Boys trained as interpreters, to be outside representatives of tribe; Preservation of food, sanctuaries, fish traps etc.; Author spent most of her childhood near Wagga Wagga, N.S.W.
Olive Sharkey is the daughter of farmers in the midlands of Ireland. 'I belong to a family which was the last in our district to relinquish the old ways on the land and in the home,' she says. Her research brought her to folk museums throughout Ireland and 'into the homes of fascinating elderly folk with surprisingly clear memories.' The daily and seasonal rhythms of life and work 'in the ould days' is recaptured, from building the house and turning the sod for a new crop, to saving the hay and burying the dead.
From the acclaimed author of The Wild Places and Underland, an exploration of walking and thinking In this exquisitely written book, Robert Macfarlane sets off from his Cambridge, England, home to follow the ancient tracks, holloways, drove roads, and sea paths that crisscross both the British landscape and its waters and territories beyond. The result is an immersive, enthralling exploration of the ghosts and voices that haunt old paths, of the stories our tracks keep and tell, and of pilgrimage and ritual. Told in Macfarlane’s distinctive voice, The Old Ways folds together natural history, cartography, geology, archaeology and literature. His walks take him from the chalk downs of England to the bird islands of the Scottish northwest, from Palestine to the sacred landscapes of Spain and the Himalayas. Along the way he crosses paths with walkers of many kinds—wanderers, pilgrims, guides, and artists. Above all this is a book about walking as a journey inward and the subtle ways we are shaped by the landscapes through which we move. Macfarlane discovers that paths offer not just a means of traversing space, but of feeling, knowing, and thinking.
In Old World Witchcraft, noted author Raven Grimassi covers totally new territory--in his work and in the world of popular witchcraft books published in the last few decades. This book is actually about “an enchanted worldview,” one that has not necessarily been inherited from the beliefs and practices of any particular region and one which is available to us today. The “Old World” in the title is actually about a magical view of the Plant Kingdom and the spirits attached to it. While Grimassi’s previous books discuss the cultural expressions and commonality of witchcraft beliefs and practices in general, this book penetrates much deeper. Old World Witchdraft reveals rarely discussed topics such as the concept of Shadow as the organic memory of the earth. Readers will learn rooted techniques that possess power because these ways have always been connected to it. They will learn methods of interfacing with the ancestral current and with the organic memory of the earth. Through these they can connect with the timeless arts and learn methods of empowerment directly from the ancient source. Totally new information about familiar tools is presented. For example, the mortar and pestle is a tool for spell casting, a device that creates interfacing with plant spirits and with shadow, and a focal point for veneration of the Plant Kingdom. Grimassi also presents the art of using plant ashes for magical sigil work. This book is for people who have had their fill of books that say the same things over and over, who want to take the next step, and who are eager for the more rooted ways that have remained largely hidden.
Oldways was founded to challenge the rise of junk foods, fad diets, and genetically modified agriculture, and to advocate a return to healthy, traditional old ways of eating.
A revised edition of a classic guide to woodworking methods that have been refined and developed over thousands of years. It teaches and preserves techniques and historical information that were lost when modern woodworking technology, dedicated to mass production, displaced the craftsman. Every woodworking operationâ?¬â? chopping, splitting, using the workbench, sawing, hewing, boring, chiseling, shaping, planing, turningâ?¬â? is described in detail. There is also information on the role of various tools in the evolution of wood products, the types and characteristics of wood, the preparation and maintenance of tools, collective tools of antique value, and instruction on the subtleties of the craft, from rabbeting to molding. The professional woodworker, the hobbyist, the collector, the antiques dealer, and the craft enthusiast will discover valuable information in this definitive work. It is reference, guide, and history all in one volume.This book contains over 200 line drawings by the author to illustrate age-old, yet fascinating, ways of working with wood. With chapters that describe the ways to fell a tree, methods for splitting wood, and more, along with a complete appendix and index, this is a great reference for anyone interested in the ways of wood working.
Mark the passing of time and honor each season with sacred ritual and seasonal craftwork, ancient stories and traditional treats. Create a colorful mask for Samhain, make a honey cake for Imbolg, fashion a chaplet of flowers at Bealtaine, bake a Brigid's blackberry pie for Lughnasadh, even accompany your sabbat festivities with music from eight traditional musical scores--it's easy with Sabbats as your guide. Learn how to combine old customs with new expressions of your beliefs and your chosen tradition. Deepen your connection to the turning of the wheel as you celebrate the eight sacred seasons of the Witches' year.
In a land like ours, the old beliefs bring pleasure and wisdom... Exploring the legends, special places and treasured practices of old, Jo Kerrigan reveals a rich world beneath Ireland's modern layers. So many of today's Irish traditions reach back to our ancient past, to the natural world: climbing to the summit of a mountain at harvest time; circling a revered site three, seven or nine times in a sun-wise direction; hanging offerings on a thorn tree; bringing the ailing and infirm to a sacred well. Old Ways, Old Secrets shows us how to uncover the wisdom of the past, as fresh as it is ancient. 'Inviting, lyrical text and beautiful, atmospheric photographs ... A fascinating read.' Evening Echo on West Cork: A Place Apart