In this essay collection, the authors describe the trend toward synchronic methods in biblical exegesis, or interpreting biblical texts as the result of a literary rather than a historical process, and discuss and apply fifteen specific methods to interpreting Old and New Testament texts.
This book is about the names given to Jesus by those followers responsible for putting his words and deeds into writing-the earliest "Christian scribes." In the first-century Mediterranean world, the first name of male person was his proper name. The second name indicated the family or clan to which he belonged, whereas the third name was an "honorary title" bestowed on him because of some achievement, good fortune, physical attribute, or "special excellence." Honorary titles were bestowed on Jesus mostly after his death. Such titles were often given to sages. The titles could either amplify Jesus' wisdom and empower people, or serve as instruments of power. This book aims to demonstrate the ideological and political mystification of Jesus in the transmission of the tradition about him. It illustrates the relevance of --The social history of formative Christianity; --The evolution of the Jesus traditions; --The genre of the gospels as biography; and --The institutionalization of charismatic authority.
Covering a landscape of literary, theological and cultural creativity, the authors explore the variety of interpretations inspired by Lamentations. The book explores a examples ranging from the Dead Sea Scrolls; Yehudah Halevy; John Calvin; and composer, Thomas Tallis; through to the interpretations of Marc Chagall; contemporary novelist, Cynthia Ozick; and Zimbabwean junk sculpture. It deploys "reception exegesis", a new genre of commentary that creatively blends reception history and biblical exegesis. --From publisher's description.