Once Upon an Oldman is an account of the controversy that surrounded the Alberta government's construction of a dam on the Oldman River to provide water for irrigation in the southern part of the province. Jack Glenn argues that, despite claims to the contrary, the governments of Canada and Alberta are not dedicated to protecting the environment and will even circumvent the law in order to avoid accepting responsibility for safeguarding the environment and the interests of Native people.
PBS wine guru Mark Oldman quenches the universal thirst for the affordable gems coveted by insiders. Weary of buying the same old wines again and again? Wine personality Mark Oldman—known to millions of PBS viewers as a main judge on The Winemakers and winner of the Georges Duboeuf Wine Book of the Year Award—is here to rescue your taste buds with a groundbreaking guide to irresistible wines of moderate cost and maximum appeal. In his signature style that Bon Appétit calls "wine speak without the geek," Oldman uses insightful prose, hilarious anecdotes, and ingenious graphics to reveal the secret wines that everyone wishes they were drinking. Not only does he provide the inside scoop on each wine type's taste, cost, pronunciation, and food affinities, but he details the exclusive picks of more than 130 wine-passionate "Bravehearts," including Tom Colicchio, Guy Fieri, and Jodie Foster. Entertaining like no other, this is a guide for everyone who wants to drink like an insider without breaking the bank.
DigiCat Publishing presents to you this special edition of "The Old Man and the Sea" by Ernest Hemingway. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
"A demonstration of outstanding skills on the river of American literature." —Entertainment Weekly Bonnie Jo Campbell has created an unforgettable heroine in sixteen-year-old Margo Crane, a beauty whose unflinching gaze and uncanny ability with a rifle have not made her life any easier. After the violent death of her father, Margo takes to the river in search of her mother with only a biography of Annie Oakley to her name. Her river odyssey through rural Michigan becomes a defining journey, one that leads her beyond self-preservation and to deciding what price she is willing to pay for her choices.
Roger Angell, the acclaimed New Yorker writer and editor, steps up with a selection of writings that celebrate a view from the tenth decade of an engaged, vibrant life. Whether it’s a Fourth of July in rural Maine, the opening game of the 2015 World Series, editorial exchanges with John Updike, a letter to a son, or his award-winning essay on aging, “This Old Man,” what links the pieces is Angell’s unique perceptions and humor, his utter absence of self-pity, and his appreciation of friends and colleagues encountered over a fruitful career unlike any other.
In three books I tried to capture all aspects of the Old West—the rowdy towns, saloons, prostitutes, homesteaders, cattle ranchers, cattle rustlers, cattle drives, stampedes, canvas-covered wagons, wagon trains, wild horses, cowboys, Indians, miners and prospectors, fur traders, claimjumpers, sheriffs, outlaws, gunfighters, railroads and trains, stagecoaches, banks and holdups, love, life, and death—when I wrote the trilogy of “Once Upon A Time In The Past”. Book One of Once Upon A Time in the Past, subtitled “The Sons Of Sam Logan”—involves four young boys, Chance William, Burt Wiley, Peter Wallace and Jesse Lee “Boots” Logan, a black youth who adopts the Logan name, who grows up and become outlaws—opens circa 1890 in Payton, Kansas: Rancher Clay Miller sat behind his desk staring at four miniature porcelain horses: a black and white piebald; black, white-rump appaloosa; golden palomino with a white blazed face; and a black stallion with a diamond-shaped white dot on its forehead. The rancher’s eyes then stared down at a necklace made with pure gold nuggets wedged together on a long string of rawhide-leather with a black, genuine Indian arrowhead at the end. He reached down and picked the necklace up. A shadow of sudden gloominess crossed his face as he gazed at the necklace. A finger fiddled unconsciously with the arrowhead dangling at the end of it, as he held the necklace in his hands, staring into space. The necklace brought back memories of the past—good times and bad times. His thoughts wiggled and waggled as his recollections took him back into time long before he was a man:
Born in 1960, Olivier Aymar has a PhD in history, specialising in the history of the Kurds and Zazas. In this book, he presents eight traditional folk tales of kindness, goodness, courage, compassion and other such qualities. Eight short initiatory stories in which the various characters outdo themselves, revealing their courage and bravery and acting like true heroes of ancient mythical days. Translator: Mary Molliné PUBLISHER: TEKTIME
This volume brings together a selection of streams present in modern mass-media culture, from classic cartoons to TV series. The chapters form a rich mosaic of interconnecting themes, and highlight the current process of transforming well-known fairy-tale plots. The book considers recent media productions, such as “Once Upon a Time” and “Beauty and the Beast” as modern fairy-tales for children and adults, showing these new versions of familiar characters to reflect the psychological demands of the contemporary audience in the post-modernist cultural environment. In addition, the book explores new Internet fiction genres, including fan-fiction, interactive fairy-tales, and fairy-tale blogs. As a part of cultural studies, the book considers classic cartoons based on books, such as “Mowgli” and “The Little Prince”, from philosophical and cross-cultural points of view.
This collection of fairy tales, fables, and tall tales will enchant readers of all ages. Fairly moral stories with little violence make good bedtime reading, inducing a minimum of nightmares.
