An Afghan Woman's Odyssey is a first-person account of the tragedy that disrupted daily life in Afghanistan after the Communist coup of April 1978, events that eventually contributed to the volatile Taliban rule. This is the tale of a woman desperate to find her missing husband and her painful decision finally to abandon the search and to leave the country with her three children. Her story typifies the kinds of human-rights violations that became common practice after the Soviet invasion and made way for the later abuses of the Taliban.
Due to mysterious circumstances, Diana must track down the truth behind what's happened to her timeline and face the biggest stunner of all: Who destroyed Paradise Island? If you think you knew who Wonder Woman was—think again! All bets are offin this all-new direction for the long-running series that's perfect for new readers as Wonder Woman embarks on an odyssey to find her past and gets a new costume, a new set of foes, and a new tone from the ground up! Collects WONDER WOMAN #607-614.
The reader follows the author's experiences of Russia - experiencing local customs, the St. Petersburg flood and the Decembrist revolt - to her time in Jamaica as a missonary to the newly emancipated blacks.
Odyssey Works infiltrates the life of one person at a time to create a customtailored, life-altering performance. It may last for one day or a few months and consists of experiences that blur the boundaries of life and art—is that subway mariachi band, used book of poetry, or meal with a new friend real or a part of the performance? Central to this book is their 2013 performance for Rick Moody, author of The Ice Storm. His Odyssey lasted four months and included a fake children's book, introducing the themes of his performance, and a cello concert in a Saskatchewan prairie (which Moody almost missed after being stopped at customs with, suspiciously, no idea why he was traveling to Canada). The book includes Moody's interviews with Odyssey Works, an original short story by Amy Hempel, and six proposals for a new theory of making art.
From the prize-winning author of Supper Club comes a wickedly funny and slyly poignant new satire on modern life - for fans of My Year of Rest and Relaxation, Convenience Store Woman, and J. G. Ballard's High Rise 'Far from normal' The Times 'This book is a serious vibe' Cosmopolitan 'Lara Williams is the queen of smart modern satire. I could read her all day' Emma Jane Unsworth Meet Ingrid. She works on a gargantuan luxury cruise liner, where she spends her days reorganizing the merchandise and waiting for long-term guests to drop dead in the changing rooms. On her days off, she disembarks from the ship and gets blind drunk on whatever the local alcohol is. It's not a bad life. And it distracts her from thinking about the other life she left behind five years ago. Until one day she is selected for the employee mentorship scheme - an initiative run by the ship's mysterious captain and self-anointed lifestyle guru, Keith, who pushes Ingrid further than she thought possible. But sooner or later, she will have to ask herself: how far is too far? Utterly original, mischievous and thought-provoking, The Odyssey is a merciless takedown of consumer capitalism and our anxious, ill-fated quests for something to believe in. And as its title suggests, it is a voyage that will eventually lead its unlikely heroine all the way home. Though she'd do almost anything to avoid getting there...
Since their composition almost 3,000 years ago the Homeric epics have lost none of their power to grip audiences and fire the imagination: with their stories of life and death, love and loss, war and peace they continue to speak to us at the deepest level about who we are across the span of generations. That being said, the world of Homer is in many ways distant from that in which we live today, with fundamental differences not only in language, social order, and religion, but in basic assumptions about the world and human nature. This volume offers a detailed yet accessible introduction to ancient Greek culture through the lens of Book One of the Odyssey, covering all of these aspects and more in a comprehensive Introduction designed to orient students in their studies of Greek literature and history. The full Greek text is included alongside a facing English translation which aims to reproduce as far as feasible the word order and sound play of the Greek original and is supplemented by a Glossary of Technical Terms and a full vocabulary keyed to the specific ways that words are used in Odyssey I. At the heart of the volume is a full-length line-by-line commentary, the first in English since the 1980s and updated to bring the latest scholarship to bear on the text: focusing on philological and linguistic issues, its close engagement with the original Greek yields insights that will be of use to scholars and advanced students as well as to those coming to the text for the first time.
Shortlisted for the Orwell Prize: “[Bahadur] combines her journalistic eye for detail and story-telling gifts with probing questions . . . a haunting portrait.” —The Independent In 1903, a young woman sailed from India to Guiana as a “coolie” —the British name for indentured laborers who replaced the newly emancipated slaves on sugar plantations all around the world. Pregnant and traveling alone, this woman, like so many coolies, disappeared into history. Now, in Coolie Woman, her great-granddaughter embarks on a journey into the past to find her. Traversing three continents and trawling through countless colonial archives, Gaiutra Bahadur excavates not only her great-grandmother’s story but also the repressed history of some quarter of a million other coolie women, shining a light on their complex lives. Shunned by society, and sometimes in mortal danger, many coolie women were runaways, widows, or outcasts. Many left husbands and families behind to migrate alone in epic sea voyages—traumatic “middle passages” —only to face a life of hard labor, dismal living conditions, and, especially, sexual exploitation. As Bahadur explains, however, it is precisely their sexuality that makes coolie women stand out as figures in history. Greatly outnumbered by men, they were able to use sex with their overseers to gain various advantages, an act that often incited fatal retaliations from coolie men and sometimes larger uprisings of laborers against their overlords. Complex and unpredictable, sex was nevertheless a powerful tool. Examining this and many other facets of these remarkable women’s lives, Coolie Woman is a meditation on survival, a gripping story of a double diaspora—from India to the West Indies in one century, Guyana to the United States in the next—that is at once a search for roots and an exploration of gender and power, peril and opportunity.
The world of equestrian travel seldom recognizes international borders, being content to urge its mounted adherents to ride where they will. Few people better symbolize this ancient philosophy of unrestricted freedom than Ana Beker. The only child of Lithuanians who had immigrated to Argentina, Beker grew up surrounded by horses on the vast, wind-swept pampas. Her earliest memories were centered around these four legged friends. She literally grew up in the saddle, ignoring the traditions of the male oriented society which said that a woman s place was by the hearth, not in the saddle. History might have been content to let her stay in her homeland, until a fateful meeting changed her fate forever. In the early 1940s Beker heard a lecture given by Aime Tschiffely, who had himself ridden from Argentina to Washington DC ten years earlier. When the famous horseman scoffed at the young girl s idea to ride alone even further than he had, from Argentina to Canada, Beker accepted Tschiffely s challenge, mounted up, and never looked back. What followed was an equestrian journey of Homeric proportions. With her eyes always on the horizon, Beker began a 17,000 mile mounted odyssey that would fix her place in the annals of equestrian travel history. Amply illustrated, The Courage to Ride is thus not only a thrilling adventure tale, it is also a true account of a wild heart that would not be conquered.
SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE 2017 SHORTLISTED FOR THE LONDON HELLENIC PRIZE 2017 WINNER OF THE PRIX MÉDITERRANÉE 2018 From the award-winning, best-selling writer: a deeply moving tale of a father and son’s transformative journey in reading – and reliving – Homer’s epic masterpiece.
