On the Relationship between Apocalyptic Films and Reality in US Cold War Culture
On the Relationship between Apocalyptic Films and Reality in US Cold War Culture

Author: Iris Strimitzer

Publisher: GRIN Verlag

Published: 2022-03-17

Total Pages: 88

ISBN-13: 3346607054

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Diploma Thesis from the year 2021 in the subject American Studies - Miscellaneous, grade: 1, University of Graz (Amerikanistik), language: English, abstract: This thesis investigates the relationship between apocalyptic fiction and reality during the Cold War era. By exploring the zeitgeist and media landscape of the American Cold War culture, this thesis demonstrates that apocalyptic fiction had a significant bilateral role during those times and influenced the contemporary nuclear discourse. This is illustrated by analyzing two popular apocalyptic movies, "On the Beach" (1959) and "The Day After" (1983). Both films portray a worst-case scenario in which the protagonists are confronted with the disastrous consequences of a nuclear war. These movies are not just blockbusters for entertainment but fuel and contribute to the ongoing nuclear discourse about the Cold War era and its politics of deterrence. In its theoretical part, this thesis provides an overview of the Cold War era and reveals how the beginning of the Atomic Age changed the dynamics of power and politics forever. It focuses on the international cultural discourse concerned with nuclear weaponry and illustrates how the politics of deterrence came into being. Afterwards, this thesis focuses on the US- specific nuclear discourse and how it was portrayed in US mainstream media. Additionally, this thesis engages with the Cold War as a concept of thought. It aims at providing a deeper understanding of its intrinsic mechanisms and explains why the Cold War can be classified as a war against people’s imagination. Therefore, this thesis provides an overview of modern apocalypticism research and investigates the role of narratives in the Atomic Age. In its analytical part, the films On the Beach (1959) and The Day After (1983) are interpreted as crisis texts according to the paradigm of apocalypticism. According to this analytical approach, this film analysis focuses on the films’ contemporary cultural context and investigates how their narratives are related to the political and cultural events of the Cold War. Furthermore, this thesis investigates how the bilateral relationship between fiction and reality impact the films and their public reception. Thus, this thesis demonstrates how the films serve as an example of how and why the Cold War can be classified as a war against people’s imagination.

Ready When You Are, Mr. Coppola, Mr. Spielberg, Mr. Crowe
Ready When You Are, Mr. Coppola, Mr. Spielberg, Mr. Crowe

Author: Jerry Ziesmer

Publisher: Scarecrow Press

Published: 2003-10-07

Total Pages: 473

ISBN-13: 0810877007

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Now available in paperback! No movie has ever been made, or made well, without the character who toils just outside the spotlight. He arranged for the spotlight, hired the spotlight operator, and even made sure that it was trained correctly on the stars. At the end of the day, there would be no blinking movie screens, no blinking Oscar winners, no finished films, good or bad, without the Assistant Director. Jerry Ziesmer was an assistant director for over thirty years, working on countless films before his retirement in the middle-nineties. He has worked with some of Hollywood's biggest directors, and its biggest stars. In this memoir, he recounts his time in Hollywood including his work on the sets of Apocalypse Now, Close Encounters, and Jerry Maguire. Written with the craft and humor that made Jerry Ziesmer one of the most sought-after assistant directors in Hollywood, this book will be a treasure for students and fans of twentieth-century Hollywood. Cloth edition previously published in 2000.

Millennial Dreams and Apocalyptic Nightmares
Millennial Dreams and Apocalyptic Nightmares

