This book will appeal to anyone interested in architectural photography in general as well as those intrigued by the early history of America and the elegant simplicity of the hand-crafted structures.
The church steeple was one of the first art forms to be cultivated in this new land, becoming one of early Americas principal artistic achievements. The backstory of this distinctive art form is a fascinating one. The "Yankees," a homogenous group emerged in New England in the early 18th century. Their artistic abilities in design are also prevalent in silverwork and furniture craft, however it was in their steeples that they excelled and in which they were best expressed. In The Steeples of Old New England, Kirk Shivell traces both the history of these steeples and the Yankee society that built them, including many examples and anecdotes, covering the period between 1701 through 1860. This book provides a wealth of information students of history, architecture, and religion, or anyone else interested in reading about or visiting these historical landmarks. These magnificent edifices rose up everywhere on the newly settled New England landscape; the earliest built only a half-century before the American Revolution, and the last, built right before the Civil War. There are over 115 exquisitely beautiful illustrations, some full color, and others taken from documents of the period. A comprehensive directory and bibliography are also included.
The idea of covenant was at the heart of early New England society. In this singular book David Weir explores the origins and development of covenant thought in America by analyzing the town and church documents written and signed by seventeenth-century New Englanders. Unmatched in the breadth of its scope, this study takes into account all of the surviving covenants in all of the New England colonies. Weir's comprehensive survey of seventeenth-century covenants leads to a more complex picture of early New England than what emerges from looking at only a few famous civil covenants like the Mayflower Compact. His work shows covenant theology being transformed into a covenantal vision for society but also reveals the stress and strains on church-state relationships that eventually led to more secularized colonial governments in eighteenth-century New England. He concludes that New England colonial society was much more "English" and much less "American" than has often been thought, and that the New England colonies substantially mirrored religious and social change in Old England.
Simon Jenkins has travelled the length and breadth of England to select his thousand best churches. Organised by county, each church is described - often with delightful asides - and given a star-rating from one to five. All of the county sections are prefaced by a map locating each church, and lavishly illustrated with colour photos from the Country Life archive. Jenkins contends that these churches house a gallery of vernacular art without equal in the world. Here, he brings that museum to public attention.
With our American Philosophy and Religion series, Applewood reissues many primary sources published throughout American history. Through these books, scholars, interpreters, students, and non-academics alike can see the thoughts and beliefs of Americans who came before us.