Developed from a Nobel Laureate's popular lectures at the Royal Institution of Great Britain, this easy-to-understand book explains the nature of atoms, metal, gases, diamonds, ice, crystals, liquids, and other aspects of science. It illuminates many topics that are seldom explained, defining them in simple terms. 138 illustrations. 1925 edition.
Originally published in 1973. In this systematic treatise, Anthony Quinton examines the concept of substance, a philosophical refinement of the everyday notion of a thing. Four distinct, but not unconnected, problems about substance are identified: what accounts for the individuality of a thing; what confers identity on a thing; what is the relation between a thing and its appearances; and what kind of thing is fundamental, in the sense that its existence is logically independent of that of any other kind of thing? In Part 1, the first two problems are discussed, while in Part 2, the third and fourth are considered. Part 3 examines four kinds of thing that have been commonly held to be in some way non-material: abstract entities; the un-observable entities of scientific theory; minds and their states; and, finally, values. The author argues that theoretical entities and mental states are, in fact, material. He gives a linguistic account of universals and necessary truths and advances a naturalistic theory of value.
The Nature of Things weaves together a life full of happiness and sorrow. In these fourteen collected essays, Tommye McClure Scanlin reflects on her artistic journey and how crafting and life are interwoven, two threads that comprise a larger picture. Readers will find themselves lost in Scanlin's full-color tapestries and comforting writing style as they explore the natural fields and woods of southern Appalachia. A final part of the book gives an overview of tapestry weaving basics with diagrams and descriptions for setting up a simple pipe loom and weaving a small tapestry sampler. Glossary, simple pipe loom illustrations, and a resource list are included for reference.
April 18, 1906: A massive earthquake rocks San Francisco just before daybreak, igniting a devouring inferno. Lives are lost, lives are shattered, but some rise from the ashes forever changed. Sophie Whalen is a young Irish immigrant so desperate to get out of a New York tenement that she answers a mail-order bride ad and agrees to marry a man she knows nothing about. San Francisco widower Martin Hocking proves to be as aloof as he is mesmerizingly handsome. Sophie quickly develops deep affection for Kat, Martin's silent five-year-old daughter, but Martin's odd behavior leaves her with the uneasy feeling that something about her newfound situation isn't right. Then one early-spring evening, a stranger at the door sets in motion a transforming chain of events. Sophie discovers hidden ties to two other women. The first, pretty and pregnant, is standing on her doorstep. The second is hundreds of miles away in the American Southwest, grieving the loss of everything she once loved. The fates of these three women intertwine on the eve of the devastating earthquake, thrusting them onto a perilous journey that will test their resiliency and resolve and, ultimately, their belief that love can overcome fear. From the acclaimed author of The Last Year of the War and As Bright as Heaven comes a gripping novel about the bonds of friendship and mother love, and the power of female solidarity.
The world is an interdependent whole of which everything is an integral, complexly related, part. Yet current ways of thinking, and being, persistently separate social phenomena and the individual self from the multiple dimensions with which they are interconnected. The Integral Nature of Things examines this revealing paradox and its consequences in a variety of sites: everyday language, labour, advertising, technology, post-structuralist theory, political rhetoric, urban planning, sex, neoliberal globalisation. Mani demonstrates how even though the interrelations between things are obscured by the ruling paradigm, the facts of relationality and indivisibility continually assert themselves. The book interweaves prose with poetry and sociocultural analysis with observational accounts to offer an alternative framework for addressing aspects of the cognitive, cultural, political, and ethical crisis we face today.
The Georgics has for many years been a source of fierce controversy among scholars of Latin literature. Is the work optimistic or pessimistic, pro- or anti-Augustan? Should we read it as a eulogy or a bitter critique of Rome and her imperial ambitions? This book suggests that the ambiguity of the poem is the product of a complex and thorough-going engagement with earlier writers in the didactic tradition: Hesiod, Aratus and - above all - Lucretius. Drawing on both traditional, philological approaches to allusion, and modern theories of intertextuality, it shows how the world-views of the earlier poets are subjected to scrutiny and brought into conflict with each other. Detailed consideration of verbal parallels and of Lucretian themes, imagery and structural patterns in the Georgics forms the basis for a reading of Virgil's poem as an extended meditation on the relations between the individual and society, the gods and the natural environment.
This book recounts the extraordinary personal journey and scientific story of Hungarian-born mathematician and physicist Cornelius Lanczos. His life and his mathematical accomplishments are inextricably linked, reflecting the social upheavals and historical events that shaped his odyssey in 20th-century Hungary, Germany, the United States, and Ireland. In his life Lanczos demonstrated a remarkable ability to be at the right place, or work with the right person, at the right time. At the start of his scientific career in Germany he worked as Einstein's assistant for one year and stayed in touch with him for years thereafter. Reacting to anti-Semitism in Germany in the 1930s, he moved to the United States, where he would work on some of the earliest digital computers at the National Bureau of Standards. After facing suspicion of Communist sympathies during the McCarthy era in the 1950s, Lanczos would relocate once again, joining Schrödinger at the Dublin Institute for Advanced Studies. Gellai's biography analyzes a rich life and a body of work that reaches across many scientific disciplines.Lanczos made important contributions to several areas of mathematics and mathematical physics. His first major contribution was an exact solution of the Einstein field equations for gravity (in general relativity). He worked out the Fast Fourier Transform, but since there were no machines on which to run it, this accomplishment would be forgotten for 25 years. Once he had access to computers, Lanczos independently rediscovered what is now known as the singular value decomposition, a fundamental tool in numerical methods. Other significant contributions included an important discovery about the Weyl tensor, which is now known as the Lanczos potential, and an important contribution on algorithms for finding eigenvalues of large matrices.
Lucretius and Shakespeare on the Nature of Things maps large, new vistas for understanding the relationship between De rerum natura and Shakespeare’s works. In chapters on six important plays across the canon (King Lear, Macbeth, Hamlet, The Merchant of Venice, The Tempest, and A Midsummer Night’s Dream), it demonstrates that Shakespeare articulates his erotics of being, his “great creating nature” (The Winter’s Tale), by drawing on imagery he learned from Ovid and other classical poets, but especially from Lucretius, in his powerful epic that celebrates Venus and her endless creativity. Responding to Lucretius’s widely admired Latinity in his exposition of the life of man in nature, Shakespeare emerges as an early modern materialist who writes poetry that is effectively “atomic,” marked (as we might say today) by fission (hendiadys, for example) and fusion (synoeciosis, for example), joining and splitting, splitting and joining language and character as no other poet has ever done – To give away yourself keeps yourself still; My grave is like to be my wedding bed; I begin/To doubt the equivocation of the fiend/That lies like truth. Readers of Shoaf’s book will encounter anew, through both fresh evidence and close reading, Shakespeare’s universally acknowledged commitment to the art of nature and the nature of art. With Lucretius’s poetry as inspiration, Shakespeare becomes the poet of the material, both in art and in nature, immensely creative with his dædala lingua like dædala natura – his wonder-crafting tongue like wonder-working nature.
Poetry. Translated from the French by Lee Fahnestock. First published in 1942 and considered the keystone of Francis Ponge's work, Le parti pris de choses appears here in its entirety. It reveals his preoccupation with nature and its metaphoric transformation through the creative ambiguity of language. "My immediate reaction to Lee Fahnenstock's translation was: this must certainly be 'Ponge's voice in English'...[She] gives us his tones, rhythms, humor...[and] maneuvers his word play with respect and unostentatious discretion"--Barbara Wright, translator of Queneau, Pinget, Sarraute.