Author: Angela M. Lahr

Publisher: Oxford University Press

Published: 2007-10-31

Total Pages: 294

ISBN-13: 0198042930

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The Religious Right came to prominence in the early 1980s, but it was born during the early Cold War. Evangelical leaders like Billy Graham, driven by a fierce opposition to communism, led evangelicals out of the political wilderness they'd inhabited since the Scopes trial and into a much more active engagement with the important issues of the day. How did the conservative evangelical culture move into the political mainstream? Angela Lahr seeks to answer this important question. She shows how evangelicals, who had felt marginalized by American culture, drew upon their eschatological belief in the Second Coming of Christ and a subsequent glorious millennium to find common cause with more mainstream Americans who also feared a a 'soon-coming end,' albeit from nuclear war. In the early postwar climate of nuclear fear and anticommunism, the apocalyptic eschatology of premillennial dispensationalism embraced by many evangelicals meshed very well with the "secular apocalyptic" mood of a society equally terrified of the Bomb and of communism. She argues that the development of the bomb, the creation of the state of Israel, and the Cuban Missile Crisis combined with evangelical end-times theology to shape conservative evangelical political identity and to influence secular views. Millennial beliefs influenced evangelical interpretation of these events, repeatedly energized evangelical efforts, and helped evangelicals view themselves and be viewed by others as a vital and legitimate segment of American culture, even when it raised its voice in sharp criticism of aspects of that culture. Conservative Protestants were able to take advantage of this situation to carve out a new space for their subculture within the national arena. The greater legitimacy that evangelicals gained in the early Cold War provided the foundation of a power-base in the national political culture that the religious right would draw on in the late seventies and early eighties. The result, she demonstrates, was the alliance of religious and political conservatives that holds power today.

American Cold War Culture
American Cold War Culture

Author: Douglas Field

Publisher:

Published: 2005

Total Pages: 232

ISBN-13:

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This book guides the reader through recent and established theories as well as introducing a number of previously neglected themes, films and texts.

How to Survive the Apocalypse
How to Survive the Apocalypse

Author: Robert Joustra

Publisher: Wm. B. Eerdmans Publishing

Published: 2016-05-20

Total Pages: 206

ISBN-13: 1467445290

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Incisive insights into contemporary pop culture and its apocalyptic bent The world is going to hell. So begins this book, pointing to the prevalence of apocalypse — cataclysmic destruction and nightmarish end-of-the-world scenarios — in contemporary entertainment. In How to Survive the Apocalypse Robert Joustra and Alissa Wilkinson examine a number of popular stories — from the Cylons in Battlestar Galactica to the purging of innocence in Game of Thrones to the hordes of zombies in The Walking Dead — and argue that such apocalyptic stories reveal a lot about us here and now, about how we conceive of our life together, including some of our deepest tensions and anxieties. Besides analyzing the dsytopian shift in popular culture, Joustra and Wilkinson also suggest how Christians can live faithfully and with integrity in such a cultural context.

Understanding the imaginary war
Understanding the imaginary war

Author: Matthew Grant

Publisher: Manchester University Press

Published: 2016-09-01

Total Pages: 358

ISBN-13: 1526101335

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This collection offers a fresh interpretation of the Cold War as an imaginary war, a conflict that had imaginations of nuclear devastation as one of its main battlegrounds. The book includes survey chapters and case studies on Western Europe, the USSR, Japan and the USA. Looking at various strands of intellectual debate and at different media, from documentary film to fiction, the chapters demonstrate the difficulties to make the unthinkable and unimaginable - nuclear apocalypse - imaginable. The book will be required reading for everyone who wants to understand the cultural dynamics of the Cold War through the angle of its core ingredient, nuclear weapons.

The Late Great Planet Earth
The Late Great Planet Earth

Author: Hal Lindsey

Publisher: Zondervan

Published: 2016-10-11

Total Pages: 170

ISBN-13: 0310531063

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The impact of The Late Great Planet Earth cannot be overstated. The New York Times called it the "no. 1 non-fiction bestseller of the decade." For Christians and non-Christians of the 1970s, Hal Lindsey's blockbuster served as a wake-up call on events soon to come and events already unfolding -- all leading up to the greatest event of all: the return of Jesus Christ. The years since have confirmed Lindsey's insights into what biblical prophecy says about the times we live in. Whether you're a church-going believer or someone who wouldn't darken the door of a Christian institution, the Bible has much to tell you about the imminent future of this planet. In the midst of an out-of-control generation, it reveals a grand design that's unfolding exactly according to plan. The rebirth of Israel. The threat of war in the Middle East. An increase in natural catastrophes. The revival of Satanism and witchcraft. These and other signs, foreseen by prophets from Moses to Jesus, portend the coming of an antichrist . . . of a war which will bring humanity to the brink of destruction . . . and of incredible deliverance for a desperate, dying planet.

