Multi-format, multi-cultural biographies which focus on the early childhood, school years and goals of famous and infamous people from the state of Oklahoma.
A biography of America's greatest female sharpshooter delves beneath her popular image to reveal a conservative but competitive woman who wanted to succeed.
John Ford remains the most honored director in Hollywood history, having won six Academy Awards and four New York Film Critics Awards. Drawing upon extensive written and oral history, Ronald L. David explores Ford’s career from his silent classic, The Iron Horse, through the transition to sound, and then into the pioneer years of location filming, the golden years of Hollywood, and the movement toward television. During his career, Ford made such classics as Stagecoach, The Grapes of Wrath, How Green Was My Valley, and The Searchers-136 pictures in all, 54 of them Westerns. The complexity of his personality comes alive here through the eyes of his colleagues, friends, relatives, film critics, and the actors he worked with, including John Wayne, Henry Fonda, Maureen O’Hara, and Katharine Hepburn.
At the end of World War II, the top ten college football teams were largely the same as they are today—with one exception: Oklahoma. In 1947, Bud Wilkinson was named OU’s head football coach and became the architect of Oklahoma’s meteoric rise from mediocrity to its present status as a perennial powerhouse. Based on interviews with Wilkinson, former OU president George L. Cross, and numerous former players, author John Scott gives us the behind-the-scenes story of Wilkinson’s years at the University of Oklahoma. Scott takes us through the teams Wilkinson directed from 1947 to 1963, revealing the philosophies and tactics Wilkinson used to turn OU into one of college football’s elite programs. A close-up view of games—from strategy to execution—brings OU football and its cast of colorful characters to life. Scott details the Sooners’ 47-game winning streak as well as thrilling games against Notre Dame, Army, USC, and others. He also provides details of Wilkinson’s breaking of the color line in OU athletics and the infamous food-poisoning incident in Chicago in 1959. Before his death in 1994, Wilkinson reviewed the first draft of the book and wrote in a letter to the author, “The explanations of football strategies are concise and clear. They rank among the best I have ever read.” Including vignettes of Wilkinson’s closest coaching friends (Royal, Bryant, Leahy, Sanders, Blaik, Tatum), Bud Wilkinson and the Rise of Oklahoma Football captures all the drama of Oklahoma’s ascendance and serves as an authoritative and entertaining history of the sport that will appeal to all college football fans.
A steadfast champion of his people during the wars with encroaching Anglo-Americans, the Apache chief Victorio deserves as much attention as his better-known contemporaries Cochise and Geronimo. In presenting the story of this nineteenth-century Warm Springs Apache warrior, Kathleen P. Chamberlain expands our understanding of Victorio’s role in the Apache wars and brings him into the center of events. Although there is little documentation of Victorio’s life outside military records, Chamberlain draws on ethnographic sources to surmise his childhood and adolescence and to depict traditional Warm Springs Apache social, religious, and economic life. Reconstructing Victorio’s life beyond the military conflicts that have since come to define him, she interprets his character and actions not only as whites viewed them but also as the logical outcome of his upbringing and worldview. Chamberlain’s Victorio is a pragmatic leader and a profoundly spiritual man. Caught in the absurdities of post–Civil War Indian policy, Victorio struggled with the glaring disconnect between the U.S. government’s vision for Indians and their own physical, psychological, and spiritual needs. Graced with historic photos of Victorio, other Apaches, and U.S. military leaders, this biography portrays Victorio as a leader who sought a peaceful homeland for his people in the face of wrongheaded decisions from Washington. It is the most nearly complete and balanced picture yet to emerge of a Native leader caught in the conflicts and compromises of the nineteenth-century Southwest.
Everyone knows the name Calamity Jane. Scores of dime novels and movie and TV Westerns have portrayed this original Wild West woman as an adventuresome, gun-toting hellion. Although Calamity Jane has probably been written about more than any other woman of the nineteenth-century American West, fiction and legend have largely obscured the facts of her life. This lively, concise, and exhaustively researched biography traces the real person from the Missouri farm where she was born in 1856 through the development of her notorious persona as a Wild West heroine. Before Calamity Jane became a legend, she was Martha Canary, orphaned when she was only eleven years old. From a young age she traveled fearlessly, worked with men, smoked, chewed tobacco, and drank. By the time she arrived in the boomtown of Deadwood, South Dakota, in 1876, she had become Calamity Jane, and the real Martha Canary had disappeared under a landslide of purple prose. Calamity became a hostess and dancer in Deadwood’s saloons and theaters. She imbibed heavily, and she might have been a prostitute, but she had other qualities, as well, including those of an angel of mercy who ministered to the sick and the down-and-out. Journalists and dime novelists couldn’t get enough of either version, nor, in the following century, could filmmakers. Sorting through the stories, veteran western historian Richard W. Etulain’s account begins with a biography that offers new information on Calamity’s several “husbands” (including one she legally married), her two children, and a woman who claimed to be the daughter of Wild Bill Hickok and Calamity, a story Etulain discredits. In the second half of the book, Etulain traces the stories that have shaped Calamity Jane’s reputation. Some Calamity portraits, he says, suggest that she aspired to a quiet life with a husband and family. As the 2004–2006 HBO series Deadwood makes clear, well more than a century after her first appearance as a heroine in the Deadwood Dick dime novels, Calamity Jane lives on—raunchy, unabashed, contradictory, and ambiguous as ever.