norman dominated Scotland. James Smith wanted to find his own way in life. Born in Badenoch, southwest Highland Scotland, he was determined to help William Wallace fight against Norman dominance for independence. Smiths were victims of a Moray clearance when Oengus, or Angus Chief of the Chattan and last Mormaor or King of Moray, had fallen at Stracathro to be replaced by a Norman Earl. James, a 3rd generation blacksmith, crossed the Causey Mounth cattle drover road to emerge at Fetteresso, before Durris on the east coast armed with a self-made sword, targe, adaptable skills, and handed down family history shaped by war. His skills served another Earl Moray who declared for Wallace burning out Normans from Dunnottar castle still smoking as they went south for Dundee and Stirling Bridge. This decision shaped the destiny of east-coast Smiths, now told.
The local Smith trade expanded in Fetteresso and Glenbervie, Aberdeenshire, as a farming family, supplying wars and feeding people. Mary I was influenced by living in France. The Pope declared a crusade against England, Spain sent armadas. The Union of crowns saw King James VI of Scotland the I of England neglect Scotland. Montrose changed allegiance to stop Cromwell and failed, prisoners to the Americas. England conspired against the Darien investment and bribed investor negotiators for votes for Union. People, without a vote, protested as a right since the Declaration of Arbroath 1320. Landlord Keith, Scotland's Marischal, kin to Smith tenants from the same tribe of Chatti in Europe, proclaimed the true King of Scotland. Pope-given honours safe. Smiths with Burnes neighbours, ancestors of Robert Burns the national poet, on their march to Culloden. Prince Charlie, Regent to correct UK Sovereignty, his father the nearest heir. The people fought to replace the Sovereign, freedom, and independence.
The definitive book about The Smiths, one of the most beloved, respected, and storied indie rock bands in music history. They were, their fans believe, the best band in the world. Hailing from Manchester, England, The Smiths--Morrissey, Johnny Marr, Andy Rourke, and Mike Joyce--were critical and popular favorites throughout their mid-1980s heyday and beyond. To this day, due to their unforgettable songs and lyrics, they are considered one of the greatest British rock groups of all time--up there with the Beatles, the Stones, the Who, and the Clash. Tony Fletcher paints a vivid portrait of the fascinating personalities within the group: Morrissey, the witty, literate lead singer whose loner personality and complex lyrics made him an icon for teenagers who felt forlorn and forgotten; his songwriting partner Marr, the gregarious guitarist who became a rock god for a generation of indie kids; and the talented, good-looking rhythm section duo of bassist Rourke and drummer Joyce. Despite the band's tragic breakup at the height of their success, A Light That Never Goes Out is a celebration: the saga of four working-class kids from a northern English city who come together despite contrasting personalities, find a musical bond, inspire a fanatical following, and leave a legacy that changed the music world--and the lives of their fans.
Contains songs recorded by The Smiths specially arranged in the original keys. In this songbook, each song includes chord symbols, guitar chord boxes, and complete lyrics.
Culloden battle, babe in arms attacked! Burns ancestor & Smiths with Gordons; Gordon Highlanders in WWI. Culloden's ethnic cleansing on Cumberland's orders, blamed 'no quarter' on Murray. Charles assisted escape. Rev. ministers prove Cumberland's lie, eyewitness accounts and, dying declarations. Proscription abolished- Highland traditions, tartan only fighting allies, then clearances for sheep. Burns told the world of English crimes to achieve UK. Sovereigns in England neglect Scotland. Queen Mother, descended from Bruce, restored Scotland's faith in their own royalty, influenced heiress Elizabeth II through world war I.
Michael Marshall Smith's surreal, groundbreaking, and award-winning debut which resonates with wild humour interlaced with dark recollections of an emotional minefield. May we introduce you to Stark. Oh, and by the way -- good luck. Stark is the private investigator who goes to work when Something Happens to you. And when a Something happens it's no good chanting 'go away go away go away' and cowering in a corner, because a Something always comes from your darkest past and won't be beaten until you face it. And that's not easy in a city where reality is twisting and broken, a world in which friends can become enemies in a heartbeat -- and where your most secret fear can become a soul-shredding reality. And the worst of it is, for this nightmare you don't even have to be asleep... Considered a modern classic, and consistently featured in lists of Books To Read Before Your Head Explodes, ONLY FORWARD is a novel you'll never forget.
