One Good Horse
One Good Horse

Author: Tom Groneberg

Publisher: Simon and Schuster

Published: 2006

Total Pages: 240

ISBN-13: 0743265173

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Learning to train and trust a horse.

A Good Horse
A Good Horse

Author: Jane Smiley

Publisher: Knopf Books for Young Readers

Published: 2010-10-26

Total Pages: 222

ISBN-13: 0375894152

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When eighth grader Abby Lovitt looks out at those pure-gold rolling hills, she knows there’s no place she’d rather be than her family’s ranch—even with all the hard work of tending to nine horses. But some chores are no work at all, like grooming young Jack. At eight months, his rough foal coat has shed out, leaving a smooth, rich silk, like chocolate. As for Black George, such a good horse, it turns out he’s a natural jumper. When he and Abby clear four feet easy as pie, heads start to turn at the ring—buyers’ heads—and Abby knows Daddy won’t turn down a good offer. Then a letter arrives from a private investigator, and suddenly Abby stands to lose not one horse but two. The letter states that Jack’s mare may have been sold to the Lovitts as stolen goods. A mystery unfolds, more surprising than Abby could ever expect. Will she lose her beloved Jack to his rightful owners? Pulitzer Prize winner Jane Smiley raises horses of her own, and her affection and expertise shine through in this inviting horse novel for young readers, set in 1960s California horse country and featuring characters from The Georges and the Jewels.

The Last Good Horse
The Last Good Horse

Author: David Martin Anderson

Publisher: Conroca Publishing

Published: 2011

Total Pages: 0

ISBN-13: 9781892617163

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Hidden atop Montana¿s Pryor Mountain, the last of the purebred Spanish mustangs still roam free. They are the direct descendants of Cortez¿s noble jennets and a rare breed. For over two hundred years they have lived in an isolated Garden of Eden, safe from the outside world and the most feared predator of all ¿ man. But in 1919, when a band of cowboys discover their whereabouts, all tranquility ends. The taking of free mustangs on Federal land becomes a lucrative but tainted business. Over the next twenty years the cowboys systematically slaughter thirty thousand horses and ship the carcasses to cannery plants hungry for cheap feed. By the summer of 1939, less than one thousand jennets remain alive. Enter seventeen-year-old Billy Bartell. Desperate to flee a macabre life as a mortician, Billy all-too eagerly takes up company among the last of the old West drovers. It seems Billy has the requisite skills to both hunt down the horses and prep the creatures¿ carcasses for the iced-down boxcars. Yet, the pact he makes with the camp boss, Captain Belial, may not have been his wisest decision. Getting out of a pact with the devil never is. Now, Billy is faced with another monumental decision: continue eradicating the herds or save the last of the good horses from extinction.

A Good Horse Is Never a Bad Color
A Good Horse Is Never a Bad Color

Author: Mark Rashid

Publisher: Simon and Schuster

Published: 2019-06-04

Total Pages: 301

ISBN-13: 1510741801

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In A Good Horse Is Never a Bad Color, Mark Rashid continues to share his talent for training horses through communication rather than force. Rashid uses humorous, feel-good stories to relate his techniques of teaching horses by examining their view of the world. These stories deal with many aspects of buying, owning, and training horses with a special focus on those that are troubled and hard-to-train. The arrested development of horses like these, Rashid shows, is often a result of their trainers’ own lack of understanding of their unique psychologies. With stories that stress the importance of patience and understanding, this book is a must-have for compassionate horse trainers and owners. Tales of Arabs, appaloosas, and paints—mistrusted and mistreated because of their breed—will give readers a new perspective on these breeds and others. Sometimes, it’s the attitude that needs to be fixed rather than the horse. Rashid’s accounts of horses bound for slaughter because they were considered impossible to train will inspire you to give your own problem horse a second look. This new edition features added introductory notes for each chapter that contribute to a better understanding of Rashid’s philosophy and methods.

A Good Horse Has No Color
A Good Horse Has No Color

Author: Nancy Marie Brown

Publisher: Stackpole Books

Published: 2001

Total Pages: 276

ISBN-13: 9780811707046

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After several visits to study Icelandic sagas, Nancy Brown returns to Iceland to search for the perfect Icelandic horse, one she can bring back to her Pennsylvania farm and make her own. To do so, she must become part of the country's tightly knit horse-breeding community, which can be wary of outsiders and extremely protective of the world-famous breed. In this clear-eyed, evocative account set against Iceland's austere and majestic landscape, she describes what makes Icelandic horses and their owners so distinctive. She also discovers her limitations as a horsewoman and learns much about what she is looking for-in a horse and in her life.

The Trail to Ogallala
The Trail to Ogallala

Author: Benjamin Capps

Publisher: TCU Press

Published: 1985

Total Pages: 310

ISBN-13: 9780875650135

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This novel won the 1964 Spur Award for best western novel of the year. It is a realistic account of a cattle drive involving 3000 head along the Western Cattle Trail from a ranch about 50 or 60 miles west of San Antonio, Texas, to Ogallala, Nebraska, in the late 1870s or early 1880s. It is obvious that this Texan author did research in preparation for this story.

All One Horse
All One Horse

Author: Breyten Breytenbach

Publisher: Archipelago

Published: 2011-03-22

Total Pages: 129

ISBN-13: 1935744259

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All One Horse is a marvel-filled journey through Breyten Breytenbach’s kaleidoscopic imagination. The electrifying colors and penetrating images of his paintings converse with his lyrical and satirical dream-fables. These visions and parables emerge from a mélange of cultures and traditions: African and Eastern thought, the spirit world, and the spheres of visual art, philosophy, history and politics. Breytenbach’s watercolors communicate in hieroglyphs, where private conversation embraces myth and dream. These reflections and images – clear and complex at once – are cries for human dignity and justice, are truth disguised as play. With octopus-like grace, Breytenbach pulls together worlds and watches them dance and struggle together; echoes of Afrikaans haunt his English, the fantastic melds into the quotidian, love glimmers beneath rage, the immediate rises to the universal.