Undead Apocalyse
Undead Apocalyse

Author: Stacey Abbott

Publisher: Edinburgh University Press

Published: 2016-09-08

Total Pages: 240

ISBN-13: 0748694935

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Explores the intersection of the vampire and zombie with 21st Century dystopian and post-apocalyptic cinemaTwenty-first century film and television is overwhelmed with images of the undead. Vampires and zombies have often been seen as oppositional: one alluring, the other repellant; one seductive, the other infectious. With case studies of films like I Am Legend and 28 Days Later, as well as TV programmes like Angel and The Walking Dead, this book challenges these popular assumptions and reveals the increasing interconnection of undead genres. Exploring how the figure of the vampire has been infused with the language of science, disease and apocalypse, while the zombie text has increasingly been influenced by the trope of the areluctant vampire, Stacey Abbott shows how both archetypes are actually two sides of the same undead coin. When considered together they present a dystopian, sometimes apocalyptic, vision of twenty-first century existence.Key featuresRather than seeing them as separate or oppositional, this book explores the intersection and dialogue between the vampire and zombie across film and televisionMuch contemporary scholarship on the vampire focuses on Dark Romance, while this book explores the more horror-based end of the genreOffers a detailed discussion of the development of zombie televisionProvides a detailed examination of Richard Mathesons I Am Legend, including the novel, the script, the adaptations and the BBFCs response to Mathesons script

The Cold War in Science Fiction: Soviet and American Science Fiction Films in the 1950s
The Cold War in Science Fiction: Soviet and American Science Fiction Films in the 1950s

Author: Natalia Voinova

Publisher: Anchor Academic Publishing (aap_verlag)

Published: 2013-06-01

Total Pages: 42

ISBN-13: 3954895587

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This study will compare the USSR and the United States according to their cinematic use of science fiction in the late 1950s and 1960s in order to coincide with the period of de-Stalinisation and thaw in the USSR, and late McCarthyism in the United States. The genre provides an opportunity to express the two powers' scientific stand-off through fiction, and serves as a vehicle for the dissemination of ideas and propaganda. Post-1956 marks the time when the period of de-Stalinisation officially began and science fiction saw a carefully crafted rebirth for it served as a tool that could reflect the socialist ideal and quasi-religious faith in science that was promoted by the party. Science fiction uniquely demands for an imaginative view of the future, and therefore, corresponds with the Marxist- Leninist future-oriented ideology. For this period, the themes for American science fiction are hyperbolised monsters and invasion, and reflect the fear of the otherness of the Soviet Union, and its threat on domestic ideals. These themes are reflected in movies as 'Angry Red Planet', and 'Them!'. On the other hand, Soviet science fiction movies focus on the heroic Soviet man who frequently receives calls for help from outer space, and overcomes great trials to save those not living in utopia. This storyline is represented in 'Towards a Dream', and 'The Sky is calling'. The author gives special attention to the Soviet movie 'The Sky is calling' and the subsequent redubbed American version 'Battle beyond the Sun'. Further, she addresses alterations or plot, and subtle propaganda messages in the Soviet movies 'Planet of Storms', and the Hollywood remake 'Journey to the Prehistoric Planet'.

Why We Fought
Why We Fought

Author: Peter C. Rollins

Publisher: University Press of Kentucky

Published: 2008-07-25

Total Pages: 877

ISBN-13: 0813138744

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A “wide-ranging and sophisticated anthology” comparing theaters of war to wars in the movie theater (Dennis Showalter, author of Patton and Rommel). Why We Fought makes a powerful case that film can be as valuable a tool as primary documents for improving our understanding of the causes and consequences of war. A comprehensive look at war films, from depictions of the American Revolution to portrayals of September 11 and its aftermath, this volume contrasts recognized history and historical fiction with the versions appearing on the big screen. The text considers a selection of the pivotal war films of all time, including All Quiet on the Western Front, Sands of Iwo Jima, Apocalypse Now, Platoon, and Saving Private Ryan—revealing how film depictions of the country’s wars have shaped our values, politics, and culture, and offering a unique lens through which to view American history. Named as a Choice Outstanding Academic Title