Once Upon A Time is one of the most original and exciting shows on television, combining fairy tale magic with real world drama and appealing to audiences of all ages around the world. In this official companion to the hit show, you can go behind the magic, discovering everything that goes into the making of the enchanting series. The show¡¯s stars, Ginnifer Goodwin (Snow White/Mary Margaret Blanchard), Jennifer Morrison (Emma Swan), Lana Parrilla (the Evil Queen/Regina Mills), Robert Carlyle (Rumplestiltskin/Mr. Gold), Josh Dallas (Prince Charming/David Nolan), Jared Gilmore (Henry Mills), Emilie de Ravin (Belle), Colin O¡¯Donoghue (Captain Hook), and Meghan Ory (Red Riding Hood/Ruby), talk about portraying characters who are both classic and new. Plus, the show¡¯s producers, writers and behind-the-scenes wizards share their secrets about creating the magical episodes you see on screen, including production art and sketches. Magic is coming!
'Once upon a time' is one of the most original and exciting shows on television, combining fairy tale magic with real world drama and appealing to audiences of all ages around the world. In this offical companion to the hit show, you can go behind the magic, discovering everything that goes into the making of the enchanting series.
The Evil Queen has, quite literally, captured the Huntsman's heart -- and now he's her slave. Based on the world of ABC's hit primetime series ONCE UPON A TIME, this is the never-before-told tale behind their twisted relationship -- and what happens when a good man is forced to do bad. When Regina cooks up yet another devious plan to capture Snow White -- this time by allying with a pack of power-hungry werewolves -- the Huntsman comes face-to-face with his past...and an independent spirit in Red Riding Hood that just may match his own. Can these two break free of the forces that bind them and save Snow White? When put to the test, where will the Huntsman's loyalties lie? Has the Evil Queen stolen his heart in more ways than one?
Sixteen-year-old Regina is very different from the Regina known by fans of ABC's "Once Upon a Time." She seeks romance, adventure, and approval. Of course, getting approval from a mother like Cora is next to impossible. For Regina, friendships have always been a rare commodity. Could it be that Regina has finally found a true friend? Or is it too good to be true? As Regina struggles to find her own identity and create her own destiny, she discovers that her fate might just be to become everything she despises.
Strangers don't come to Storybrooke. The town's residents are victims of a curse--trapped by an Evil Queen in a world without magic, they don't remember that they were once Snow White, Prince Charming, Jiminy Cricket, and other characters from a fairytale world. The curse keeps them in Storybrooke, and keeps everyone else out...until a dark stranger with a typewriter arrives on a motorcycle. August, the mysterious newcomer, claims to be in Storybrooke because, as a writer, the town inspires him. As the other characters discover, though, he knows more about fairytales than he lets on. With one foot in the nonmagical world, one foot in fairytale land, and both hands on a typewriter, August is the perfect narrator to tell fans the story of ONCE UPON A TIME's first season and ready them for a surprise in the next.
Analyzes the portrayal of German fairy-tale figures in contemporary North American media adaptations. Craving Supernatural Creatures: German Fairy-Tale Figures in American Pop Culture analyzes supernatural creatures in order to demonstrate how German fairy tales treat difference, alterity, and Otherness with terror, distance, and negativity, whereas contemporary North American popular culture adaptations navigate diversity by humanizing and redeeming such figures. This trend of transformation reflects a greater tolerance of other marginalized groups (in regard to race, ethnicity, ability, age, gender, sexual orientation, social class, religion, etc.) and acceptance of diversity in society today. The fairy-tale adaptations examined here are more than just twists on old stories—they serve as the looking glasses of significant cultural trends, customs, and social challenges. Whereas the fairy-tale adaptations that Claudia Schwabe analyzes suggest that Otherness can and should be fully embraced, they also highlight the gap that still exists between the representation and the reality of embracing diversity wholeheartedly in twenty-first-century America. The book's four chapters are structured around different supernatural creatures, beginning in chapter 1 with Schwabe's examination of the automaton, the golem, and the doppelganger, which emerged as popular figures in Germany in the early nineteenth century, and how media, such as Edward Scissorhands and Sleepy Hollow, dramatize, humanize, and infantilize these "uncanny" characters in multifaceted ways. Chapter 2 foregrounds the popular figures of the evil queen and witch in contemporary retellings of the Grimms' fairy tale "Snow White." Chapter 3 deconstructs the concept of the monstrous Other in fairy tales by scrutinizing the figure of the Big Bad Wolf in popular culture, including Once Upon a Timeand the Fables comic book series. In chapter 4, Schwabe explores the fairy-tale dwarf, claiming that adaptations today emphasize the diversity of dwarves' personalities and celebrate the potency of their physicality. Craving Supernatural Creaturesis a unique contribution to the field of fairy-tale studies and is essential reading for students, scholars, and pop-culture aficionados alike.
Henry and Violet finally have a chance to be alone. Granted, it's on a school field trip, but with some clever planning and strategic maneuvering, they can orchestrate their own adventure in New York City, a fairytale land in its own right. While they search for a treasured item that once belonged to Violet's father, they are met with obstacles they could never have predicted. What they thought would be a romantic getaway ends up being a true test of their relationship. The question remains: Are they destined for a happily ever after?
War. Rage. Magic. Love. In May 1756 war is formally declared between the British and the French. During this highly dangerous time, Isabella Sevens is travelling with her father to the British stronghold Fort William Henry. In the forest, Wusamequin, the young and handsome medicine man, looks to avenge the death of his wife and child at the hands of British soldiers. When Wusamequin spots Isabella and her father, he alerts his warriors to capture them. But Wusamequin is quite taken with how bravely Isabella battles. He orders the warriors to spare her and her tfather, and they are dragged back to their village. However, many members of the Mohican tribe still want them to be killed. In a desperate plea to Wusamequin, Isabella vows to stay as his hostage if he lets her father go.