Smith is shown to be both an innovator and a significant figure in understanding Romantic conceptions of gender. As the first book devoted to a serious critical study of Smith's poetry, Charlotte Smith: Romanticism, poetry and the culture of gender will appeal to professional scholars and students alike."--Jacket.
In this accessible book, Gavin Kennedy takes a fresh look at Adam Smith's moral philosophy and its links to his political economy and his lectures on Jurisprudence. The book provides a new analysis of Wealth of Nations , and argues that Adam Smith's intellectual legacy was completely transformed in the Nineteenth and Twentieth centuries by economists pursuing different agendas, to create ideas and policies that Smith did not advocate. It also provides a new explanation for the main mysteries about Smith's later life.
The Revolution of ’28 explores the career of New York governor and 1928 Democratic presidential nominee Alfred E. Smith. Robert Chiles peers into Smith’s work and uncovers a distinctive strain of American progressivism that resonated among urban, ethnic, working-class Americans in the early twentieth century. The book charts the rise of that idiomatic progressivism during Smith’s early years as a state legislator through his time as governor of the Empire State in the 1920s, before proceeding to a revisionist narrative of the 1928 presidential campaign, exploring the ways in which Smith’s gubernatorial progressivism was presented to a national audience. As Chiles points out, new-stock voters responded enthusiastically to Smith's candidacy on both economic and cultural levels. Chiles offers a historical argument that describes the impact of this coalition on the new liberal formation that was to come with Franklin Delano Roosevelt’s New Deal, demonstrating the broad practical consequences of Smith’s political career. In particular, Chiles notes how Smith’s progressive agenda became Democratic partisan dogma and a rallying point for policy formation and electoral success at the state and national levels. Chiles sets the record straight in The Revolution of ’28 by paying close attention to how Smith identified and activated his emergent coalition and put it to use in his campaign of 1928, before quickly losing control over it after his failed presidential bid.
A comprehensive treatment of the life and work of this award-winning feminist Appalachian writer Since the release of her first novel, The Last Day the Dogbushes Bloomed, in 1968, Lee Smith has published nearly twenty books, including novels, short stories, and memoirs. She has received an O. Henry Award, Sir Walter Raleigh Award, Robert Penn Warren Prize for Fiction, and a Reader's Digest Award; and her New York Times best-selling novel, The Last Girls, won the Southern Book Critics Circle Award. While Smith has garnered academic and critical respect for many of her novels, such as Black Mountain Breakdown, Oral History, and Fair and Tender Ladies, her writing has been viewed by some as lightweight fiction or even "chick lit." In Understanding Lee Smith Danielle N. Johnson offers a comprehensive analysis of Smith's work, including her memoir, Dimestore, treating her as a major Appalachian and feminist voice. Johnson begins with a biographical sketch of Smith's upbringing in Appalachia, her formal education, and her career. She explicates the themes and stylistic qualities that have come to characterize Smith's writing and outlines the criticism of Smith's work, particularly that which focuses on female subjectivity, artistry, religion, history, and place in her fiction. Too often, Johnson argues, Smith's consistent and powerful messages about artistry, gender roles, and historical discourse are missed or undervalued by readers and critics caught up in her quirky characters and dialogue. In Understanding Lee Smith, Johnson offers an analysis of Smith's oeuvre chronologically to study her growth as a writer and to highlight major events in her career and the influence they had on her work, including a major shift in the early 1990s to writing about families, communities, and women living in the mountains. Johnson reveals how Smith has refined her talent for creating nuanced voices and a narrative web of multiple perspectives and evolved into a writer of fine literary fiction worthy of critical study.
