In 1924, author Mary Brooks Picken perfected her method of creating sixteen different dress styles while serving as Director of Instruction at the Woman's Institute of Domestic Arts & Sciences. Detailed, numbered illustrations take the reader through ten simple steps to creating an almost infinite variety of dresses.
Tracing the evolution of fashion-from the early draped fabrics of ancient times to the catwalk couture of today, Fashion: The Definitive History of Costume and Style is a stunningly illustrated guide to more than three thousand years of shifting trends and innovative developments in the world of clothing. With a wealth of breathtaking spreads-from ancient Egyptian dress to Space Age Fashion and Grunge-and information on icons like Marie Antoinette, Clara Bow, Jacqueline Kennedy, and Alexander McQueen, Fashion will captivate anyone interested in style-whether it's the fashion-mad teen in Tokyo, the wannabe designer in college, or the fashionista intrigued by the violent origins of the stiletto and the birth of bling.
"Brilliantly tracing influences from culture to culture, this tour-de-force journey across the globe includes descriptions of each region's population, geography and climate, allowing the reader to understand the development of an area's clothing customs. Complete with an extensive reference section, this treasure trove of information is a glorious celebration of ethnographic clothing and is destined to be the standard reference work on the subject." --BOOK JACKET.
This fine reproduction of a 1929 French catalog features fashions for all occasions, with 54 full-page color plates that showcase everything from chiffon promenade dresses to a white alpaca jumper and a silk-and-lace evening gown. A rare resource of authentic period styles for designers, costume historians, and collectors of vintage apparel.
Gertie Sews Jiffy Dresses is Gretchen Hirsch’s modern reinvention of a simple idea, focusing on easily mastered sewing skills, minimal pattern pieces, and fabulous designs. “Gretchen ‘Gertie’ Hirsch is a passionate home seamstress, a sought-after sewing teacher, and the creator of one of the web’s most popular sewing blogs.” —Creativebug In the ‘50s and ‘60s, Simplicity released their popular line of Jiffy sewing patterns, which had minimal pattern pieces and simple constructions, yet were chic enough for fashion-conscious customers. This approach appeals now more than ever to stylish women who are continuously looking for ways to fit their love of sewing into busy lives packed with family, work, school, and countless other obligations. With the lessons offered here, you can make a Popover Dress, Chemise Dress, Swirl Dress, Boatneck Dress, and Patio Dress. Everything you need is included: pattern maps, finished garment measurements, and more. And the best part? Readers will end up with a sparkling wardrobe of easy-to-wear, fun-to-style dresses that will fill busy modern lives with retro charm. Chapters include: Supplies and Tools Fabrics Getting Ready to Sew Dress Construction: The Basics Dress Construction: Essential Skills Trims and Flourishes Fitting Hirsch writes in her introduction, “So why did I write this book? Because I want to show that it’s possible to cultivate real sewing skills without spending days or even weeks on a project. Sewing more projects means more practice!” The vintage aesthetic of these projects will appeal to beginner and expert crafters alike. They stand on their own as great examples of retro fashion. They aren’t just simple sewing projects. So, don’t wait. Start sewing! Includes color photographs and illustrations Also available: Gertie Sews Vintage Casual Gertie’s Ultimate Dress Book Gertie’s New Book for Better Sewing Gertie’s New Fashion Sketchbook
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
The 'roaring twenties' were exciting years for women's fashion. The iconic image is of the young 'flapper' dancing the night away in a sparkling dress with fringes and tassels moving to the beat of the Jazz age. But, for all women in the post-war years of the 1920s, there was a new freedom in fashion as hemlines lifted and waistlines dropped. The simplified silhouette caused a boom in home dressmaking as women with basic sewing skills used tissue paper patterns to run up a new frock in the latest style. This practical book explains the background to these years and the trends in women's fashion, before introducing a range of garments that women would typically have worn. Suzanne Rowland gives a unique and detailed account of how to make vintage 1920s clothes for women based on the dress collections at the Royal Pavilion & Museums, Brighton & Hove, and Worthing Museum and Art Gallery. Fifteen detailed projects for garments and accessories include a pair of fashionably daring beach pyjamas, the wedding dress of a bride from East Sussex, and a simple striped frock suitable for wearing at a British seaside resort. Each project includes a detailed description of the original garment with an accompanying illustration alongside photographs of the original pieces. Scaled patterns are included with a list of materials and equipment required. Step-by-step instructions and close-up photographs are given for each stage of the making process with information about the original techniques used. Superbly illustrated with 314 close-up colour photographs.
After working as a stylist in Paris, Elizabeth Hawes (1903–71) launched one of the first American design houses in Depression-era New York. Hawes was an outspoken critic of the fashion industry and a champion of ready-to-wear styles. Fashion Is Spinach, her witty and astute memoir, offers an insider's critique of the fashion scene during the 1920s and '30s. "I don't know when the word fashion came into being, but it was an evil day," Hawes declares. Style, she maintains, reflects an era's mood, altering only with changes in attitude and taste. Fashion, conversely, exists only to perpetuate sales. Hawes denounces the industry's predatory practices, advising readers to reject ever-changing fads in favor of comfortable, durable, flattering attire. Decades ahead of her time, she offers a fascinating and tartly observed behind-the-scenes look at the fashion industry's economics, culture, and ethics.